Tables
Table I — Quarto Editions of Shakespeare’s Plays
| Date, S. R. | For whom Entered, S. R. | Name of Play. | Printer and Publisher of Earliest Edition Extant. | Dates of Extant Editions. | |||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1593-4 | Feb. 6 | John Danter | Titus Andronicus | a | By J. R. for Edward White | ... | 1600A. | ... | ... | 1611A. | ... |
| 1593-4 | Mar. 12 | Thomas Myllington | York and Lancaster, I. | b | By Thomas Creede for Thomas Millington | 1594A. | 1600A. | ... | ... | ... | 1619A. |
| ... | ... | Richard Duke of York | c | By P.S. for Thomas Millington | 1595A. | 1600A. | ... | ... | ... | ||
| 1595 | Dec. 1 | Cuthbert Burby | Edward III. | d | ... for Cuthbert Burby | 1596A. | 1599A. | ... | 1609A. | 1617A. | 1625A. |
| ... | ... | Romeo and Juliet (1) | e | By John Danter | 1597A. | ... | ... | ... | ... | ... | |
| 1597 | Aug. 29 | Andrew Wise | Richard II. | f | By Valentine Simmes for Andrew Wise | 1597A. | 1598 | ... | 1608 | 1615F. | ... |
| 1597 | Oct. 20 | Andrew Wise | Richard III. | g | By Valentine Sims for Andrew Wise | 1597A. | 1598 | 1602 | 1605 | 1612 | 1622 |
| 1597-8 | Feb. 25 | Andrew Wise | 1 Henry IV. | h | By P.S. for Andrew Wise | 1598 | 1599 | 1604 | 1608 | 1615F. | 1622 |
| 1598 | July 22 | James Roberts | Merchant of Venice. | i | By J. Roberts | ... | 1600 | ... | ... | ... | ... |
| ... | ... | Love’s Labour’s Lost | j | By W. W. for Cuthbert Burby | 1598 | ... | ... | ... | ... | ... | |
| ... | ... | Romeo and Juliet (2) | k | By Thomas Creede for Cuthbert Burby | ... | 1599A. | ... | 1609A.F. | ... | ... | |
| 1600 | Aug. 4 | ... | As You Like It | l | “Stayed” with the two following plays. Not printed. | ... | ... | ... | ... | ... | ... |
| 1600 | Aug. 14 | “Set over” to Thomas Pavier | Henry V. | m | By T. Creede for T. Millington and J. Busby | ... | 1600A. | 1602A. | 1608A. | ... | ... |
| 1600 | Aug. 23 | Andrew Wise and William Aspley | Much Ado about Nothing | n | By V. S. for Andrew Wise and William Aspley | ... | 1600F. | ... | ... | ... | ... |
| 2 Henry IV. | ... | 1600 | ... | ... | ... | ... | |||||
| 1600 | Oct. 8 | Thomas Fisher | Midsummer Night’s Dream | o | ... for Thomas Fisher | ... | 1600 | ... | ... | ... | ... |
| By James Roberts | ... | 1600F. | ... | ... | ... | ... | |||||
| 1600 | Oct. 28 | Thomas Haies | Merchant of Venice | p | By J. R. for Thomas Hayes | ... | 1600F. | ... | ... | ... | ... |
| 1601-2 | Jan. 18 | John Busby (with assignment to Arthur Johnson) | Merry Wives of Windsor | q | By T. C. for Arthur Johnson | ... | 1602 | ... | ... | ... | 1619 |
| 1602 | April 19 | Thomas Pavier | 1, 2 Henry VI. and Titus Andronicus | r | By assignment from Thomas Millington | ... | ... | ... | ... | ... | ... |
| 1602 | July 26 | James Roberts | Revenge of Hamlet (1) | s | ... for N. L. and John Trundell | ... | 1603 | ... | ... | ... | ... |
| ... | ... | Hamlet (2) | t | By J. R. for N. L. | ... | ... | 1604 | 1605 | 1611 | ... | |
| 1602-3 | Feb. 7 | James Roberts | Troylus and Cressida | u | “To print when he hath gotten sufficient authority for it.” Not printed. | ... | ... | ... | ... | ... | ... |
| 1607 | Nov. 26 | Na. Butter: Jo. Busby | King Lear | v | ... for Nathaniel Butter | ... | ... | ... | 1608 bis | ... | ... |
| 1608 | May 20 | Edward Blount | Pericles | w | Not printed. | ... | ... | ... | ... | ... | ... |
| Anthony and Cleopatra | |||||||||||
| 1608-9 | Jan. 28 | Ri. Bonion; Hen. Whalley | Troylus and Cressida | x | By G. Eld for R. Bonion and H. Whalley | ... | ... | ... | 1609 bis | ... | ... |
| ... | ... | Pericles | y | ... for Henry Gosson | ... | ... | ... | 1609 bis | 1611 | 1619 | |
| 1621 | Oct. 6 | Thomas Walkley | Othello | z | By N. O. for Thomas Walkley | ... | ... | ... | ... | ... | 1622 |
Table II — Quarto Editions of Other Plays Performed by Shakespeare’s Company
| Date. | For whom Entered. | Name of Play. | Extant Editions. | |
|---|---|---|---|---|
| 1593-4 | Jan. 7 | R. Jones | A Knack to Know a Knave | 1594 |
| [1594 | July 20 | T. Creede | Locrine | 1595] |
| 1595 | Dec. 1 | C. Burby | Edward III. | 1596, 1599, 1609, 1617, 1625 |
| ... | W. Jones | Mucedorus | 1598, 1606, 1610, 1613, 1615, 1619, 1629, 1634, 1639, &c. | |
| 1599 | Nov. 17 | W. Aspley | Warning for Fair Women | 1599 |
| 1600 | April 8 | W. Holme | Every Man out of his Humour | 1600 (printed for N. Ling) |
| 1600 | May 27 | J. Roberts | Cloth Breeches and Velvet Hose | These plays were stayed, sufficient authority for their printing not being forthcoming |
| 1600 | May 29 | J. Roberts | Alarum to London | |
| 1601 | Aug. 14 | C. Burby and W. Burre | Every Man in his Humour | 1601 |
| ... | E. White | Massacre of Paris | n.d. | |
| 1600 | Nov. 11 | J. Barnes | Satiromastix | 1602 |
| ... | W. Ferbrand | Alarum for London | 1602 | |
| 1602 | Aug. 11 | W. Cotton | Lord Cromwell | 1602, 1613 |
| 1604 | July 2 & 5 | W. Aspley and T. Thorpe | Malcontent | 1604 |
| 1604 | Nov. 2 | E. Blunt | Sejanus | 1605 |
| ... | N. Butter | London Prodigal | 1605 | |
| 1607 | July 31 | G. Vincent | Miseries of Enforced Marriage | 1607, 1611, 1629, 1637 |
| 1607 | Oct. 7 | G. Elde | Revenger’s Tragedy | 1607 |
| 1607 | Oct. 22 | A. Johnson | Merry Devil of Edmonton | 1608, 1617, 1626 |
| ... | ... | Volpone, or the Fox | 1607 | |
| 1608 | May 2 | T. Pavier | Yorkshire Tragedy | 1608, 1619 |
| ... | J. Wright | Fair Em | 1631 | |
Table III — Number of Performances at Court, 1584-1616
| I. | II. | III. | IV. | V. | ||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1584-5 | Leicester’s | 0 | Admiral’s | 0 | Queen’s | 5 | Oxford’s | 1 | Paul’s | 0 | Total | 6 |
| 1585-6 | 0 | 1 | 1 | 0 | 0 | 2 | ||||||
| 1586-7 | Plague Year | 0 | ||||||||||
| 1587-8 | 0 | 0 | 3 | 0 | 1 | 4 | ||||||
| 1588-9 | 0 | 2 | 2 | 0 | 3 | 7 | ||||||
| 1589-90 | Strange’s | 0 | 2 | 2 | Pembroke’s | 0 | 3 | 7 | ||||
| 1590-1 | 0 | 2 | 5 | 0 | 7 | |||||||
| 1591-2 | 6 | Hertford’s | 1 | 1 | 0 | Sussex’ | 1 | 9 | ||||
| 1592-3 | 3 | ... | ... | 2 | 5 | |||||||
| 1593-4 | Plague Year | 0 | ||||||||||
| 1594-5 | Chamberlain’s | 2 | Admiral’s | 0 | 0 | ... | 2 | |||||
| 1595-6 | 5 | 0 | Total | 19 | 0 | ... | 5 | |||||
| 1596-7 | 6 | 0 | 0 | ... | 6 | |||||||
| 1597-8 | 4 | 2 | ... | ... | 6 | |||||||
| 1598-9 | 3 | 0 | ... | Total | 3 | ... | 3 | |||||
| 1599-00 | 3 | 2 | Derby’s | 1 | ... | 6 | ||||||
| 1600-1 | 3 | 3 | 0 | Chapel | 1 | Paul’s | 1 | 8 | ||||
| 1601-2 | Richard II. played for Essex faction. | 0 | ||||||||||
| 1602-3 | 2 | 3 | Worcester’s | 0 | 0 | 0 | 5 | |||||
| 1603-4 | King’s | 9 | P. Henry’s | 4 | Q. Anne’s | 2 | I Revels | 1 | 0 | 16 | ||
| 1604-5 | 4 | 8 | 1 | 2 | 0 | 15 | ||||||
| 1605-6 | 10 | 6 | 1 | 0 | 2 | 19 | ||||||
| 1606-7 | 12 | 6 | 0 | 0 | 18 | |||||||
| 1607-8 | 13 | 4 | 0 | 0 | Total | 10 | 17 | |||||
| 1608-9 | 12 | 3 | 0 | 0 | 15 | |||||||
| 1609-10 | Plague Year | D. of York’s | 1 | 1 | ||||||||
| 1610-1 | 15 | 4 | 3 | 2 Revels | 0 | 3 | 25 | |||||
| 1611-2 | 22 | 4 | 4 | 1 L. Eliz. | 1 | 4 | 35 | |||||
| 1612-3 | 28 | 1 | 0 | 2 Revels | 3 | 2 | 36 | |||||
| ... | ... | ... | ... | 2 L. Eliz. | 2 | ... | ... | |||||
| 1613-4 | 7 | Palsgrave’s | 0 | 2 | 2 | P. Charles’ | 0 | 11 | ||||
| 1614-5 | 0 | 0 | 0 | 1 | 0 | 1 | ||||||
| 1615-6 | 0 | 0 | 0 | 0 | 0 | 0 | ||||||
| Totals | 169 | 58 | 14 | 13 | 10 | 297 | ||||||
Table IV — Entries of Plays in the Stationers’ Registers, 1584-1640
| Date. | For whom Entered. | Name of Play. | |
|---|---|---|---|
| 1584 | April 6 | Thomas Cadman | Sappio by Lyllye: “if he get ye comedy lawfully allowed to him.” |
| Nov. 12 | Thomas Hackett | Fedele et Fortuna. The deceits in love discoursed in a Commedia of il Italian gent, and translated into English. | |
| 1585 | April 1 | Gabriel Cawood | Tityrus and Galaten. A Comedy. |
| 1588 | Oct. 28 | Richard Jones | Pageant before Martin Calthrop, L. Mayor, 29th Oct. 1588, by G. Peele. “Upon condition that it may be licensed.” |
| 1590 | July 31 | Richard Jones | A comedy of the pleasant and stately moral of the three Lords of London. |
| Aug. 14 | Richard Jones | The two comical discourses of “Tomberlein the Cithian shepparde.” | |
| 1591 | July 26 | Richard Jones | The Hunting of Cupid, by G. Peele, M.A. of Oxford. “Provided always that, if it be hurtful to any other copy before licensed, then this to be void.” |
| Oct. 4 | Mrs. Broome, widow of William Broome | Endimion, Galathea, Midas: three comedies played before her Majesty by the children of Paul’s. | |
| 1592 | April 3 | Edward White | The tragedy of “Arden of Faversham and Blackwall.” |
| Oct. 6 | Abel Jeffes | The Spanish Tragedy of “Don Horatio and Bellmipeia.” | |
| Nov. 20 | Edward White | The tragedy of “Salamon and Perceda.” | |
| 1593 | July 6 | William Jones | The troublesome reign and lamentable death of Edward II. King of England, with the tragical fall of proud Mortimer. |
| 1593 | Oct. 8 | Abel Jeffes | The Chronicle of K. Edward I. Longshank, with his return out of the Holy Land: with the life of “Leublen,” rebel in Wales, with the sinking of Queen Elinour. An enterlude. |
| Oct. 19 | Symond Waterson | The tragedy of Cleopatra. | |
| Oct. 23 | John Danter | The life and death of Jack Straw. An enterlude. | |
| Dec. 7 | John Danter | The history of Orlando Furioso, one of the 12 peers of France. A playbook. | |
| 1593-4 | Jan. 7 | Richard Jones | A Knack to Know a Knave, newly set forth as it hath sundry times been played by Ned Allen and his company, with Kempe’s applauded merriments of the men of Goteham. A comedy. |
| Jan. 26 | Nicholas Ling and John Busbye | Cornelia: Thomas Kydd being the author. | |
| Feb. 6 | John Danter | A noble Roman history of Tytus Andronicus. | |
| Mar. 5 | Thomas Creede | The looking glass for London, by Thomas Lodg and Robert Greene, gent. | |
| Mar. 12 | Thomas Myllington | The first part of the Contention of the two famous houses of York and Lancaster, with the death of the Duke of Suffolk, and the tragical end of the proud Cardinal of Winchester, with the notable rebellion of Jack Cade and the Duke of York’s first claim unto the crown. | |
| 1594 | May 2 | Peter Shorte | A pleasant conceited history called the “Tayming of a Shrowe.” |
| May 13 | Thomas Creede | The Pedlar’s Prophesy. “A pleabook.” | |
| May 14 | Thomas Creede | The Famous Victories of Henry V., containing the honourable battle of Agincourt. | |
| May 14 | Thomas Creede | The Scottish story of James IV., slain at Flodden, intermixt with a pleasant comedy presented by Oboron King of Fairies. | |
| 1594 | May 14 | Edward White [previously entered to Adam Islip, whose name is crossed out] | The History of Friar Bacon and Friar Boungaye. |
| The most famous Chronicle History of Leire King of England and his three daughters. | |||
| The famous history of John of Gaunte, son to King Edward III., with his Conquest of Spain and marriage of his two daughters to the Kings of Castile and Portugale, &c. | |||
| The Book of David and Bethshaba. | |||
| A Pastoral pleasant comedy of Robin Hood and Little John. | |||
| May 17 | Thomas Gosson | The Famous Chronicle of Henry I., with the life and death of Bellin Dunn, the first thief that ever was hanged in England. | |
| May 17 | Thomas Millington | The famous tragedy of the Rich Jew of Malta. | |
| May 24 | John Danter | The wounds of Civil War lively set forth in the True Tragedies of Marius and Scilla. | |
| May 28 | Cuthbert Burbye, by consent of John Danter | The history of Orlando Furioso, “So often as the same book shall be printed, the said John Danter to have the imprinting thereof.” | |
| June 8 | Cuthbert Burbey | The Cobbler’s Prophesy. | |
| June 18 | Cuthbert Burby | Mother Bumbye. An enterlude. | |
| June 19 | John Danter | Godfrey of Bulloigne, with the Conquest of Jerusalem. An enterlude. | |
| June 19 | John Danter | The life and death of Heliogabilus. An enterlude. | |
| June 19 | Thomas Creede | The tragedy of Richard III., wherein is shown the death of Edward IV., with the smothering of the two princes in the Tower, with a lamentable end of Shores’ wife and the conjunction of the two houses of Lancaster and York. An enterlude. | |
| 1594 | July 20 | Thomas Creede | The lamentable tragedy of Locrine, the eldest son of King Brutus, discoursing the wars of the Britons, &c. |
| 1595 | April 1 | Cutbert Burbye | The Pynder of Wakefeilde. An enterlude. |
| April 16 | Raphe Hancock | A pleasant conceipt called an Owlde Wife’s tale. An enterlude. | |
| May 10 | John Hardye | The tragedy of Ninus and Semiramis, the first monarchs of the world. | |
| May 23 | Thomas Gosson | Valentine and Orsson, played by her Majesty’s players. An enterlude. | |
| Raffe Hancock | |||
| Sept. 22 | Robert Fynche | A woman in the moon. | |
| Nov. 24 | William Blackwell | The true tragical history of King Rufus I., with the life and death of Belyn Dun, the first thief that ever was hanged in England. | |
| Nov. 26 | Cutbert Burbye | The most rare and pleasant history of A Knack to know an honest man. | |
| Dec. 1 | Cutbert Burbye | Edward III. and the Black Prince, their wars with King John of France. | |
| 1595-6 | Jan. 20 | Thomas Gosson | The first part of the famous history of Chinan of England. |
| John Danter | |||
| 1597 | Aug. 29 | Andrew Wise | The tragedy of Richard II. |
| Oct. 20 | Andrew Wise | The tragedy of King Richard III., with the death of Duke of Clarence. | |
| 1597-8 | Feb. 25 | Andrew Wise | The history of Henry IV., with his battle of Shrewsbury against Henry Hottspurre of the North, with the conceited mirth of Sir John Ffalstoff. |
| 1598 | July 22 | James Robertes | The Marchaunt of Venyce, or otherwise called the Jewe of Venyce. Provided it be not printed without license first had from the Lord Chamberlain. |
| Aug. 15 | William Jones | The blinde begger of Alexandrya. “Upon condition that it belong to no other man.” | |
| 1598 | Oct. 5 | William Aspley | The tragic comedy of Celestina, wherein are discoursed in most pleasant style many philosophical sentences and advertisements very necessary for young gentlemen, discovering the sleights of treacherous servants and the subtle carriages of filthy bawds. |
| Oct. 5 | [William] Ponsonbye | The tragi-comedy of the Vertuous Octavia, by Samuell Brandon. | |
| 1599 | Aug. 28 | John Oxonbridge | The first and second part of Edward IV. and the Tanner of Tamworth, with the history of the life and death of Master Shore and Jane Shore his wife, as it was lately acted by the right honorable the Earl of Derby his servants. Two plays. |
| John Busbie | |||
| Nov. 17 | William Aspley | A Warning for Fair Women. | |
| 1599-1600 | Feb. 20 | William Aspley | Old Fortunatus in his new livery. A comedy. |
| 1600 | Mar. 28 | Cuthbert Burby | The play of Patient Grissell. |
| Mar. 31 | William White | A famous history called Valentine and Orsson, played by her majesty’s players. | |
| April 8 | William Holme | A comical satire of Every man out of his Humour. | |
| May 27 | [James] Robertes | A moral of Cloth Breeches and Velvet Hose, as it is acted by my Lord Chamberlain’s servants. “Provided that he is not to put it in print without further and better authority” [than the Wardens’]. | |
| May 29 | [James] Robertes | The Allarum to London. “Provided that it be not printed without further authority.” | |
| Jul 24 | Richard Oliff | Two plays or things; the one called The Maid’s Metamorphosis: the other Give a man luck and throw him into the Sea. | |
| 1600 | Aug. 11 | Thomas Pavier | The first part of the history of the life of Sir John Oldcastell, Lord Cobham. |
| The second and last part of the history of Sir John Oldcastell, Lord Cobham, with his martyrdom. | |||
| The history of the life and death of Captain Thomas Stucley, with his marriage to Alexander Curtis his daughter, and his valiant ending of his life at the battle of Alcazar. | |||
| Aug. 14 | [Cuthbert] Burby | Every man in his humour. A book. | |
| Walter Burre | |||
| Aug. 23 | Andrew Wise | Much Ado about Nothing | |
| William Aspley | The second part of the history of King Henry IV., with the humours of Sir John Ffallstaff. Written by Master Shakespere. Two books. | ||
| [The following entries occur in another part of the Registers:—My Lord Chamberlain’s men’s plays entered. | |||
| May 27 | [James] Robertes | A moral of cloth breeches and velvet hose. | |
| May 27 | J[ames] Robertes | Allarum to London. | |
| Aug. 4 | ... | As you like it. A book. Henry V. A book. Every man in his humour. A book. The comedy of Much Ado about nothing. A book. To be stayed.] | |
| Sept. 8 | Ffelix Norton | Jack Drum’s entertainment, a comedy, as it hath been divers times acted by the Children of Paul’s. | |
| Oct. 7 | Richard Olyffe | The Wisdom of Doctor Dodepole, played by the children of Paul’s. | |
| Oct. 8 | Thomas Ffyssher | A Midsummer Night’s Dream. | |
| Oct. 23 | Richard Oliffes | The weakest goeth to the walls. | |
| Oct. 28 | Thomas Haies | A book called The book of the Merchant of Venice.! “By consent of Mr. Roberts.” | |
| 1600 | Oct. 28 | [Cuthbert] Burby Walter Burre | Sommer’s last Will and Testament, presented by William Sommers. |
| Nov. 25 | William Wood | Love’s Metamorphosis, written by Master John Lylly, and played by the Children of Paul’s. | |
| Dec. 1 | [William] Leake | The Downfal of Robert Earl of Huntingdon, after called Robin Hood. | |
| Dec. 1 | [William] Leake | The Death of Robert Earl of Huntingdon, with the lamentable tragedy of Chaste Mathilda. | |
| 1600-1 | Jan. 7 | Thomas Busshell | The play of Doctor Faustus. |
| Mar. 1 | John Harrison, jun. | God speed the plough. | |
| 1601 | May 23 | Walter Burre | Narcissus, the fountain of Self Love. |
| July 3 | Edward Alde | The true history of George Scanderbarge, as it was lately played by the right hon. the Earl of Oxenford his servants. | |
| Aug. 3 | William White | A comedy of A Woman will have her Will. | |
| Oct. 24 | Matthew Lownes | The first and second parts of the play called Anthonio can Melida. “Provided that he get lawful license for it.” | |
| Thomas Ffyssher | |||
| Nov. 11 | John Barnes | The untrussing of the Humorous Poets, by Thomas Decker. | |
| Dec. 21 | Mathewe Lownes | Poetaster, or his arraignment. | |
| 1601-2 | Jan. 18 | John Busby | An excellent pleasant and conceited comedy of Sir John Ffaulstof and the merry wives of Windesor [assigned to Arthure Johnson at same date]. |
| 1602 | June 7 | Edward Aldee | Blurt Master Constable. |
| July 26 | James Robertes | The Revenge of Hamlett Prince Denmark, as it was lately acted by the Lord Chamberlain his servants. | |
| 1602 | Aug. 11 | William Cotton | The life and death of the Lord Cromwell, as it was lately acted by the Lord Chamberlain his servants. |
| 1602-3 | Feb. 7 | [James] Robertes | Troilus and Cresseda, as it is acted by my Lord Chamberlain’s men. “When he hath gotten sufficient authority for it.” |
| 1604 | April 30 | Edward Blunt | The works of William Alexander of Menstrie, containing the Monarchic Tragedies. |
| July 5 | William Aspley | The Malcontent, Tragicomædia. An interlude. [Crossed out and re-entered.] | |
| Thomas Thorpe | |||
| Nov. 2 | Edward Blunt | The tragedy of Sejanus, written by Benjamin Johnson. | |
| Nov. 9 | Thomas Man, jun. | The humours of the Patient Man, the Longing Wife, and the Honest Whore. | |
| Nov. 29 | [Simon] Waterson | The tragedy of Philotus, written by Samuel Daniell. | |
| Edward Blunt | |||
| Dec. 4 | Nathaniel Butter | The life and death of Cavaliero Dick Boyer. | |
| 1604-5 | Feb. 8 | Thomas Pavyer | The history of Richard Whittington, his low birth, his great fortune, as it was played by the Prince’s servants. |
| Feb. 8 | Thomas Pavyer | The Fair Maid of Bristoe, played at Hampton Court by His Majesty’s players. | |
| Feb. 12 | Nathanaell Butter | King Henry VIII. An enterlude. “If he get good allowance before he begin to print it.” | |
| Mar. 2 | Henrie Rockett | Westward Hoe, presented by the children of Paul’s. A comedy. “Provided that he get further authority before it be printed.” [Crossed out.] | |
| 1605 | May 8 | Simon Stafford | The Tragical history of King Leir and his three daughters, as it was lately acted. Assigned [at the same date] to John Wright, “provided that Simon Stafford shall have the printing of this book.” |
| June 26 | John Hodgetes | The Dutch Courtesan, as it was lately presented at the Blackfriars. “Provided that he get sufficient authority before it be printed.” | |
| 1605 | July 5 | Nathaniel Butter | If you know not me you know nobody. |
| Sept. 4 | William Aspley | Eastward Ho. A comedy. | |
| Thomas Thorp | |||
| Sept. 14 | Nathanael Butter | The second part of If you know not me you know [no]body, with The Building of the Exchange. | |
| Oct. 16 | John Wright | The Return from Pernassus, or the Scourge of Simony, publicly acted by the Students in Saint John’s College, in Cambridge. An enterlude. | |
| Nov. 26 | [Simon] Waterson | The Queen’s Arcadia, presented by the University of Oxon in Christchurch. | |
| 1605-6 | Jan. 10 | Edward Blounte | A comedy called Sir Gyles Goosecap, “provided that it be printed according to the copy whereunto Master Wilson’s hand is at.” |
| Mar. 12 | John Trundell | Nobody and Somebody. | |
| Mar. 12 | William Cotton | The Ffanne. A play. “Provided that he shall not put the same in print before he get allowed lawful authority.” | |
| Mar. 17 | Eliazar Edgar | The Wonder of Women, or the tragedy of Sophonisba. | |
| 1606 | May 13 | John Trundell | The Fleare. A comedy. “Provided that they are not to print it till they bring good authority and license for the doing thereof.” [Trundel’s share was transferred to A. Johnson, Nov. 21, and Buck’s license obtained to print.] |
| John Busbye | |||
| June 5 | John Wright | Julius Cæsar’s Revenge. | |
| Nathanael Ffossbrook | |||
| Nov. 12 | Clement Knighte | Wily Beguiled. | |
| 1606-7 | Feb. 23 | [Simon] Waterson | Lingua. A comedy. [Assigned to J. Waterson, 19th Aug. 1635.] |
| Date. | For whom Entered. | Licenser. | Name of Play. | |
|---|---|---|---|---|
| 1607 | April 10 | Francis Burton | B. | The tragical life and death of Claudius Tiberius Nero. |
| April 20 | Nathanael Butter | B. | The Whore of Babilon. | |
| John Trundell | ||||
| April 24 | Henrie Rockett | B. | The Fair Maid of the Exchange. | |
| May 9 | Arthur Johnson | B. | The Phenix. | |
| May 15 | Arthur Johnson | B. | Michaelmas Term. A comedy. | |
| May 20 | Eleazar Edgar | B. | The Woman hater, as it hath been lately acted by the Children of Paul’s. | |
| Robert Jackson | ||||
| June 3 | William Aspley | B. | The tragedy of Busey D’Amboise, made by George Chapman. | |
| June 29 | John Busbye | T. | Cupid’s Whirleygigge. A comedy. | |
| Arthur Johnson | ||||
| June 29 | John Wright | B. | The travels of the three English Brothers, as it was played at the Curtain. A play. | |
| July 31 | George Vyncent | B. | The misery of inforced Marriage. A tragedy. | |
| Aug. 6 | George Elde | B. | The Puritan Widow. A comedy. | |
| Aug. 6 | George Elde | B. | Northward Ho. | |
| Aug. 6 | Thomas Thorp | B. | What you will. A comedy. | |
| Oct. 7 | George Elde | B. | The Revenger’s Tragedy. }Two plays. | |
| B. | A Trick to catch the Old one.} | |||
| Oct. 12 | John Browne | B. | The Family of Love, as it hath been lately acted by the Children of His Majesty’s Revels. A play. | |
| John Helme | ||||
| Oct. 16 | John Wright | B. | The tragedy of Pope Alexander VI., as it was played before his Majesty. | |
| 1607 | Oct. 22 | Arthur Johnson | B. | The Merry Devil of Edmonton. A play. |
| Nov. 26 | Nathaniel Butter | B. | Master William Shakespeare his history of King Lear, as it was played before the King’s Majesty at Whitehall upon Saint Stephen’s night at Christmas last by His Majesty’s servants playing usually at the Globe on the Bankside. | |
| John Busby | ||||
| 1607-8 | Mar. 22 | Richard Bonyon | B. | The Five Witty Gallants, as it hath been acted by the Children of the Chapel. A play. |
| 1608 | Mar. 28 | Richard Moore | B. | A most witty and merry conceited comedy called Who would a’ thought it, or Law Tricks. |
| April 12 | John Helme | B. | Humour out of Breath. | |
| April 21 | Thomas Thorpe | B. | The characters of two Royal Masques invented by Ben. Johnson. | |
| April 29 | Thomas Man, jun. | B. | The second part of the Converted Courtesan, or Honest Whore. | |
| May 2 | [Thomas] Pavyer | ... | A Yorkshire Tragedy, written by Wylliam Shakespere. | |
| May 20 | Edward Blount | B. | Pericles, Prince of Tyre. | |
| June 3 | John Busby | B. | A Roman tragedy called the Rape of Lucrece. | |
| Nathanael Butter | ||||
| June 5 | Thomas Thorp | B. | The Conspiracy and Tragedy of Charles Duke of Byronn, written by George Chapman. | |
| Oct. 4 | Walter Burre | S. | A mad World, my maysters. | |
| Eleazer Edgar | ||||
| Oct. 6 | John Bache | B. | The Dumb Knight. A play. | |
| 1608 | Nov. 25 | Nathanael Butter | B. | The tragedy of Mustapha and Zangar. |
| 1608-9 | Jan. 26 | Henry Walleys | S. | The Case is altered. [Bartholomew Sutton is added to the two other publishers on 20 July 1609.] |
| Richard Bonion | ||||
| Jan. 27 | Jeffrey Charlton | S. | Bonos Nochios. An interlude. | |
| S. | Craft upon Subtilty’s back. An interlude. | |||
| Jan. 28 | Richard Bonion | S. | The history of Troylus and Cressida. | |
| Henry Walleys | ||||
| Feb. 22 | Richard Bonion | S. | The masque of Queens celebrated, done by Benjamin Johnson. | |
| Henry Walley | ||||
| Mar. 10 | John Busby, jun. | S. | The tragedy of the Turk, with the death of Borgias, by John Mason, gent. | |
| 1610 | June 12 | John Browne | ... | Chester’s Triumph in honor of the Prince, as it was performed upon S. Gregory’s day in the aforesaid city. |
| Sept. 20 | John Browne | B. | Epiceone, or the Silent Woman, by Ben. Johnson. | |
| John Busby, jun. | ||||
| Oct. 3 | Walter Burre | B. | The Alchemist, made by Ben Johnson. | |
| Oct. 31 | Thomas Thorpe | B. | Histriomastix, or the Player Whipped. | |
| Nov. 9 | Robert Wilson | B. | Ram Alley, or Merry Tricks. | |
| 1611 | Sept. 14 | John Stepneth | B. | The tragedy of the Atheist. |
| Oct. 14 | William Barrenger | B. | The Golden Age, with the lives of Jupiter and Saturn. | |
| Nov. 23 | John Budge | B. | A Woman is a Weathercock. A comedy. | |
| 1611-12 | Feb. 1 | William Barrenger | B. | A Christian turned Turk, or the tragical lives and deaths of the two famous pirates Ward and Danseker, as it hath been publicly acted. Written by Robert Daborn, gent. |
| Feb. 15 | Edward Blunte | B. | A play-book, being a Tragi-comedy called the Nobleman, written by Cyril Tourneur. | |
| 1611-12 | Feb. 15 | Edward Blunte | B. | The Twins Tragedy, written by Niccolls. A tragedy. |
| 1612 | April 17 | [John] Browne | B. | The Revenge of Bussy D’Amboys. A tragedy. |
| B. | The Widow’s Tears. A comedy. Both written by George Chapman. | |||
| Dec. 17 | Richard Hawkins | B. | The tragedy of the Fair Mariamne, Queen of Jewry. | |
| 1614 | May 23 | Richard Redmer | B. | Hog hath lost his Pearl. |
| 1614-5 | Feb. 21 | Robert Lownes | B. | The Valiant Welshman. |
| 1615 | April 18 | Walter Burr | ... | Ignoramus, Comœdia prout Cantabrigie acta coram Jacobo, &c. |
| April 24 | Josias Harison | B. | The Hector of Germany, or the Palsgrave “is a harmless thing.” [These four words have been struck through with a pen.] | |
| April 24 | Josias Harison | ... | Cupid’s Revenge. | |
| April 28 | Nicholas Okes | ... | Albumazar. A comedy acted before His Majesty at Cambridge, 10 Mar. 1614[-5]. | |
| Aug. 14 | Richard Redmere | ... | The Honest Lawyer. A play. [Assigned at same date to Richard Woodriffe.] | |
| 1615-6 | Mar. 19 | Miles Patriche | B. | The Scornful Lady, written by Francis Beaumont and John Fletcher. |
| 1618 | April 20 | John Parker | B. | The Marriages of the Arts, written by Barth. Holyday, M.A. A Comedy. |
| June 3 | Barnard Alsope | ... | See me and see me not, by Dabridgcourt Belgier. A poem. | |
| Aug. 7 | [Edward] Blounte | B. | A King and no King. A play. | |
| 1619 | April 28 | [Richard] Higgenbotham | B. | The Maid’s Tragedy. A play. |
| [Francis] Constable | ||||
| July 10 | [John] Brown | B. | The Temple Masque, anno 1618. | |
| Oct. 17 | Richard Meighen | B. | Swetnam the Women Hater arraigned by Women. A comedy. | |
| 1619-20 | Jan. 10 | Thomas Walkley | ... | Philaster. A play. |
| Jan. 15 | John Trundle | ... | The life and death of Guy of Warwick, written by John Day and Thomas Decker. | |
| 1620 | May 22 | Laurence Chapman | B. | Two Merry Milkmaids. A play. |
| July 4 | George Purslowe | B. | A courtly masque, or the The World Tost at Tennis, acted at the Prince’s Arms by the Prince his highness’ servants. | |
| John Trundle | ||||
| 1621 | Sept. 18 | John Norton | B. | The Pilgrim of Casteell, or the Fortunes of Llamphilus and Nisa. “Not to be printed until he bringeth more sufficient authority.” |
| Oct. 6 | Thomas Walkley | B. | The Tragedy of Othello, the Moor of Venice. | |
| Dec. 7 | Thomas Jones | B. | The Virgin Martyr. A tragedy. | |
| 1621-2 | Feb. 22 | Matthew Rodes | B. | A tragedy of Herod and Antipater, by Gervase Markham. |
| 1622-3 | Jan. 20 | Edward Blackmore | A. | Sforza, Duke of Millaine, made by Master Messenger. A play. |
| George Norton | ||||
| 1623 | Sept. 3 | Francis Grove | A. | A book of Jigs containing three books or parts. |
| Nov. 8 | [Edward] Blounte | ... | Master William Shakspeer’s Comedies, Histories, and Tragedies, so many of the said copies are not formally entered to other men. | |
| Isaac Jaggard | ||||
| ... | ... | ... | Comedies: The Tempest. | |
| ... | ... | ... | The Two Gentlemen of Verona. | |
| ... | ... | ... | Measure for Measure. | |
| 1623 | Nov. 8 | ... | ... | The Comedy of Errors. |
| ... | ... | ... | As you like it. | |
| ... | ... | ... | All’s well that ends well. | |
| ... | ... | ... | Twelfe Night. | |
| ... | ... | ... | The Winter’s Tale. | |
| ... | ... | ... | Histories: The third part of Henry VI. | |
| ... | ... | ... | Henry VIII. | |
| ... | ... | ... | Tragedies: Coriolanus. | |
| ... | ... | ... | Timon of Athens. | |
| ... | ... | ... | Julius Cæsar. | |
| ... | ... | ... | Macbeth. | |
| ... | ... | ... | Anthonie and Cleopatra. | |
| ... | ... | ... | Cymbeline. | |
| 1623-4 | Mar. 12 | [John] Harrison | H. | The Bondman, by Phillip Messenger. |
| Edward Blackmore | ||||
| 1624 | June 28 | John Wright | ... | The Spanish Jepsye. |
| 1626 | April 14 | John Waterson | ... | The Staple of News. A comedy. |
| 1627 | April 8 | Robert Milbourne | ... | Apollo Shroving. A comedy. |
| 1627-8 | Feb. 27 | John Marriott | H. | The tragedy of Lodovick Sforza, Duke of Millan, by Robert Gomersall. |
| 1629 | June 2 | Henry Seile | H. | The Lover’s Melancholy, by John Ford, gent. |
| Nov. 13 | Jaspar Emerye | H. | The Duchess of Suffolk, written by Thomas Drue. A play. | |
| 1629-30 | Jan. 1 | Ephraim Dawson | H. | The Collonell, written by William Davenant, gent. |
| 1629-30 | Jan. 10 | John Waterson | H. | The Crewel Brother, written by William Davenant. |
| H. | The Just Italian, by the same. | |||
| Feb. 26 | John Grove | H. | Hoffman, the Revengeful Father. A play. | |
| H. | The Grateful Servant, by James Shirley. A play. | |||
| Feb. 27 | Raph Mabbe | H. | The Spanish Bawd. A play. | |
| Mar. 22 | John Waterson | H. | The Runegado, by Philip Messenger. A play. | |
| 1630 | Mar. 26 | John Mariott | H. | Aristippus and the Pedler. |
| April 8 | [Francis] Constable | H. | The Chast Mayd of Chepeside. A play. | |
| April 8 | —— Allcott | H. | The Pedler, by R. Davenport. A comedy. | |
| April 16 | [Francis] Constable | H. | The Battle of the Affections, or Love’s Lodestone. A play. | |
| June 29 | [Nathaniel] Butter | H. | The second part of the Honest Hoore, by Thomas Decker. | |
| Sept. 13 | Andrew Crooke | H. | A comedy in Latin called Loyola, by Doctor Hackket. | |
| Nov. 8 | [Henry] Seile | H. | Match me in London, by Thomas Decker. A play. | |
| 1630-1 | Feb. 9 | [Robert] Milborne | H. | A comedy in Latin called Pedantius. |
| Feb. 25 | [Francis] Constable | H. | The School of Complement, by James Shirley. | |
| 1631 | April 17 | Thomas Alchorne | H. | New Inn, written by Ben. Johnson. A comedy. |
| April 25 | William Sheeres | H. | Scicelides, acted at Cambridge. A play. | |
| May 16 | John Jackman | H. | The Wonder of a Kingdom, by Thomas Decker. A comedy. [Entered again under 24 Feb. 1635-6 to N. Vavasor, “dated 7 May 1631.”] | |
| May 16 | John Jackman | H. | The Noble Spanish Souldier, by Thomas Deckar. A tragedy. [Entered again under 9 Dec. 1633 to N. Vavasor, “anno 1631.”] | |
| May 18 | [Thomas] Harper | H. | Cæsar and Pompey, by George Chapman. A play. | |
| June 16 | Richard Royston | H. | The Fair Maid of the West, 1st and 2d part. A comedy. | |
| Sept. 7 | [Richard] Meighen | H. | Amarath the Turk. A play. | |
| 1631 | Sept. 7 | [Richard] Meighen | H. | The tragedy of Bajazet II., or the Raging Turk. |
| Sept. 28 | [Richard] Thrall | H. | Ffraus honesta. | |
| Nov. 12 | [Michael] Sparkes | H. | A flora show at Norwich. | |
| Nov. 19 | John Waterson | H. | The Emperor of the East. A playbook. | |
| Nov. 24 | [Francis] Constable | H. | A new wonder, or a Woman never vexed. A comedy by William Rowley. | |
| 1631-2 | Jan. 16 | [John] Waterson, jun. | H. | The Maid of Honor, by Philip Massinger. A play. |
| Jan. 26 | John Grove | H. | The Leaguer. (The reformations to be strictly observed: may be printed not otherwise expressed by the foresaid words) [sic]. A comedy. | |
| Feb. 9 | William Cooke | H. | The Changes, or Love in a Maze, by Master Sherley. A comedy. | |
| Mar. 24 | Nicholas Vavasor | H. | The Northern Lass, by Master Broome. A comedy. | |
| 1632 | Mar. 30 | Francis Constable | H. | The Fatal Dowry. A tragedy. |
| May 9 | Andrew Crooke | H. | A tragedy in Latin called Roxana. | |
| June 13 | [Humfrey] Robinson | H. | The Rival Friends, by Peter Hausten. A comedy. | |
| Sept. 27 | [Thomas] Harper | H. | All’s lost by Lust, by William Rowley. A tragedy. | |
| Nov. 2 | William Sheares | H. | The Costly Whore. A Comedy. | |
| Nov. 9 | William Cooke | H. | A dialogue of Riches and Honor, by J. S. | |
| Nov. 10 | [Henry] Seile | H. | Alaham, by Fulke Lord Brooke. A tragedy. | |
| H. | A new way to pay old debts, by Philip Massinger. A comedy. | |||
| Nov. 20 | Nicholas Vavasor | H. | The Jew of Malta. A tragedy. | |
| 1632-3 | Jan. 15 | William Sheares | H. | A match at Midnight. A play. |
| 1632-3 | Jan. 15 | William Cooke | H. | The witty fair one, by James Shirley. A play. |
| Jan. 21 | Hugh Beeston | H. | Love’s Sacrifice, by John Ford. A tragedy. | |
| Mar. 19 | William Cooke | H. | The Bird in the Cage, by James Shirley. A comedy. | |
| 1633 | Mar. 28 | Hugh Beeston | H. | The Broken Heart, by John Ford. A tragedy. |
| June 15 | [Richard] Meighen | H. | The Fine Companion, by Shakerley Marmyon. A play. | |
| July 15 | Nicholas Okes | H. | The Traveller, by Master Heywood. A comedy. | |
| Aug. 1 | —— Allott | H. | Fuimus Troes, or the True Troians, represented by the gentlemen students of Magdalen College in Oxford. | |
| 1633-4 | Feb. 24 | Hugh Beeston | H. | Perkin Warbeck, by John Ford. “Observing the caution in the license.” A tragedy. |
| 1634 | April 8 | John Waterson | H. | The two Noble Kinsmen, by John Fletcher and William Shakespeare. A tragi-comedy. |
| April 17 | John Spenser | H. | Bellum grammaticale, by Master Spense. | |
| June 25 | Nicholas Oakes | Bl. | A maidenhead well lost. A play. | |
| Oct. 28 | Benjamin Fisher | H. | The Witches of Lancashire. A play. | |
| Nov. 3 | William Cooke | H. | The Traytor, by James Shirley. A play. | |
| 1634-5 | Jan. 19 | John Benson | H. | The Shepherd’s Holiday, by J. Rutter. A tragi-comedy. |
| 1635 | Sept. 30 | John Crouch | Bl. | The Queen’s Masque, or Love’s Mistress, by Master Haywood. A play. |
| Dec. 7 | [John] Marriott | H. | The Great Duke of Florence. A comical history, by Philip Massinger. | |
| 1635-6 | Feb. 4 | [Richard] Meighen | H. | The Platonic Lovers, by William Davenant. A play. |
| Feb. 4 | [Richard] Meighen | H. | The Wits, by William Davenant. A play. | |
| 1636 | June 17 | Robert Raworth | H. | A challenge for Beauty, by Haywood. A play. |
| Aug. 6 | Charles Greene | Bl. | The history of Anniball and Scipio, by Thomas Nabbes. A play. | |
| Bl. | A moral masque, by Thomas Nabbes. | |||
| 1636-7 | Mar. 29 | [John] Waterson | T. | The Elder Brother, written by John Fletcher. A comedy. |
| [? 23] | John Benson | |||
| Mar. 25 | James Beckett | T. | The Royal King and the Loyal Subjects, by Master Heywood. A comedy. | |
| T. | Hide Park, by James Shirley. A comedy. | |||
| 1637 | April 13 | Andrew Crooke | T. | The Lady of Pleasure.} By James Shirley. Two plays. |
| William Cooke | T. | The Young Admiral. } | ||
| April 26 | [John] Waterson | T. | The Valiant Scot. A tragedy. | |
| Oct. 18 | Andrew Crooke | ... | The Example, by Master Shirley. A play. | |
| William Cooke | ||||
| Nov. 15 | William Cooke | ... | The Gamester, by James Shirley. A play. | |
| Nov. 28 | John Okes | ... | A Shoemaker is a gentleman, with the life and death of the Cripple that stole the weathercock of Paul’s, by William Rowley. A comedy. | |
| 1637-8 | Jan. 29 | Thomas Walkley | H. | The Cid, a tragi-comedy translated out of French by Master Rutter. |
| Feb. 3 | [Henry] Seile | ... | The Fancies, by John Ford. A play. | |
| Feb. 15 | John Okes | ... | The Martyred Soldier, with the life and death of Purser Clinton, by H. Shirley. | |
| Mar. 5 | John Okes | ... | The Lost Lady. A play. | |
| Mar. 12 | Henry Sheapard | ... | The wisewoman of Hogsden, by Thomas Haywood. A play. | |
| Mar. 13 | [Andrew] Crooke | ... | The Duke’s Mistress, by James Shirley. A play. | |
| William Cooke | ||||
| Mar. 13 | [Andrew] Crooke | ... | The Conspiracy. A play. | |
| Date. | For whom Entered. | Name of Play. | |
|---|---|---|---|
| 1637-8 | Mar. 13 | [Andrew] Crooke | The Royal Master, by James Shirley. A play. |
| John Crooke | |||
| Richard Searger | |||
| Mar. 14 | [Henry] Seile | A Latin Comedy called Naufragium Joculare, by Abraham Cowley. | |
| A Pastoral Comedy called Love’s Riddle, by Abraham Cowley, whilst he was King’s Scholar in Westminster School. | |||
| 1638 | Mar. 30 | [Thomas] Harper | A Latin Comedy called Cornelianum Dolium, by T. R. |
| [Thomas] Slater | |||
| April 5 | Charles Greene | Tottenham Court, by Thomas Nabbes. A play. | |
| April 18 | Thomas Walkley | Aglaura, by Sir John Sucklin, Knight. A play. | |
| May 28 | Charles Greene | Covent Garden, by Thomas Nabbes. A play. | |
| June 23 | Charles Greene | The Spring’s glory, by Thomas Nabbes. A book. | |
| July 13 | John Oakes | The Seven Champions of Christendom, with the life and death of Jack Straw and Wat Tyler, by John Kirke. A play. | |
| Oct. 24 | [Andrew] Crooke | Phillip Chalbott, Admiral of France, and the Ball, by James Shirley. A book. | |
| William Crooke | |||
| Oct. 26 | John Crooke | Arviagus and Philicia, first and second parts. A play. | |
| Richard Serger | |||
| Oct. 26 | Thomas Walkley | The Tragedy of Cleopatra, and Julia Agripina, Emperess of Rome. Two plays. | |
| Nov. 6 | Henry Sheapard | The Lady’s Trial, by John Ford. A play. | |
| Nov. 7 | [Humphry] Mozeley | The Sophister. A comedy. | |
| 1638-9 | Jan. 11 | [Daniel] Pakeman | Argalus and Parthenia, by Henry Glapthorne. A play. |
| Jan. 22 | [John] Waterson | Monsieur Thomas, by Master John Fletcher. A comedy. | |
| Feb. 14 | [John] Waterson | The unnatural Combat, by Phillip Massinger. A tragedy. | |
| Mar. 1 | [Thomas] Harper | Imperiale. A tragedy. | |
| 1639 | Mar. 28 | Humphrey Blundon | A new trick to cheat the Devil, by Master Damport. A book or comedy. |
| 1639 | April 12 | William Cooke | The Maid’s Revenge, by James Shirley. A play. |
| April 25 | [Andrew] Crooke William Cooke | Nightwalkers. Opportunity. Love’s Cruelty. The Coronation. Wit without money. 5 plays. | |
| June 18 | John Okes | The Knave in Grain, or Jack Cottington. A play. | |
| July 8 | Laurence Blaicklock | The Bride, by Thomas Nabbes. A play. | |
| July 29 | William Cooke | The Humorous Courtier, by James Shirley. A play. | |
| Sept. 23 | George Hutton | Albertus Wallenstein, late Duke of Friedland, by Henry Glapthorne. A tragedy. | |
| Oct. 3 | Daniel Frere | Messalina, the Roman Empress, by N. R. A tragedy. | |
| Oct. 4 | John Crooke | The Bloody Brother, by J. B. A tragedy. | |
| Richard Sergier | |||
| Nov. 4 | Daniel Frere | Unfortunate Mother, a tragedy by Thomas Nabbes. A play. | |
| Nov. 20 | Daniel Frere | The Rebellion, by Thomas Rawlins. A play. | |
| Nov. 29 | John Williams Francis Egglestone | The Arcadia. A Pastoral. Love’s Cruelty, by James Shirley. A Tragedy. Entered before to Master Crooke. | |
| 1639-40 | Jan. 31 | [William] Leake | The Strange Discovery, by J. G., gent. A tragi-comedy. |
| Feb. 14 | William Cooke | The Tragedy of Saint Albons, by Master James Shirley. A play. | |
| Feb. 20 | John Benson | The Masque of the Gypsies, by Benjamin Johnson. | |
| 1639-40 | Mar. 11 | John Williams Francis Egglestone | The Antiquary. A comedy. Look to the Lady, by James Shirley. A comedy. |
| Mar. 19 | [Francis] Constable | Sparagus Garden. The Antipodes. Wit in a Madness. Three plays, by Rich. Brome. | |
| Mar. 20 | [Andrew] Crooke Richard Seirger | The Masque of Augurs. | |
| Time Vindicated. | |||
| Neptune’s Triumphs. | |||
| Pan’s Anniversary, or The Shepherd’s Holiday. Four masques, by Benjamin Jonson. | |||
| 1640 | April 2 | William Cooke | The Queen of Arragon, by William Habington, Esquire. |
| April 2 | [Andrew] Crooke | The Swaggering Damosell, by Master Chamberlayne. A comedy. | |
| The Prisoner, by Master Killegrey. A tragedy. | |||
| April 4 | [Francis] Constable | The Lady’s Privilege, by Henry Glaphthorne. A play. | |
| April 27 | [Francis] Constable | Wit in a Constable, by Henry Glapthorne. A comedy. | |
| April 28 | [Richard] Whitaker | Saint Patrick for Ireland. The Constant Maid. Two plays, by James Shirley. | |
| May 22 | Widow Wilson | The Hollander, by Henry Glapthorne. A comedy. | |
| May 22 | John Okes | Love’s Masterpiece, by Thomas Haywood. A comedy. | |
| Aug. 4 | [Andrew] Crooke | Claracilla, by Master Killegray. A play. | |
| Christianetta. The Jewish Gentleman. A New Academy or Exchange. The Lovesick Count. The Covent Garden. The English Moor, or Mock Marriage. Six plays, by Richard Broome. | |||
Table V — Transfers of Copyright in Plays, 1584-1640
| Date. | Name of Play. | To whom Transferred. | |
|---|---|---|---|
| 1584 | Campaspe | 1591, Oct. 4, Galathea re-entered. 1597, April 12, Sappho and Campaspe transferred from T. Cadman to Joan Brome. 1601, Aug. 23, Sappho, Campaspe, Endymion, Midas, Galatea, from Mrs. Brome, deceased, to G. Potter. 1632, all six published together by E. Blount. | |
| 1585 | April 1 | Galatea | |
| 1584 | April 6 | Sappho | |
| 1591 | Oct. 4 | Midas | |
| Endymion | |||
| 1594 | Jan. 18 | Mother Bombie | |
| 1592 | Oct. 6 | Spanish Tragedy | 1599, Aug. 13, Spanish Tragedy and Edward Longshanks assigned from A. Jeffes to W. White. 1600, Aug. 14, Henry V., Spanish Tragedy, Edward Longshanks, Jack Straw, Looking-glass for London, “formerly printed,” set over to T. Pavier. 1602, April 19, 1 & 2 Henry VI. assigned from T. Millington to T. Pavier. 1626, Aug. 4, Henry V., Spanish Tragedy, Sir John Oldcastle, and “Master Pavier’s right in Shakespeare’s plays, or any of them,” assigned by Mrs. Pavier to E. Brewster and R. Bird. 1630, Nov. 8, his interest in Henry V., Sir John Oldcastle, York and Lancaster, and Yorkshire Tragedy assigned by Mr. Bird to J. Cotes. |
| 1593 | Oct. 8 | Edward Longshanks | |
| 1593 | Oct. 23 | Jack Straw | |
| 1593-4 | Mar. 5 | Looking-glass for London | |
| 1593-4 | Mar. 12 | i York and Lancaster | |
| 1595 | ii York and Lancaster | ||
| 1600 | Aug. 11 | Sir John Oldcastle | |
| 1600 | Aug. 4 | Henry V. “stayed” | |
| 1608 | May 2 | Yorkshire Tragedy | |
| 1600 | July 24 | Maid’s Metamorphosis | 1600, Oct. 23, Jack Drum assigned from F. Norton to R. Oliff. 1615, Nov. 6, Jack Drum, Weakest to the Wall, and Maid’s Metamorphosis, from Mrs. Oliff to P. Knight. 1617, Oct. 18, Weakest to Wall and Maid’s Metamorphosis assigned from P. Knight to R. Hawkins. 1627-8, Mar 1, King and no King, Philaster, and Orthello assigned from T. Walkley to R. Hawkins. 1629, Oct. 27, Maid’s Tragedy from Heggenbotham and Constable to R. Hawkins. 1638, May 29, all the group except Jack Drum from Hawkins to Mead and Meredith. 1638-9, Jan. 25, the same from them to Leake. |
| 1600 | Sept. 8 | Jack Drum’s entertainment | |
| 1600 | Oct. 23 | Weakest goeth to the wall | |
| 1618 | Aug. 7 | King and no King | |
| 1619 | April 28 | Maid’s Tragedy | |
| 1619-20 | Jan. 10 | Philaster | |
| 1621 | Oct. 6 | Othello | |
| 1599 | Aug. 28 | 1 & 2 Edward IV. | 1599-1600, Feb. 23, his moiety in 1 & 2 Edward IV. assigned from J. Busby to H. Lownes. 1627, May 30, his share in Poetaster and Anthonie and Mellida assigned by T. Lownes to H. Lownes and R. Young, 1628, Nov. 6, his interest in Poetaster, 1 & 2 Jane Shore, and Anthony and Melida assigned by H. Lownes to G. Cole and G. Latham. 1630, Dec. 6, their interest in the same play assigned by them to R. Young. |
| 1601 | Oct. 24 | Antonio and Mellida | |
| 1601 | Dec. 21 | Poetaster | |
| 1597 | Aug. 29 | Richard II. | 1603, Jan. 25, set over from A. Wise to M. Low. |
| 1597 | Oct. 20 | Richard III. | |
| 1597-8 | Feb. 25 | 1 Henry IV. | |
| 1600 | Aug. 14 | Every Man in his humor | 1605, Aug. 6, Sejanus assigned by E. Blunt to T. Thorpe. 1610, Oct. 3, Sejanus and Vulpone assigned by T. Thorpe to W. Burre. 1612, Sept. 28, Silent Woman assigned by J. Browne to W. Burre. 1622-3, Feb. 17, D’Ambois’ Revenge assigned by Mrs. Browne to J. Marriott. 1630, July 3, Narcissus, Mad World, Alchemist, Silent Woman, Ignoramus, assigned by Mrs. Bur to J. Spencer. 1630, July 20, Ignoramus entered for G. Edmondson and J. Spenser (with Spencer’s consent). 1635, July 4, all the seven plays by Jonson were entered for Stansby by virtue of a note bearing date 1621, June 10, under the hands of W. Burre and M. Lownes. N.B. Stansby printed the Jonson folios 1616, 1631. |
| 1601 | May 23 | Cynthia’s Revels (Narcissus) | |
| 1604 | Nov. 2 | Sejanus | |
| 1607 | Volpone | ||
| 1608 | Oct. 4 | A mad world, my Masters | |
| 1610 | Sept. 20 | Silent Woman | |
| 1610 | Oct. 3 | Alchemist | |
| 1611 | Catilina | ||
| 1612 | April 17 | D’Ambois’ Revenge | |
| 1615 | April 18 | Ignoramus | |
| 1594 | May 2 | Taming of a Shrew | 1606-7, Jan 22, the first three were entered for N. Ling, with C. Burby’s consent. 1607, Nov. 19, all four were set over to J. Smythick. Mr. Halliwell in his Outlines omits the Shrew entry. |
| 1598 | Love’s Labour’s Lost | ||
| 1599 | Romeo and Juliet | ||
| 1602 | July 26 | Hamlet | |
| 1594 | May 28 | Orlando | 1609, Oct. 16, assigned by Mrs. Burby to Welby. 1617-8, Mar. 2, by Welby to Snodham. 1625-6, Feb. 23, by Mrs. Snodham to W. Stansby. 1638-9, Mar. 4, the first four by Mrs Stansby to Bishop. Only half shares in the two last plays are concerned in these entries. |
| 1595 | April 1 | George a Greene | |
| 1595 | Dec. 1 | Edward III. | |
| 1600 | Aug. 14 | Every man in his humour | |
| 1600 | Oct. 28 | Summer’s last Will and T. | |
| 1600 | The Shoemaker’s Holiday | 1610, April 19, assigned from V. Symms to J. Wrighte, and agreed that “Symms shall have the workmanship of the printing thereof for the use of the said J. Wrighte during his life, if he have a printing house of his own.” | |
| 1600-1 | Jan. 7 | Dr. Faustus | 1610, Sept. 13, assigned from T. Bushell to J. Wright. |
| 1593 | July 6 | Edward II. | 1611, Dec. 16, Edward II. assigned from W. Jones to R. Barnes. 1615-6, Jan. 5, Dr. Doddipoll from Mrs. Oliffe to H. Bell. 1617, April 17, Edward II. from R. Barnes to H. Bell. 1638, Sept. 4, both plays from Henry and Moses Bell to Haviland and J. Wright. |
| 1600 | Oct. 7 | Dr. Doddypoll | |
| 1600 | Dec. 1 | 1 & 2 Robin Hood | 1616-7, Feb. 16, all assigned from Leake to Barrett. 1626, April 3, Cromwell and Fawn from Mrs. Barrett to Parker. 1638, Sept. 4, all the plays from Parker to Haviland and J. Wright. |
| 1602 | Aug. 11 | Lord Cromwell | |
| 1605-6 | Mar. 12 | The Fawn | |
| 1598 | Mucedorus | 1618, Sept. 17, assigned by Mrs. Jones to J. Wright. | |
| 1605 | June 26 | Dutch Courtesan | 1613, April 19, “a half part” in the two last plays, all Edgar’s interest in the Courtesan (which was entered originally to Hodgetts), and the whole of Sophonisba assigned from E. Edgar to J. Hodgetts. |
| 1605-6 | Mar. 17 | Sophonisba | |
| 1607 | May 20 | Woman hater | |
| 1608 | Oct. 4 | A Mad World, my M. | |
| 1615 | Aug. 14 | The Honest Lawyer | 1622-3 Jan. 11, assigned by R. Woodriffe to T. Barlow. |
| 1607 | April 24 | Fair Maid of Exchange | 1616, April 9, assigned by Mrs. Rocket to N. Bourne. 1635-6, Feb. 27, by Bourne to G. Edwards. |
| 1615 | April 24 | Cupid’s Revenge | 1617, May 8, Scornful Lady assigned by M. Patrich to T. Jones. 1619, April 15, Cupid’s Revenge and the Palsgrave by J. Harrison to T. Jones. 1633, Oct. 24, all six plays by T. Jones to Matthews. |
| The Palsgrave | |||
| 1615-6 | Mar. 19 | Scornful Lady | |
| 1621 | Dec. 7 | Virgin Martyr | |
| 1624 | Nero | ||
| 1633 | The Heir | ||
| 1600 | Oct. 28 | Merchant of Venice | 1619, July 8, L. Hayes, inherited from T. Hayes, his father. |
| 1607 | Oct. 12 | Family of Love | 1621, Sept. 2, Tu quoque and Fair Quarrel assigned by J. Trundle to T. Dewe. 1627, Dec. 3, all four plays by Mrs. Helme (and T. Dewe?) to W. Washington. 1628, May 21, the last three by him to Flesher. |
| 1608 | April 12 | Humor out of Breath | |
| 1614 | Greenes’s Tu Quoque | ||
| 1617 | Fair Quarrel | ||
| 1607 | Oct. 22 | Merry Devil of Edmonton | 1624, June 21, Assigned by A. Johnson to F. Faulkner. |
| 1592 | April 3 | Arden of Feversham | 1624, June 29, assigned by Mrs. White to E. Aldee. [The Leire entered with these was not the old play, but a prose history now lost] 1640, April 22, Bacon, Robin Hood, and The Owl assigned from Mrs. Aldee to Oulton. |
| 1592 | Nov. 20 | Salomon and Bersheba | |
| 1594 | May 14 | F. Bacon and F. Bungay | |
| Robin Hood and Little John | |||
| ? | The Owl (not extant; written 1613) | ||
| 1608 | Oct. 6 | The Dumb Knight | 1610, Nov. 19, assigned by J. Bache to R. Wilson. |
| 1603 | Nero (in Latin) | 1626, Sept. 4, Nero and Woman’s a Weathercock transferred from J. Budge to Allott. 1630, Nov. 16, Blount’s interest in Shakespeare assigned to Allott. 1631, Sept. 7, Staple of News assigned by J. Waterson to Allot. 1637, July 1, all the group from Mrs Allott to Legatt and A. Crook. [N.B. 1 Henry VI, is called 3 Henry VI., Troylus is omitted, and Anthony included in the 1630 entry] | |
| 1611 | Nov. 23 | Woman’s a Weathercock | |
| 1614 | Bartholomew Fair | ||
| 1622 | Share in Shakespeare Folio | ||
| 1626 | April 14 | Staple of News | |
| 1629 | Roman Actor | ||
| 1630 | Mar. 26 | Aristippus | |
| 1633 | Aug. 1 | True Trojans | |
| 1623 | Nov. 8 | Share in Shakespeare Folio | 1627, June 19, Jaggard’s share assigned by Mrs. Jaggard to T. Cotes and R. Cotes. |
| 1609 | Faithful Shepherdess | 1628, Dec. 8, H. Walley’s share assigned to R. Meighen. | |
| 1606 | Nov. 12 | Wily Beguiled | 1629, Oct. 12, assigned by C. Knight to T. Knight. 1635-6, Mar. 8, by T. Knight to Alchorn. |
| 1601-2 | Jan. 18 | Merry Wives of Windsor | 1629-30, Jan. 29, assigned by A. Johnson to Meighen. |
| 1607 | May 19 | Phœnix | |
| 1607 | May 15 | Michaelmas Term | |
| 1607 | June 29 | Cupid’s Whirligig | |
| 1594 | June 19 | Four London Prentises | 1630, Aug. 2, assigned by N. Okes to J. Okes. |
| 1611-12 | Oct. 14 | Golden Age | |
| 1613 | Silver Age | ||
| 1632 | Iron Age | ||
| 1615 | April 28 | Albumazar | |
| 1611 | Roaring Girl | 1630-1, Feb. 10, assigned by T. Archer to H. Perrey. 1634, Sept. 15, White Devil and Insatiate Countess assigned by H. Perrey to H. Taunton. | |
| 1612 | White Devil | ||
| 1613 | Insatiate Countess | ||
| 1621-2 | Feb. 22 | Herod and Antipater | 1633, May 9, assigned by M. Rhodes to F. Smith. 1633, Aug. 3, by F. Smith to T. Lambert. 1633-4, Jan. 2, by T. Lambert to F. Smith again. |
| 1606-7 | Feb. 23 | Lingua | 1635, Aug. 19, assigned by S. Waterson to J. Waterson. |
| 1607 | July 31 | Misery of enforced M. | 1637, April 28, assigned by Mrs. Vincent to R. Thraile. |
| 1607 | Oct. 22 | Merry Devil of E. | 1624, June 21, assigned by A. Johnson to F. Faulkner. |
| 1608 | Nov. 26 | Mustapha. | 1632, Nov. 10, assigned by N. Butter to J. Seile. |
| 1619-20 | Jan. 15 | Guy of Warwick | 1620, Dec. 13, assigned by J. Trundle to T. Langley. |
| 1620 | May 22 | Two Merry Milkmaids | 1623, Sept. 13, assigned by L. Chapman to M. Walbanke. |
| 1622-3 | Jan. 20 | Duke of Milan | 1623, May 5, Norton’s share assigned to Blackmore. |
| 1639 | June 18 | Knave in grain | 1639, Oct. 22, assigned by J. Okes to J. Nicholson as “new vampt” [which is not part of the title, as Mr. Haliwell supposes]. |
| 1630 | Picture | 1634, Aug. 8, assigned by T. Walkey to J. Waterson. | |
| 1600 | April 8 | Every Man out of his Humor | 1638, April 28, assigned by Smethwick to Bishop. |
| 1629 | Wedding | 1637, Sept. 25, assigned by J. Grove to W. Leake. | |
| 1629-30 | Feb. 26 | Grateful Servant | |
| Hoffmann | |||
| 1631-2 | Jan. 26 | Holland’s Leaguer | |
| 1637-8 | Mar. 5 | Lost Lady | 1638, Sept. 24, assigned by J. Okes to J. Coleby. 1640, Sept. 5, by J. Coleby to R. Roiston. |
| 1604-5 | Feb. 12 | Henry VIII. (When you see me, &c.) | 1639, May 21, assigned by N. Butter to Flessher. |
| 1605 | July 5 | 1. If you know not me, &c. | |
| 1605 | Sept. 14 | 2. If you know not me, &c. | |
| 1607 | Nov. 26 | Lear | |
| 1608 | June 3 | Lucrece, Roman tragedy | |
| 1630 | June 29 | 2. Honest Whore | |
At this point we lose the aid of Mr. Arber’s reprint of “The Stationers’ Registers,” which does not extend beyond 1640. It is, however, necessary to continue our notes to 1660, the date of the reopening of the theatres, because even at that date entries were made attributing plays to Shakespeare. The following memoranda have no pretence to completeness, and are compiled (pending an opportunity of examining the registers themselves) from the much-abused Biographia Dramatica, which is, nevertheless, much more useful than the abbreviated compilation made from it (retaining nearly all its errors) by the scissors of Mr. Halliwell, and published by him as A Dictionary of Old English Plays. Two of these entries are so important for dramatic history that they are printed in parallel columns, with the list of MSS. once in the possession of John Warburton, the Somerset Herald, but mostly destroyed by his cook. From these it will be seen at a glance that three-fifths of his collection consisted of the remainder of Moseley’s stock, which contained the majority of old unprinted MSS. extant in 1660.
From these S. R. entries, taken as a whole, the reader will find that the total number of extant plays originally produced between 1576, when theatres were first opened, and their closing in 1642, is less than 500. Nor have we reason to believe that they ever numbered more than 2000 or so. Nearly all worth preserving has been preserved. The gross exaggerations of Halliwell and Collier on this matter depend on their estimating the number of contemporaneous theatres and companies at some fifteen. They really never exceeded five. They also neglect the facts that many so-called new plays were mere revisions of the old ones, “new vamped” versions slightly altered; and that the inferior theatres depended largely on extemporaneous performances, of which only the plots were committed to writing. In the palmy days of the Admiral’s company, Henslow brought out a new play once a fortnight, but this was undoubtedly an exceptional instance. The best companies, such as the King’s, and after them the Queen’s, produced one in about two months. Taking all this into consideration, 2000 is a liberal estimate; 20,000 is a number that could only be dreamed of by an inaccurate writer intent on effect rather than truth. And of this 2000 not more than a quarter would be worth preserving: indeed, of those preserved many are quite valueless. The few good ones lost are such as The Jeweller of Amsterdam, suppressed for political reasons; or the original Henry VIII., destroyed by fire or other accident.
In these Supplementary Lists names of authors wrongly attributed are printed in italics, and names of plays occurring both in Warburton’s list and Moseley’s entries are asterised.
1646. Sept. 4, were entered, The Spartan Ladies, by Ludovic Carlell; The Corporal and the Switzer, by Arthur Wilson; The Fatal Friendship, by Burroughes.
1653. Sept. 23, The Bondwoman.
1653. Nov. 29 (by R. Marriot), The Black Wedding; Castara, or Cruelty without Lust; The Conceits; The Divorce; The Florentine Friend; A Fool and her Maindenhead soon parted; The Law Case; The Noble Ravishers; The Paraside, or Revenge for Honor, by Henry Glapthorne; Pity the Maids; The Proxy, or Love’s Aftergame; The Royal Choice, by Sir Robert Stapylton; Salisbury Plain; Supposed Inconstancy; The Woman’s Law; Woman’s Masterpiece; The Younger Brother.
1654. April 8, The Apprentice’s Prize, by Brome and Heywood; The Life and Death of Sir Martin Skink, with the Wars of the Low Countries, by Brome and Heywood; The Jeweller of Amsterdam, or the Hague, by Fletcher, Field, and Massinger; The Maiden’s Holiday, by Marlowe and Day (see Warburton’s list).
Supplementary Table of Moseley’s Entries in 1653 and 1660, and Warburton’s List
| Plays entered 9 Sept. 1653 | Authors. | Plays in the Warburton MSS. | Authors. | Plays entered 29 June 1660. | Authors. |
|---|---|---|---|---|---|
| *Philenzo and Hippolito. C. | P. Massinger | *Philenzo and Hippolito. C. | P. Massinger | ||
| *Antonio and Vallia. C. | P. Massinger | *Antonio and Vallia. C. | P. Massinger | ||
| *The Parliament of Love. C. | W. Rowley | *The Parliament of Love. | W. Rowley | ||
| *The Spanish Viceroy, or The Honor of Women. C. | P. Massinger | The Judge. C. | P. Massinger | ||
| *The Honor of Women. C. | P. Massinger | ||||
| *Minerva’s Sacrifice, or The Forced Lady. T. | P. Massinger | *Minerva’s Sacrifice. T. | P. Massinger | ||
| *The Forced Lady. T. | P. Massinger | ||||
| *Believe as you list. C. | P. Massinger | *Believe as you list. C. | P. Massinger | *Believe as you list. C. | P. Massinger |
| The Italian Nightpiece, or Unfortunate Piety. | P. Massinger | ||||
| The Wandering Lovers, or The Painter. C. | P. Massinger | ||||
| *The Very Woman, or The Woman’s Plot [or the Prince of Tarent.] T.C. | P. Massinger | *The Woman’s Plot. T. C. | P. Massinger | *A right Woman. | Beau. and Flet. |
| *The Noble Choice, or The Orator. T.C. | P. Massinger | *The Noble Choice. T. C. | P. Massinger | ||
| The Prisoner, or The Fair Anchoress [of Pausilippo]. T.C. | P. Massinger | *The Tyrant. T. | P. Massinger | *The Tyrant. T. | P. Massinger |
| Alexias, or The Chaste Gallant. T. | P. Massinger | ||||
| *Fast and Welcome. C. | P. Massinger | *Fast and Welcome. C. | P. Massinger | ||
| *The four honorable Loves. C. | W. Rowley | *The four honored Loves. C. | W. Rowley | ||
| The Fool without Book. | W. Rowley | *The Nonesuch. C. | W. Rowley | *The Nonesuch. C. | W. Rowley |
| *The Second Maiden’s Tragedy. | *The Second Maiden’s Tragedy. | G. Chapman | |||
| *Yorkshire Gentle-woman and her sons. | G. Chapman | *The Yorkshire Gentle-woman and her son. | G. Chapman | ||
| *The Fatal Love. | *Fatal Love, a French tragedy. | G. Chapman | |||
| *The King of Swedland. | *Gustavus, King of Swethland. | T. Dekker | |||
| *Jocondo and Astolpho. | T. Dekker | *The tale of Jocondo and Astolpho. C. | T. Dekker | ||
| *An ill beginning may have a good end. C. | J. Ford | *An ill beginning has a good end, and a &c. C. | J. Ford | ||
| *The London Merchant. C. | J. Ford | *The London Merchant. C. | J. Ford | ||
| *The Royal Combat. C. | J. Ford | *The Royal Combat. C. | J. Ford | ||
| *Beauty in a Trance. | J. Ford | *Beauty in a Trance. | J. Ford | ||
| *The Governor. | Sir C. Formido | *The Governor. | Sir C. Formido | ||
| *The Duchess of Fernandina. T. | H. Glapthorne | *The Duchess of Fernandina, T. | H. Glapthorne | ||
| The Vestal. T. | H. Glapthorne | The Noble Trial. | H. Glapthorne | ||
| *Nothing impossible to Love. T.C. | Sir R. LeGreece | *Nothing impossible to Love. T.C. | Sir R. LeGreece | ||
| *Love hath found out his eyes. | T. Jordan | *Love hath found out his eyes. | T. Jordan | ||
| *The Crafty Merchant, or the Soldiered Citizen, [or Come to my country house], or the Merchant’s Sacrifice. | S. Marmion [W. Bonen] | *The Soldiered Citizen. | |||
| *The Puritan Maid, the Modest Wife, and the Wanton Widow. C. | T. Middleton | *The Puritan Maid, the Modest Wife, and the Wanton Widow. C. | T. Middleton | ||
| *The Widow’s Prize. C. | W. Sampson | *The Widow’s Prize. C. | W. Sampson | ||
| The history of Cardenio. | Fletcher and Shakespeare | A play. | W. Shakespeare | Iphis and Ianthe, or A marriage without a man. | W. Shakespeare |
| *Henry I. and Henry II. | Shakespeare and Davenport | *Henry I. | W. Shakespeare | ||
| [Query, is Duke Humphrey a version of 2 Henry VI.?] | *Duke Humphrey. T. | W. Shakespeare | *Duke Humphrey. | W. Shakespeare | |
| The History of King Stephen. | W. Shakespeare | ||||
| *The Inconstant Lady. C. | A. Wilson | *The Inconstant Lady. C. | A. Wilson | ||
| The Lovesick Maid or, The Honor of Young Ladies. | R. Brown | The Fair Favorite. | Sir W. Davenant | The Faithful Friends. | Beau. and Flet. |
| The Bugbears. C. | J. Geffrey | The history of Madoc, King of Britain. | F. Beaumont | ||
| The Jew of Venice. | T. Dekker | A Mask. | R. Govell | ||
| The Woman’s Mistake. | Drue & Davenport | The History (Tragedy) of Jobe. | R. Greene | The Fatal Brothers. T. | R. Davenport |
| The Duke of Guise. | H. Shirley | The Queen of Corsica. T. | F. Jaques | The Politic Queen, or Murther will out. | R. Davenport |
| The Dumb Bawd. | H. Shirley | The Maiden’s Holiday. | C. Marlowe | ||
| Giraldo the Constant Lover. | H. Shirley | St. George for England. | Wil. Smith | The Prodigal Scholar. C. | T. Randall |
| The Spanish Duke of Lerma. | H. Shirley | Works. | Sir J. Suckling | The Christmas Ordinary. | Trin. Coll. Oxon. |
| The Countryman. | Anonymous | ’Tis good sleeping in a whole skin. | W. Wager | ||
| The King’s Mistress. | Anonymous | ||||
| The Politic Bankrupt, or Which is the best Girl? | Anonymous | An enterlude. | R. Wood | ||
| The Flying Voice. | R. Wood | ||||
| The City Shuffler. | Anonymous | ||||
| The Fairy Queen. | Anonymous | ||||
| The Great Man. | Anonymous | ||||
| The Lovers of Loodgate. | Anonymous | ||||
| Orpheus. | Anonymous | ||||
| The Spanish Puecas. | Anonymous | ||||
| Demetrius and Marsina, or The Imperial Imposter and unhappy Heroine. | Anonymous |