1789
This year proved more lucrative to me than any preceding, for at this time I professed portrait painting both in oils and crayons; but, alas! after using a profusion of carmine, and placing many an eye straight that was misdirected, before another season came, my exertions were mildewed by a decline of orders, owing not only to the salubrity of the air of Edmonton, but to the regularity of those who had sat to me, for they would neither die nor quit their mansions, but kept themselves snug within their King-William iron gates and red-brick-crested piers, so that there was no accommodation for new-comers; nor would the red land-owners allow one inch of ground to the Tooley Street Camomile Cottage builders.236 However, I experienced enough to convince me that, had I diverged along the cross-roads towards the Bald-faced Stag, the highway to the original Tulip-tree at Waltham Abbey, or the green lanes to Hornsey Wood House, I might have considerably increased my income; but this would have been impossible without a conveyance. Nevertheless, as it was, the reader will hardly believe that my marches of fame were far more extensive than those of Major Sturgeon;237 his were confined to marches and counter-marches, from Ealing to Acton, and from Acton to Ealing, next-door neighbours: now, my doves took a circuitous flight from Tottenham to “Kicking Jenny” at Southgate; then to Enfield, ay, even to its very Wash, rendered notorious by Mary Squires and Bet Canning;238 thence over Walton’s famed river Lea: thence up to Chingford’s ivy-mantled tower; down again, crossing the Lea with the lowing herd, to Tottenham High Cross, finishing where they put up on the embattlements of the once noble Castle of Bruce.
It was in the centre of the above vicinities, at “Edmonton so gay,” the rendezvous of Shakspeare’s merry devil,239 that I profiled, three-quartered, full-faced, and buttoned up the retired embroidered weavers, their crummy wives, and tightly-laced daughters. Ay, those were the days! my friends of the loom, as Tom King declared in the prologue to Bon Ton, when Mother Fussock could ride in a one-horse chaise, warm from Spitalfields, on a Sunday!240