Chapter III Green Adventure
“Non ego hoc ferrem, calidus juventa,
Consule Planco.”
HORACE.
“Comrades again!”
Turning round with a start, Steven beheld the crazy musician at his elbow.
“Comrades on the straw—eh! What a bed for his lordship. Misérables! they have no conception of the importance of rank, these benighted forest folk. Yet give me the clean, yellow straw, smelling in the dark of sunshine and whispering of the fields, rather than your stuffy German mountains of feathers.”
“Geiger-Onkel! Geiger-Onkel!” came a shrill cry into the night.
The fiddler turned with a bound and ran into the middle of the moonlit yard, staring up at the house that stood outlined against the pale sky. From some distant regions, where Friedel’s underlings kennelled near their hounds, rose shouts of boorish laughter and the chorus of a drinking song.
A yellow tongue of flame appeared in a wooden balcony, hanging under the roof. Sidonia bent over, shielding her candle from the forest airs.
“Are you there, Geiger-Onkel?”
“Yes, child.”
“Oh, I am glad.... Geiger-Onkel”—she leaned over still further; her tresses hung down, one shone ruddy with the candle-gleam and one silver in the moonlight; her voice was broken with angry tremors—“he tried to kiss me!”
“Mort de ma vie—who?”
“The big man with the whip. He caught me by the waist. I had nothing to hit him with but my plaits. I lashed him in the face. They caught him across the eyes——”
“Caught him across the eyes,” cried the fiddler, clapping his hands. “Ah, brava, little mamzell!”
“They whistled like a rope”—the girl was laughing and crying together—“I think I have half-blinded him. Mayn’t I come down to you, Onkel? I want to talk... and I want music.”
“Better not,” said fiddler Hans, after a moment’s reflection; and then from the shadow Steven stepped out beside him. (It was terrible to think of the dark-eyed lady in the company of such ruffians!) Sidonia, with a cry, drew back at sight of the new shadow.
“Nay, never be afraid of him. It is my comrade. As for the others—why, go in, child; bolt your door,” said the fiddler. “Go to bed and sleep in peace. I shall watch.”
“But you will play for me?” she asked over her shoulder.
“Presently, I may,” said he; “such a tune, little mamzell, that will make some people dance! But to you it shall give sweet sleep.”
As the girl disappeared, Geiger-Hans turned upon Steven. He laughed as he addressed the young man, but his eyes were fierce as some wild beast’s in the dim light.
“Did you hear?” said he. “The maid struck him; but you—oh you—you let yourself be turned out! Oh, to see you trot away like a lamb. Steven Lee, Graf zu Waldorff-Kielmansegg, turned out of doors by two low-bred foresters! What, then, runs in your veins? What, turnip-juice instead of blood? The fellow, Schmidt so-called, laid hands on you, did he not? And you a youth! By the blood of my fathers, had the creature touched me, old man as I am, he had felt the weight of his own whip! But the fellow has muscles. Nay, you were right, sir, right. Let us be prudent, by all means. Only that mask of yours lies, that smooth cheek, that crisp curl—all lies. Young, yes. Only your heart is not young. ’Tis like the kernel of a blind nut—dry dust. While I—there is more of God’s youth left in my worn and waning body——”
“Confusion!” interrupted Steven, trembling in every limb, hurt to the marrow of his pride; “it was before the lady.”
“Oh, the lady...!” echoed the other, with a mocking trail of laughter.
During the vehemence of his speech the musician had advanced on the lad, who had unconsciously drawn back until he stood against the wall of the house. Now a window close to him was unlatched; and the sound of a sigh, rather than a voice, was breathed forth into the night.
“Ah, Dio!”
“Your cue!” mocked the fiddler into his ear, and melted away into the darkness.
The window was that of a room on the ground floor; the lady leaned out, her elbows on the sill; her face caught a slanting ray of moonlight. Was it possible for anything mortal to be so beautiful?
“Madam!” cried Steven, and that heart of his which was supposed to be but dry dust began to thump in hitherto unknown fashion.
“Hush, hush!” she whispered, a taper finger on her lip. “Ah, is it you, sir?”
He advanced into the ray that held her. He was not aware that he also looked goodly and romantic. Somewhere, in the darkness close by, the fiddler’s bow crept over the strings. It was a sound so attenuated that it seemed to have no more substance than the light of the moon itself; it stole upon their ears so gently that it was as if they heard it not. His hand met her warm fingers—the fragrance from her curls mounted to his nostrils; she looked up at him and her eyes glistened.
Oh, fiddler, what bewitching music is this? What sweetness does it insinuate, what mysterious audacity counsel? There were those parted lips of hers, with white teeth gleaming through, and here was this youth who had never touched a woman’s lips in love. Such a little way between his bent head and her upturned face...!
A door crashed behind her. She started from his timid hand. The thread of the music was broken like a floating gossamer.
Steven thought that the fiddler laughed. There was a faint exclamation. Heavens! did she also laugh? He saw—yes, he saw the inspector’s hated outline over hers. She was drawn from the window by the shoulders, the shutters were clapped to in his face and bolted noisily. The yard billowed under his feet. All went red before his eyes. That was her room, and the man had followed her to it! Had he no youth in him, no blood in his veins?... Why, he could taste it on his tongue! He pivoted round upon himself, made a blind rush for the entrance door, and dashed headlong against Ranger Schmidt’s broad chest.
A French oath rang out. Then broken German: “Can the kerl not see where he is going?” Then, in the dark, the fiddler laughed again. Or was it his music? or were there lurking devils taunting, jeering, inciting? The young man never knew exactly what happened till a crack like a pistol-shot sprang upon the night, and he realized that his hand had found the broad, insolent face at last. The sound of that slap cleared the confusion in his own brain as a puff of wind clears a hanging mist. Schmidt gave a roar like a furious bull, but Steven met the onslaught of the uplifted whip with the science learned in London of Gentleman Jackson and there was a grip on either side which began for him in glorious defiance and ended in a struggle of life and death.
The fiddler worked his bow like one possessed. It was a fierce song of fight that now rose, ever shriller, louder, and faster, up towards the placid sky. The air was thick with the curses, blue with the profanity, of Forester Schmidt. But Steven fought like a gentleman, in silence. To his dying day he maintained that he was getting the better of the hulking bully, when his heel caught in an upstanding root, and he fell with a crash, his opponent over him. There was a moment’s agony of suffocation, then the gleam before his eyes of a bared blade, gilt-blue in the moonlight, two echoing shouts, a woman’s scream. And then Count Waldorff-Kielmansegg lost consciousness, his wits marching away at double-quick time to the lilt of an extraordinarily joyous vulgar little tune.
“Oh, Geiger-Onkel, is he dead?”
The girl with the yellow plaits stood in the light of the lantern; her wide eyes seemed to devour her face, white even in that uncertain glimmer; her parted lips quivered. From the forest house came the sound of loud wrangling voices, dominated presently by rhythmic feminine screams. In the kennels the dogs were barking furiously: it was a distracting clamour.
Yet the stillness of the young man’s comely figure, relaxed at its length on the straw, the pallor of his head, thrown back like a sleeping child’s against the fiddler’s knee, seemed to make its own circle of silence.
“Dead?” echoed the vagrant. “Dead for a crack on the skull!” His tone was contemptuous. Yet his lean hands shook as they busied themselves in loosening Count Steven’s very fine stock; and there was concern in his attitude as he bent over the youth’s face, cruelly beautiful in its white unconsciousness.
Now Sidonia, the forest-mother’s foster-child, remembered Geiger-Hans as far back as she could remember anything, and knew every shade of that sardonic visage. Dark she had often seen it, with a far-away melancholy—a melancholy, it seemed, beyond anything that life could touch. She had known it alight with mockery, softened into a wonderful tenderness that was for her alone, of all human beings, and for all sick or helpless animals. But moved to anxiousness as now, never before. She clasped her hands across the fluttering of her heart. Geiger-Hans glanced at her again and laughed gently. The traveller’s befrogged coat was loose at last, the column of his young throat bare, and the musician had slipped a hand between the folds of a shirt finer than the girl’s own snowy bodice.
“Why, little Sidonia,” said he, as if she was once again the child, “you look as scared as a rabbit in a trap. Dead, this lad? Nay, his English mother, whoever she was, has built him too well for that. Why, here’s a heart for you! With decent luck, it should make him swing into his nineties as steadily as the drums of the Old Guard.”
As he spoke, he shifted the burden of the languid head to a convenient pile of straw, sprang to his feet and stood laughing again.
“Our wits are not the strongest part of us,” he mocked. “They’re always like to be the first things we lose.” His lips twisted as he glanced downward. “A knock on our pate, and it is all away with them.”
“For shame, Geiger-Onkel!” cried the girl. The colour flamed into her face: upon the reaction of her relief, she was glad to find anger, else she must have burst into tears. She knelt down by her ungracious guest, and, on a nearer view, misgiving once more crept upon her. Her little hands hovered. “Oh, Onkel,” she cried, “yet he looks like death!”
“Nay, satisfy yourself, then,” said the fiddler, encouragingly; “women are all cousins, even to Mamzell Sidonia.”
His tone seemed scornful, but there was something genial, something almost of hope and pleasure, in his eyes as he watched the maid bend over the comely youth, watched her lay a timid touch over his heart.
“It beats,” said Sidonia, in a whisper, “it beats.” She spoke as of a wonderful thing. A smile came like a dream across her face. Her touch lingered. “How strong!” she said.
“The heart of a young man should be strong,” quoth the fiddler.
“And how steady,” went on the girl.
And the fiddler answered: “Strength is waste without steadiness.”
She crouched, looking up at him, the smile of wonder on her lips. Then she looked down again at the pale face.
“His heart beats beautifully, but when will he wake again?”
“It is to be hoped, not till to-morrow morning. And,” added the other more gravely, “he must not be awaked. Nature knows what she is about, and she is rocking her young friend to the tune of her own remedy. Nay, never fear, little mamzell, the lad is but stunned. He will sleep till morning, and wake scarce the worse. Leave him, child, he lies well enough.”
“He lies very ill,” flashed she. “You were kinder to the old white horse. A pillow he shall have,” she scolded, and was gone on her light foot.
The wrangling sounds were now stilled within and without the forest house. The cries of the hounds had fallen into silence. As for the rhythmic hysterics of the travelling lady, they had given place to soft gurgles of laughter. These punctuated the more continuous rumble of a bass undertone; her window was evidently once more open to the night. The musician gazed down at the youth’s upturned face.
“What dreams you could have had, you dog, had your foolish wits not taken leave of absence,” he murmured. With an unconscious gesture he reached for his fiddle, as if to clothe the thought in its own tune. But he paused before touching a string. “No, sweet friend,” he muttered, “thou must be put to baser uses before dawn. And till then thy fancies and mine must sleep.”
A twig cracked sharply. With heavy tread, yet noiselessly, in her list slippers, the forest-mother waddled into the barn. There was the gleam of a white basin in her hand, whence arose a sour pungency.
“The good God and His holy mother preserve us this night!” she ejaculated in a creaking whisper. “I have brought a compress for the poor young gentleman’s head. Eh, but the gracious one was haughty, and pride will have a fall! But there, my heart goes out to lads, be they high or low. Hey, jeminy,” she clacked her tongue, “it’s enough to give one a turn to see him lying there!”
Though the words were rueful the tone was almost cheery. She had been witness of many hard knocks in her day; and she knew—none better—the stuff of which solid Kerls are made.
“Keep your vinegar for little gherkins, mother,” said the musician, gaily. “We want no more pickle here to-night.”
Further gibing was silenced on his lips, for Sidonia came back upon them like a small whirlwind, clasping her pillow by the middle, heedless that one corner of it should knock off the fiddler’s hat, the other all but upset the vinegar lotion. But her impetuosity gave place to fairy gentleness as she knelt beside Steven and drew his head into her lap, spreading meanwhile the pillow into its proper place.
“Save us and bless us!” exclaimed the forest-mother. “Sidonia! Here, Geiger-Onkel, take the vinegar!” And, quite flustered, she thrust her basin upon him.
“Foster-mother,” said Sidonia, looking up rebukingly, “he must not be awakened.” She laid her hand protectingly upon the crisp brown curls.
“But, child,” groaned the forest-mother, “this is no work for a—no work for you. Himmel! the strange gentleman’s head on your lap; and you—what you are! It is not fitting. It is not maidenly!”
“Tscha!” said the fiddler, testily, and forced back the bowl upon the irate old woman. “Good mother, leave the child alone. See, she has laid the young gentleman’s head quite prettily on the pillow, and now she is going straight to bed. It is late, for good children.”
Sidonia had leaped to her feet. She came slowly towards the two who were watching her, tossing her head. But, with all her pride, she could not conceal that she was blushing to tears. Suddenly she darted past them into the night, and her feet could be heard pattering up the outside wooden stairs that led to her gable room.