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Narrative of the Voyages Round the World Performed by Captain James Cook

by Andrew Kippis

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The Morai

An Ode

Fair Otaheite, fondly bless’d
  By him, who long was doom’d to brave
  The fury of the polar wave,
  That fiercely mounts the frozen rock
  Where the harsh sea bird rears her nest,
  And learns the raging surge to mock—
  There, Night, that loves eternal storm.
  Deep and lengthen’d darkness throws,
  And untried Danger’s doubtful form
  Its half seen horror shews!
  While Nature, with a look so wild,
  Leans on the cliffs in chaos piled;
  That here, the awed, astonish’d mind
  Forgets, in that o’erwhelming hour,
  When her rude hands the storms unbind,
  In all the madness of her power;
  That she who spreads the savage gloom,
  That she can dress in melting grace,
  In sportive Summer’s lavish bloom,
  The awful terrors of her face;
  And wear the sweet perennial smile
  That charms in Otaheite’s isle.

Yet, amid her fragrant bowers.
  Where Spring, whose dewy fingers strew
  O’er other lands some fleeting flowers,
  Lives, in blossoms ever new;
  Whence arose that shriek of pain?
  Whence the tear that flows in vain?—
  Death! thy unrelenting hand
  Tears some transient human band—
  Eternity! rich plant that blows
  Beneath a brighter, happier sky.
  Time is a fading branch, that grows
  On thy pure stem, and blooms to die.

What art thou, Death?—terrific shade.
  In unpierced gloom array’d!
  Oft will daring Fancy stray
  Far in the central wastes, where Night
  Divides no cheering hour with Day,
  And unnamed horrors meet her sight;
  There thy form she dimly sees,
  And round the shape unfinish’d throws
  All her frantic vision shews
  When numbing fears her spirit freeze—
  But can mortal voice declare
  If Fancy paints thee as thou art?
  Thy aspect may a terror wear
  Her pencil never shall impart;
  The eye that once on thee shall gaze,
  No more its stiffen’d orb can raise;
  The lips that could thy power reveal,
  Shall lasting silence instant seal—
  In vain the icy hand we fold,
  In vain the breast with tears we steep,
  The heart, that shared each pang, is cold,
  The vacant eye no more can weep.

Yet from the shore where Ganges rolls
  His wave beneath the torrid ray,
  To Earth’s chill verge, where o’er the poles
  Fall the last beams of lingering day.
  For ever sacred are the dead?
  Sweet Fancy comes in Sorrow’s aid,
  And bids the mourner lightly tread
  Where the insensate clay is laid:
  Bids partial gloom the sod invest
  By the mouldering relics press’d;
  Then lavish strews, with sad delight,
  What’er her consecrating power
  Reveres of herb, or fruit, or flower,
  And fondly weaves the various rite.

See! o’er Otaheite’s plain
  Moves the long, funereal train;
  Slow the pallid corse they bear,
  Oft they breathe the solemn prayer:
  Where the ocean bathes the land,
  Thrice, and thrice, with pious hand,
  The priest, when high the billow springs,
  From the wave unsullied, flings
  Waters pure, that, sprinkled near,
  Sanctify the hallow’d bier:
  But never may one drop profane
  The relics with forbidden stain!
  Now around the funeral shrine,
  Led in mystic mazes, twine
  Garlands, where the plantain weaves
  With the palm’s luxuriant leaves;
  And o’er each sacred knot is spread
  The plant devoted to the dead.

Five pale moons with trembling light
  Shall gaze upon the lengthen’d rite;
  Shall see distracted Beauty tear
  The tresses of her flowing hair:
  Those shining locks, no longer dear,
  She wildly scatters o’er the bier;
  And careless gives the frequent wound
  That bathes in precious blood the ground.

When along the western sky,
  Day’s reflected colours die,
  And Twilight rules the doubtful hour
  Ere slow-paced Night resumes her power;
  Mark the cloud that lingers still
  Darkly on the hanging hill!
  There the disembodied mind
  Hears, upon the hollow wind,
  In unequal cadence thrown,
  Sorrow’s oft repeated moan:—
  Still some human passions sway
  The spirit late immersed in clay;
  Still the faithful sigh is dear,
  Still beloved the fruitless tear!

Five waning moons, with wandering light,
  Have pass’d the shadowy bound of night,
  And mingled their departing ray
  With the soft fires of early day:
  Let the last sad rite be paid
  Grateful to the conscious shade:
  Let the priest, with pious care.
  Now the wasted relics bear
  Where the Morai’s awful gloom
  Shrouds the venerable tomb;
  Let the plantain lift its head,
  Cherish’d emblem of the dead;
  Slow and solemn, o’er the grave,
  Let the twisted plumage wave,
  Symbol hallow’d, and divine,
  Of the god who guards the shrine.
  Hark!—that shriek of strange despair
  Never shall disturb the air.
  Never, never shall it rise
  But for Nature’s broken ties!—
  Bright crescent! that with lucid smiles
  Gild’st the Morai’s lofty pile,
  Whose broad lines of shadow throw
  A gloomy horror far below;
  Witness, O recording Moon!
  All the rites are duly done;
  Be the faithful tribute o’er,
  The hovering spirit asks no more!
  Mortals, cease the pile to tread,
  Leave, to silence, leave the dead.

But where may she who loves to stray
  Mid shadows of funereal gloom,
  And courts the sadness of the tomb,
  Where may she seek the proud Morai,
  Whose dear memorial points the place
  Where fell the friend of human race?

Ye lonely isles! on ocean’s bound
  Ye bloom’d through time’s long flight unknown,
  Till Cook the untract’d billow pass’d,
  Till he along the surges cast
  Philanthropy’s connecting zone,
  And spread her lovliest blessings round.
  Not like that murderous band he came,
  Who stain’d with blood the new found West
  Nor as, with unrelenting breast,
  From Britain’s free enlighten’d land,
  Her sons now seek Angola’s strand,
  Each tie most sacred to unbind,
  To load with chains a brother’s frame,
  And plunge a dagger in the mind;
  Mock the sharp anguish bleeding there
  Of Nature in her last despair!

Great Cook! Ambition’s lofty flame,
  So oft directed to destroy,
  Led thee to circle with thy name,
  The smile of Love, and Hope, and Joy!
  Those fires, that lend the dangerous blaze
  The devious comet trails afar,
  Might form the pure benignant rays
  That gild the morning’s gentle star—
  Sure, where the Hero’s ashes rest,
  The nations late emerg’d from night
  Still base—with love’s unwearied care
  That spot in lavish flowers is dress’d,
  And fancy’s dear inventive rite
  Still paid with fond observance there!

Ah no!—around his fatal grave,
  No lavish flowers were ever strew’d
  No votive gifts were ever laid—
  His blood a savage shore bedew’d!
  His mangled limbs, one hasty prayer,
  One pious tear by friendship, paid,
  Were cast upon the raging wave;
  Deep in the wild abyss he lies.
  Far from the cherish’d scene of home;
  Far, far from Her whose faithful sighs
  A husband’s trackless course pursue;
  Whose tender fancy loves to roam
  With him o’er lands and oceans new;
  And gilds with Hope’s deluding form
  The gloomy pathway of the storm.

Yet, Cook! immortal wreaths are thine!
  While Albion’s grateful toil shall raise
  The marble tomb, the trophied bust,
  For ages faithful to its trust;
  While, eager to record thy praise,
  She bids the Muse of History twine
  The chaplet of undying fame,
  And tell each polish’d land thy worth:
  The ruder natives of the earth
  Shall oft repeat thy honour’d name;
  While infants catch the frequent sound,
  And learn to lisp the oral tale;
  Whose fond remembrance shall prevail
  Till Time has reach’d his destin’d bound.

The End

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