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‹Better GutenbergThe Recent Revolution in Organ BuildingChapter VII — Means of Obtaining Expression · 15 of 55Contents›

The Recent Revolution in Organ Building

by George Laing Miller

15 of 55 · Contents · Download EPUB

Chapter VII — Means of Obtaining Expression

Crescendo Pedal

To most organs in this country, to many in Germany, and to a few in other countries, there is attached a balanced shoe pedal by movement of which the various stops and couplers in the organ are brought into action in due sequence. By this means an organist is enabled to build up the tone of his organ from the softest to the loudest without having to touch a single stop-knob, coupler or combination piston. The crescendo pedal, as it is called, is little used in England. It is the fashion there to regard it merely as a device to help an incompetent organist. It is contended that a crescendo pedal is most inartistic, as it is certain to be throwing on or taking off stops in the middle, instead of at the beginning or end of a musical phrase. In spite of this acknowledged defect, many of the best players in this country regard it as a legitimate and helpful device.

We believe the first balanced crescendo pedal in this country was put in the First Presbyterian Church organ at Syracuse, N. Y., by Steere, the builder of the instrument.

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