I Sonnets
I
Lift up your hearts in Gumber, laugh the Weald
And you my mother the Valley of Arun sing.
Here am I homeward from my wandering
Here am I homeward and my heart is healed.
You my companions whom the World has tired
Come out to greet me. I have found a face
More beautiful than Gardens; more desired
Than boys in exile love their native place.
Lift up your hearts in Gumber, laugh the Weald
And you most ancient Valley of Arun sing.
Here am I homeward from my wandering,
Here am I homeward and my heart is healed.
If I was thirsty, I have heard a spring.
If I was dusty, I have found a field.
II
I was like one that keeps the deck by night
Bearing the tiller up against his breast;
I was like one whose soul is centred quite
In holding course although so hardly prest,
And veers with veering shock now left now right,
And strains his foothold still and still makes play
Of bending beams until the sacred light
Shows him high lands and heralds up the day.
But now such busy work of battle past
I am like one whose barque at bar at last
Comes hardly heeling down the adventurous breeze;
And entering calmer seas,
I am like one that brings his merchandise
To Californian skies.
III
Rise up and do begin the day’s adorning;
The Summer dark is but the dawn of day.
The last of sunset fades into the morning;
The morning calls you from the dark away.
The holy mist, the white mist of the morning
Was wreathing upward on my lonely way.
The way was waiting for your own adorning
That should complete the broad adornéd day.
Rise up and do begin the day’s adorning;
The little eastern clouds are dapple grey:
There will be wind among the leaves to-day;
It is the very promise of the morning.
Lux Tua Via Mea: your light’s my way—
Then do rise up and make it perfect day.
IV
The Winter Moon has such a quiet car
That all the winter nights are dumb with rest.
She drives the gradual dark with drooping crest
And dreams go wandering from her drowsy star
Because the nights are silent do not wake
But there shall tremble through the general earth,
And over you, a quickening and a birth.
The Sun is near the hill-tops for your sake.
The latest born of all the days shall creep
To kiss the tender eyelids of the year;
And you shall wake, grown young with perfect sleep,
And smile at the new world and make it dear
With living murmurs more than dreams are deep;
Silence is dead, my dawn, the morning’s here.
V
Whatever moisture nourishes the Rose
The Rose of the World in laughter’s garden-bed
Where Souls of men on faith secure are fed
And spirits immortal keep their pleasure-close.
Whatever moisture nourishes the Rose,
The burning Rose of the world, for me the same
To-day for me the spring without a name
Content or Grace or Laughter overflows.
This is that water from the Fount of Gold
Water of Youth and washer out of cares
Which Raymond of Saragossa sought of old
And finding in the mountain, unawares,
Returned to hear an ancient story told
To Bramimond, his love, beside the marble stairs.
VI
Youth gave you to me, but I’ll not believe
That Youth will, taking his quick self, take you.
Youth’s all our Truth: he cannot so deceive.
He has our graces, not our ownselves too.
He still compares with time when he’ll be spent,
By human doom enhancing what we are;
Enriches us with rare experiment,
Lends arms to leagured Age in Time’s rough war.
Look! This Youth in us is an Old Man taking
A Boy to make him wiser than his days.
So is our old Youth our young Age’s making:
So rich in time our final debt he pays.
Then with your quite young arms do you me hold
And I will still be young when all the World’s grown old.
VII
Mortality is but the Stuff you wear
To show the better on the imperfect sight.
Your home is surely with the changeless light
Of which you are the daughter and the heir.
For as you pass, the natural life of things
Proclaims the Resurrection: as you pass
Remembered summer shines across the grass
And somewhat in me of the immortal sings.
You were not made for memory, you are not
Youth’s accident I think but heavenly more;
Moulding to meaning slips my pen’s poor blot
And opening wide that long forbidden door
Where stands the Mother of God, your exemplar.
How beautiful, how beautiful you are!
VIII
Not for the luckless buds our roots may bear
Now all in bloom, now seared and cankered lying
Will I entreat you, lest they should compare
Foredoomed humanity with the fall of flowers.
Hold thou with me the chaste communion rare
And touch with life this mortal case of ours:
You’re lifted up beyond the power of dying:
I die, as bounded things die everywhere.
You’re voiced companionship, I’m silence lonely;
You’re stuff, I’m void; you’re living, I’m decay.
I fall, I think, to-night and ending only;
You rise, I know, through still advancing day.
And knowing living gift were life for me
In narrow room of rhyme I fixed it certainly.
IX
That which is one they shear and make it twain
Who would Love’s light and dark discriminate:
His pleasure is one essence with his pain,
Even his desire twin brother to his hate.
With him the foiled attempt is half achieving;
And being mastered, to be armed a lord;
And doubting every chance is still believing;
And losing all one’s own is all reward.
I am acquainted with misfortune’s fortune,
And better than herself her dowry know:
For she that is my fortune and misfortune,
Making me hapless, makes me happier so:
In which conceit, as older men may prove,
Lies manifest the very core of Love.
X
Shall any man for whose strong love another
Has thrown away his wealth and name in one,
Shall he turn mocker of a more than brother
To slight his need when his adventure’s done?
Or shall a breedless boy whose mother won him
In great men’s great concerns his little place
Turn when his farthing honours come upon him
To mock her yeoman air and conscious grace?
Then mock me as you do my narrow scope,
For you it was put out this light of mine:
Wrongfully wrecked my new adventured hope,
Wasted my wordy wealth, spilt my rich wine,
Made my square ship within a league of shore
Alas! To be entombed in seas and seen no more.
XI
They that have taken wages of things done
When sense abused has blocked the doors of sense,
They that have lost their heritage of the sun,
Their laughter and their holy innocence;
They turn them now to this thing, now to t’other,
For anchor hold against swift-eddying time,
Some to that square of earth which was their mother,
And some to noisy fame, and some to rhyme.
But I to that far morning where you stood
In fullness of the body, with your hands
Reposing on your walls, before your lands,
And all, together, making one great good:
Then did I cry “For this my birth was meant.
These are my use, and this my sacrament!”
XII
Beauty that Parent is to deathless Rhyme
Was Manhood’s maker: you shall bear a Son,
Till Daughters linked adown admiring time
Fulfil the mother, handing Beauty on.
You shall by breeding make Life answer yet,
In Time’s despite, Time’s jeer that men go void;
Your stamp of heaven shall be more largely set
Than my one joy, ten thousand times enjoyed.
The glories of our state and its achievement,
Which wait their passing, shall not pass away.
I will extend our term beyond bereavement,
And launch our date into a dateless day.
For you shall make recórd, and when that’s sealed
In Beauty made immortal, all is healed.
XIII
What are the names for Beauty? Who shall praise
God’s pledge he can fulfil His creatures’ eyes?
Or what strong words of what creative phrase
Determine Beauty’s title in the skies?
But I will call you Beauty Personate,
Ambassadorial Beauty, and again
Beauty triumphant, Beauty in the Gate,
Beauty salvation of the souls of men.
For Beauty was not Beauty till you came
And now shall Beauty mean the sign you are;
A Beacon burnt above the Dawn, a flame
Like holy Lucifer the Morning Star,
Who latest hangs in Heaven and is the gem
On all the widowéd Night’s expectant Diadem.
XIV
Love wooing Honour, Honour’s love did win
And had his pleasure all a summer’s day.
Not understanding how the dooms begin,
Love wooing Honour, wooed her life away.
Then wandered he a full five years unrest
Until, one night, this Honour that had died
Came as he slept, in youth grown glorified
And smiling like the Saints whom God has blest.
But when he saw her on the clear night shine
Serene with more than mortal light upon her,
The boy that careless was of things divine,
Small Love, turned penitent to worship Honour.
So Love can conquer Honour: when that’s past
Dead Honour risen outdoes Love at last.
XV
Your life is like a little winter’s day
Whose sad sun rises late to set too soon;
You have just come—why will you go away,
Making an evening of what should be noon.
Your life is like a little flute complaining
A long way off, beyond the willow trees:
A long way off, and nothing left remaining
But memory of a music on the breeze.
Your life is like a pitiful leave-taking
Wept in a dream before a man’s awaking,
A Call with only shadows to attend:
A Benediction whispered and belated
Which has no fruit beyond a consecrated,
A consecrated silence at the end.
XVI
Now shall the certain purpose of my soul
By blind and empty things controlled be,
And mine audacious course to that far goal
Fall short, confessing mere mortality.
Limbs shall have movement and ignore their living,
Brain wit, that he his quickness may deny.
My promised hope forswears in act of giving,
Time eats me up and makes my words a lie.
And mine unbounded dream has found a bar,
And I must worst deceit of best things bear.
Now dawn’s but daybreak, seas but waters are,
Night darkness only, all wide heaven just air:
And you to whom these fourteen lines I tell,
My beauty, my desire: but not my love as well.
XVII
Because my faltering feet may fail to dare
The first descendant of the steps of Hell
Give me the Word in time that triumphs there.
I too must pass into the misty hollow
Where all our living laughter stops: and hark!
The tiny stuffless voices of the dark
Have called me, called me, till I needs must follow:
Give me the Word and I’ll attempt it well.
Say it’s the little winking of an eye
Which in that issue is uncurtained quite;
A little sleep that helps a moment by
Between the thin dawn and the large daylight.
Ah! tell me more than yet was hoped of men;
Swear that’s true now, and I’ll believe it then.
XVIII
When you to Acheron’s ugly water come
Where darkness is and formless mourners brood
And down the shelves of that distasteful flood
Survey the human rank in order dumb.
When the pale dead go forward, tortured more
By nothingness and longing than by fire,
Which bear their hands in suppliance with desire,
With stretched desire for the ulterior shore.
Then go before them like a royal ghost
And tread like Egypt or like Carthage crowned;
Because in your Mortality the most
Of all we may inherit has been found—
Children for memory: the Faith for pride.
Good land to leave: and young Love satisfied.
XIX
We will not whisper, we have found the place
Of silence and the endless halls of sleep.
And that which breathes alone throughout the deep
The end and the beginning: and the face
Between the level brows of whose blind eyes
Lie plenary contentment, full surcease
Of violence, and the passionless long peace
Wherein we lose our human lullabies.
Look up and tell the immeasurable height
Between the vault of the world and your dear head;
That’s death, my little sister, and the night
Which was our Mother beckons us to bed,
Where large oblivion in her house is laid
For us tired children, now our games are played.
XX
I went to sleep at Dawn in Tuscany
Beneath a Rock and dreamt a morning dream.
I thought I stood by that baptismal stream
Whereon the bounds of our redemption lie.
And there, beyond, a radiance rose to take
My soul at passing, in which light your eyes
So filled me I was drunk with Paradise.
Then the day broadened, but I did not wake.
Here’s the last edge of my long parchment furled
And all was writ that you might read it so.
This sleep I swear shall last the length of day;
Not noise, not chance, shall drive this dream away:
Not time, not treachery, not good fortune—no,
Not all the weight of all the wears of the world.
XXI
Almighty God, whose justice like a sun
Shall coruscate along the floors of Heaven,
Raising what’s low, perfecting what’s undone,
Breaking the proud and making odd things even.
The poor of Jesus Christ along the street
In your rain sodden, in your snows unshod,
They have nor hearth, nor sword, nor human meat,
Nor even the bread of men: Almighty God.
The poor of Jesus Christ whom no man hears
Have waited on your vengeance much too long.
Wipe out not tears but blood: our eyes bleed tears.
Come smite our damnéd sophistries so strong
That thy rude hammer battering this rude wrong
Ring down the abyss of twice ten thousand years.
XXII
Mother of all my cities once there lay
About your weedy wharves an orient shower
Of spice and languorous silk and all the dower
That Ocean gave you on his bridal day.
And now the youth and age have passed away
And all the sail superb and all the power;
Your time’s a time of memory like that hour
Just after sunset, wonderful and grey.
Too tired to rise and much too sad to weep,
With strong arm nerveless on a nerveless knee,
Still to your slumbering ears the spousal deep
Murmurs his thoughts of eld eternally;
But your soul wakes not from its holy sleep
Dreaming of dead delights beside a tideless sea.
XXIII
November is that historied Emperor
Conquered in age but foot to foot with fate
Who from his refuge high has heard the roar
Of squadrons in pursuit, and now, too late,
Stirrups the storm and calls the winds to war,
And arms the garrison of his last heirloom,
And shakes the sky to its extremest shore
With battle against irrevocable doom.
Till, driven and hurled from his strong citadels,
He flies in hurrying cloud and spurs him on,
Empty of lingerings, empty of farewells
And final benedictions and is gone.
But in my garden all the trees have shed
Their legacies of the light and all the flowers are dead.
XXIV
Hoar Time about the House betakes him slow
Seeking an entry for his weariness.
And in that dreadful company distress
And the sad night with silent footsteps go.
On my poor fire the brands are scarce aglow
And in the woods without what memories press
Where, waning in the trees from less to less
Mysterious hangs the hornéd moon and low.
For now December, full of agéd care
Comes in upon the year and weakly grieves;
Mumbling his lost desires and his despair
And with mad trembling hand still interweaves
The dank sear flower-stalks tangled in his hair,
While round about him whirl the rotten leaves.
XXV
It freezes: all across a soundless sky
The birds go home. The governing dark’s begun.
The steadfast dark that waits not for a sun;
The ultimate dark wherein the race shall die.
Death with his evil finger to his lip
Leers in at human windows, turning spy
To learn the country where his rule shall lie
When he assumes perpetual generalship.
The undefeated enemy, the chill
That shall benumb the voiceful earth at last,
Is master of our moment, and has bound
The viewless wind itself. There is no sound.
It freezes. Every friendly stream is fast.
It freezes, and the graven twigs are still.
XXVI
O my companion, O my sister Sleep,
The valley is all before us, bear me on.
High through the heaven of evening, hardly gone,
Beyond the harbour lights, beyond the steep,
Beyond the land and its lost benison
To where, majestic on the darkening deep,
The night comes forward from Mount Aurion.
O my companion, O my sister Sleep.
Above the surf-line, into the night-breeze;
Eastward above the ever-whispering seas;
Through the warm airs with no more watch to keep.
My day’s run out and all its dooms are graven.
O dear forerunner of Death and promise of Haven.
O my companion, O my sister Sleep.
XXVII
Are you the end, Despair, or the poor least
Of them that cast great shadows and are lies?
That dread the simple and destroy the wise,
Fail at the tomb and triumph at the feast?
You were not found on Olivet, dull beast,
Nor in Thebaid, when the night’s agonies
Dissolved to glory on the effulgent east
And Jesus Christ was in the morning skies.
You did not curb the indomitable crest
Of Tzerna-Gora, when the Falcon-bred
Screamed over the Adriatic, and their Lord
Went riding out, much angrier than the rest,
To summon at ban the living and the dead
And break the Mahommedan with the repeated sword.
XXVIII
But oh! not Lovely Helen, nor the pride
Of that most ancient Ilium matched with doom.
Men murdered Priam in his royal room
And Troy was burned with fire and Hector died.
For even Hector’s dreadful day was more
Than all his breathing courage dared defend
The armouréd light and bulwark of the war
Trailed his great story to the accustomed end.
He was the city’s buttress, Priam’s Son,
The Soldier born in bivouac praises great
And horns in double front of battle won.
Yet down he went: when unremembering fate
Felled him at last with all his armour on.
Hector: the horseman: in the Scæan Gate.
XXIX
The world’s a stage. The light is in one’s eyes.
The Auditorium is extremely dark.
The more dishonest get the larger rise;
The more offensive make the greater mark.
The women on it prosper by their shape,
Some few by their vivacity. The men,
By tailoring in breeches and in cape.
The world’s a stage—I say it once again.
The scenery is very much the best
Of what the wretched drama has to show,
Also the prompter happens to be dumb.
We drink behind the scenes and pass a jest
On all our folly; then, before we go
Loud cries for “Author”... but he doesn’t come.
XXX
The world’s a stage—and I’m the Super man,
And no one seems responsible for salary.
I roar my part as loudly as I can
And all I mouth I mouth it to the gallery.
I haven’t got another rhyme in “alery”
It would have made a better job, no doubt
If I had left attempt at Rhyming out,
Like Alfred Tennyson adapting Malory.
The world’s a stage, the company of which
Has very little talent and less reading:
But many a waddling heathen painted bitch
And many a standing cad of gutter breeding.
We sweat to learn our book: for all our pains
We pass. The Chucker-out alone remains.
XXXI
The world’s a stage. The trifling entrance fee
Is paid (by proxy) to the registrar.
The Orchestra is very loud and free
But plays no music in particular.
They do not print a programme, that I know.
The caste is large. There isn’t any plot.
The acting of the piece is far below
The very worst of modernistic rot.
The only part about it I enjoy
Is what was called in English the Foyay.
There will I stand apart awhile and toy
With thought, and set my cigarette alight;
And then—without returning to the play—
On with my coat and out into the night.