Part III Stone Trees
Last night a sword-light in the sky
Flashed a swift terror on the dark.
In that sharp light the fields did lie
Naked and stone-like; each tree stood
Like a tranced woman, bound and stark.
Far off the wood
With darkness ridged the riven dark.
And cows astonished stared with fear,
And sheep crept to the knees of cows,
And conies to their burrows slid,
And rooks were still in rigid boughs,
And all things else were still or hid.
From all the wood
Came but the owl’s hoot, ghostly, clear.
In that cold trance the earth was held
It seemed an age, or time was nought.
Sure never from that stone-like field
Sprang golden corn, nor from those chill
Gray granite trees was music wrought.
In all the wood
Even the tall poplar hung stone still.
It seemed an age, or time was none...
Slowly the earth heaved out of sleep
And shivered, and the trees of stone
Bent and sighed in the gusty wind,
And rain swept as birds flocking sweep.
Far off the wood
Rolled the slow thunders on the wind.
From all the wood came no brave bird,
No song broke through the close-fall’n night,
Nor any sound from cowering herd:
Only a dog’s long lonely howl
When from the window poured pale light.
And from the wood
The hoot came ghostly of the owl.
It Was the Lovely Moon
It was the lovely moon—she lifted
Slowly her white brow among
Bronze cloud-waves that ebbed and drifted
Faintly, faintlier afar.
Calm she looked, yet pale with wonder,
Sweet in unwonted thoughtfulness,
Watching the earth that dwindled under
Faintly, faintlier afar.
It was the lovely moon that lovelike
Hovered over the wandering, tired
Earth, her bosom gray and dovelike,
Hovering beautiful as a dove....
The lovely moon:—her soft light falling
Lightly on roof and poplar and pine—
Tree to tree whispering and calling,
Wonderful in the silvery shine
Of the round, lovely, thoughtful moon.
The Hounds
Far off a lonely hound
Telling his loneliness all round
To the dark woods, dark hills, and darker sea;
And, answering, the sound
Of that yet lonelier sea-hound
Telling his loneliness to the solitary stars.
Hearing, the kennelled hound
Some neighbourhood and comfort found,
And slept beneath the comfortless high stars.
But that wild sea-hound
Unkennelled, called all night all round—
The unneighboured and uncomforted cold sea.
Hector
Sleep, sleep, you great and dim trees, sleeping on
The still warm, tender cheek of night,
And with her cloudy hair
Brushed: sleep, for the violent wind is gone;
Only remains soft easeful light,
And shadow everywhere,
And few pale stars. Hardly has eve begun
Dreaming of day renewed and bright
With beams than day’s more fair;
Scarce the full circle of the day is run,
Nor the yellow moon to her full height
Risen through the misty air.
But from the increasing shadowiness is spun
A shadowy shape growing clear to sight,
And fading. Was it Hector there,
Great-helmed, severe?—and as the last sun shone
Seeming in solemn splendour dight
Such as dream heroes bear;
And such his shape as heroes stare upon
In sleep’s tumultuary fight
When a cry’s heard, “Beware!”...
—’Twas Hector, but the moment-splendour’s gone:
Shadow fast deepens into night,
Night spreads—cold, wide, bare.
Listening
There is a place of grass
With daisies like white pools,
Or shining islands in a sea
Of brightening waves.
Swallows, darting, brush
The waves of gentle green,
As though a wide still lake it were,
Not living grass.
Evening draws over all,
Grass and flowers and sky,
And one rich bird prolongs the sweet
Of day on the edge of dark.
The grass is dim, the stars
Lean down the height of heaven;
And the trees, listening in all their leaves,
Scarce-breathing stand.
Nothing is as it was:
The bird on the bough sings on;
The night, pure from the cloud of day,
Is listening.
Stones
Small yellow stones
That, lifted, through my idle fingers fall
Leaving a score—
And these I toss between the parted lips
Of the lapping sea,
And the sea tosses again with millions more—
Yellow and white stones;
Then drawing back her snaky long waves all,
Leaves the stones
Yellow and white upon the sandy shore....
As they were bones
Yellow and white left on the silent shore
Of an unfoaming far unvisioned Sea.
The Enemies
The angry wind
That cursed at me
Was nothing but an evil sprite
Vexed with any man’s delight.
And strange it seemed
That a dark wind
Should run down from a mountain steep
And shout as though the world were asleep.
But when he ceased
And silence was—
Who could but fear what evil sprite
Crept through the tunnels of the night?
The Silvery One
Clear from the deep sky pours the moon
Her silver on the heavy dark;
The small stars blink.
Against the moon the maple bough
Flutters distinct her leafy spears;
All sound falls weak....
Weak the train’s whistle, the dog’s bark,
Slow steps; and rustling into her nest
At last, the thrush.
All’s still; only earth turns and breathes.
Then that amazing trembling note
Cleaves the deep wave
Of silence. Shivers even that silvery one;
Sigh all the trees, even the cedar dark
——O joy, and I.
The Flute
It was a night of smell and dew
When very old things seemed how new;
When speech was softest in the still
Air that loitered down the hill;
When the lime’s sweetness could but creep
Like music to slow ears of sleep;
When far below the lapping sea
Lisped but of tired tranquillity....
No, ’twas a night that seemed almost
Of real night the little ghost,
As though a painter painted it
Out of the shallows of his wit—
The easy air, the whispered trees,
Faint prattle of strait distant seas,
Pettiness all: but hark, hark!
Large and rich in the narrow dark
Music rose. Was music never
Braver in her pure endeavour
Against the meanness of the world.
Her purple banner she unfurled
Of stars and suns upon the night
Amazed with the strange living light.
The notes rose where the dark trees knelt;
Their fiery joy made stillness melt
As flame in woods the low boughs burns,
Sere leaves, dry bushes, flame-shaped ferns.
The notes rose as great birds that rise
Majestically in lofty skies,
And in white clouds are lost; and then
Briefly they hushed, and woke again
Renewed.
Slowly silence came
As smoke after sinking flame
That spreads and thins across the sky
When day pales before it die.
Stars
The naked stars, deep beyond deep,
Burn purely through the nervèd night.
Over the narrow sleep
Of men tired of light;
Deep within deep, as clouds behind
Huge grey clouds hidden gleaming rise,
Untroubled by sharp wind
In cold desert skies.
Cold deserts now with infinite host
Of gathered spears at watch o’er small
Armies of men lost
In glooms funereal.
O bitter light, all-threatening stars,
O tired ghosts of men that sleep
After stern mortal wars
’Neath skies chill and steep.
These mortal hills, this flickering sea,
This shadowy and thoughtful night,
Throb with infinity,
Burn with immortal light.
Ten O’clock and Four O’clock
It stands there
Tall and solitary on the edge
Of the last hill, green on the green hill.
Ten o’clock the tree’s called, no one knows why.
Perhaps it was planted there at ten o’clock
Or someone was hanged there at ten o’clock—
A hundred such good reasons might be found,
But no one knows. It vexed me that none knew,
Seeing it miles and miles off and then nearer
And nearer yet until, beneath the hill,
I looked up, up, and saw it nodding there,
A single tree upon the sharp-edged hill,
Holding its leaves though in the orchard all
Leaves and fruit were stripped or hung but few
Red and yellow over the littered grass.
—It vexed me, the brave tree and senseless name,
As I went through the valley looking up
And then looked round on elm and beech and chestnut
And all that lingering flame amid the hedge
That marked the miles and miles.
Then I forgot:
For through the apple-orchard’s shadow I saw
Between the dark boughs of the cherry-orchard
A great slow fire which Time had lit to burn
The mortal seasons up, and leave bare black
Unchanging Winter.
Weston-sub-Edge.
The Yew
The moon gave no light.
The clouds rode slowly over, broad and white,
From the soft south west.
The wind, that cannot rest,
Soothed and then waked the darkness of the yew
Until the tree was restless too.
Of all the winds I knew
I thought, and how they muttered in the yew,
Or raved under the eaves,
Or nosed the fallen dry leaves,
Or with harsh voice holloa’d the orchard round,
With snapped limbs littering the ground.
And I thought how the yew
Between the window and the west his shadow threw,
Grave and immense,
Darkening the dark past thought and sense,
And how the moon would make the darkness heavenly bright:
But the moon gave no light.
November Skies
Than these November skies
Is no sky lovelier. The clouds are deep;
Into their gray the subtle spies
Of colour creep,
Changing that high austerity to delight,
Till even the leaden interfolds are bright.
And, where the cloud breaks, faint far azure peers
Ere a thin flushing cloud again
Shuts up that loveliness, or shares.
The huge great clouds move slowly, gently, as
Reluctant the quick sun should shine in vain,
Holding in bright caprice their rain.
And when of colours none,
Not rose, nor amber, nor the scarce late green,
Is truly seen,—
In all the myriad gray,
In silver height and dusky deep, remain
The loveliest,
Faint purple flushes of the unvanquished sun.