Charles Smith’s, Late Smith & Warner’s,
Superior Improved Moist Water Colours
Suitable for sketching from Nature, which retain their moisture for a length of time, freely and readily give their full force without the usual delay attending the Cake Colours; they dry instantly on paper, and are free from mildew or cracking.
C. Smith’s Water Colours, Finely Prepared in Cakes
| £. | s. | d. | |
| Ultramarine | 1 | 1 | 0 |
| Burnt Carmine | 7 | 0 | |
| Carmine | 5 | 0 | |
| Gall Stone | 5 | 0 | |
| Smalt | 5 | 0 | |
| Purple Madder | 5 | 0 | |
| Pink Madder | 3 | 0 | |
| Intense Blue | 3 | 0 | |
| Intense Brown | 3 | 0 | |
| French Blue | 3 | 0 | |
| Lemon Yellow | 3 | 0 | |
| Cobalt | 2 | 0 | |
| Sepia | 1 | 6 | |
| —— Warm | 1 | 6 | |
| Scarlet Lake | 1 | 6 | |
| Crimson Lake | 1 | 6 | |
| Purple Lake | 1 | 6 | |
| Brown Madder | 1 | 6 | |
| Indian Yellow | 1 | 6 | |
| White, warranted permanent | 1 | 6 |
C. Smith’s Permanent Moist White
So celebrated for its permanency and harmless nature, being quite free from lead; useful as lights upon Tinted Paper, without ever losing its brilliancy of Colour.
All the following One Shilling per Cake.
| Gamboge | Red Lead | Cappah Brown | Sap Green |
| Yellow Ochre | Vermilion | Burnt Umber | Prussian Green |
| Roman Ochre | Light Red | Vandyke Brown | Emerald Green |
| Yellow Lake | Venetian Red | Bistre | Verdigris |
| King’s Yellow | Indian Red | Cologne Earth | Olive Green |
| Italian Pink | Dragon’s Blood | Byrne’s Brown | Hooker’s Greens |
| Pale Chrome | Antwerp Blue | Neutral Tint | Varley’s Orange |
| Deep Chrome | Prussian Blue | Payne’s Grey | —— Dark Green |
| Orange Chrome | Indigo | British Ink | —— Warm Green |
| Raw Sienna | Verditer | Ivory Black | —— Warm Grey |
| Burnt Sienna | Raw Umber | Blue Black | —— Purple Grey |
| Brown Pink | Indian Lake | Lamp Black | —— Neutral Tint |
*** The above Colours kept in Powder, Bladders, and Crude state.
Willson’s Practical Landscape Tints
C. Smith, being of opinion that a Set of Practical Landscape Tints were required, apart from the above positive Colours, engaged the services of the Author of this Work to assist in forming them, which is intended to accompany his instructions for their use, already printed. See page 83.
They are now ready, and can be had by themselves, in a box, price 12s.; or, with Sixteen other general Colours added, inclusive of French Blue, Pink Madder, Cobalt, &c., £1: 6s.
34, Marylebone Street, Piccadilly, the end of the Quadrant, Regent Street, London.
Water Colour, Fitted Up in Boxes, etc.
| £. | s. | d. | |
| Mahogany Slide Box, with 6 Colours and Brushes | 0 | 6 | 0 |
| —— 12 Ditto | 0 | 12 | 0 |
| —— 18 Ditto | 0 | 18 | 0 |
| —— 24 Ditto | 1 | 4 | 0 |
| Mahogany Lock Box, with 12 Colours, Brushes, &c. | 0 | 16 | 0 |
| —— 12 Colours, Drawer, &c. | 1 | 0 | 0 |
| —— 18 Ditto | 1 | 7 | 0 |
| —— 24 Ditto | 1 | 12 | 0 |
| Mahogany Lock Box, with 12 Colours, Slab, Glass, &c. | 1 | 1 | 0 |
| —— 12 Colours, Drawer, &c. | 1 | 6 | 0 |
| —— 18 Ditto | 1 | 15 | 0 |
| —— 24 Ditto | 2 | 2 | 0 |
| Mahogany Best Box, with 12 Colours, Glass Slab, &c. | 1 | 12 | 0 |
| —— 18 Ditto | 2 | 12 | 6 |
| —— 24 Ditto | 3 | 3 | 0 |
| Mahogany Best Box, with 12 Colours, Chalks, &c. | 2 | 2 | 0 |
| —— 18 Ditto | 3 | 3 | 0 |
| —— 24 Ditto | 3 | 13 | 6 |
| Rosewood Best Box, with 12 Colours, Brushes, &c. | 2 | 12 | 6 |
| —— 12 Colours, Chalk, &c. | 3 | 3 | 0 |
| —— 18 Ditto | 4 | 14 | 6 |
| —— 24 Ditto | 5 | 5 | 0 |
| Inlaid Rose and Satin Wood Boxes, 12 Colours, &c. | 4 | 10 | 0 |
| —— 18 Ditto | 5 | 10 | 0 |
| —— 24 Ditto | 6 | 6 | 0 |
| Mahogany Miniature Desk, with 12 Colours, Brushes, &c. | 2 | 2 | 0 |
| Portable Ditto, Extra Colours | 4 | 4 | 0 |
| Boxes and Cabinets fitted up with every requisite for Painting in Oil and Water, from £6 6s. to | 20 | 0 | 0 |
| Mahogany Boxes, fitted up with Oil, Powder and Body Colours | |||
| Mahogany Boxes of Liquid Colours, for Velvet and Poonah Painting | |||
| Mahogany Boxes, with Slab and Indian Ink | |||
| Mahogany and Tin Boxes, with Chalks &c., complete | |||
| Tin Boxes fitted up with Moist Colours, &c. |
Superior Hair Pencils and Brushes
Made of the Finest Sable Hair, Camel’s Hair, &c., by the most perfect English and French artists. The largest possessing the Fine Elastic Points of the smallest, and with the advantage of containing a much greater quantity of Colour.
Red and Brown Sable Hair Pencils
Camel Hair and Fitch ditto
Sable and Camel Hair Pencils for Miniature Painting
Sable and Camel Hair Writers
French Hog and Goat Hair Tools, round and flat
Sable, Fitch, and Camel Hair Tools, round and flat
Badger Tools, for Blending, &c.
Badger, Fitch, Hog, and Camel Hair Brushes, round and flat, for varnishing
A variety of French Sable, Camel Hair, and other Brushes
Water Colour Softeners
Ivory Cases, to protect the points of Hair Pencils
Large Hair Pencils, for washing in clouds, &c.
Proutonian Sables, the largest ever made.
C. Smith’s Indelible Coloured Inks
REMBRANDT’S AND PROUT’S FAVOURITE TINTS FOR PEN SKETCHING, &c.
Sketches made in these Inks can be made Drawings, coloured over at any time without fear of disturbing the Original Sketch; particularly adapted for Prout’s Architectural Subjects, such as the elaborate work of Churches, Cathedrals, and Buildings of Venice, &c.
C. Smith’s Pure Cumberland Lead Pencils
EQUAL TO ANY MADE.
| F | For General Use |
| FF | Bold Sketching |
| HB | Middle Shade |
| B | Shading |
| BB | Black Shading |
| BBB | Extra Shading |
| HHHH | Finest Lines |
| HHH | Engineering |
| HH | Architecture |
| H | Fine Outline |
Common Pencils for Schools, Pocket-Book Pencils, various. Also, Mordan’s, Brookman and Langdon’s, and Dobbs’s Pencils.
34, Marylebone Street, Piccadilly, the end of the Quadrant, Regent Street, London.
Solid Sketch Books
With Compressed Leaves, made of thin and thick White, Drab, Yellow, and Grey Drawing Papers, forming a solid packet of thirty or forty leaves, each of which can be easily separated from the others by the introduction of a pen-knife underneath.
Wove and Cartridge Drawing Papers
| Demy | 20 by 15 |
| Medium | 22 — 17 |
| Royal | 24 — 19 |
| Super Royal | 27 — 19 |
| Imperial | 30 — 21 |
| Colombier | 34 — 23 |
| Atlas | 34 — 26 |
| Double Elephant | 40 — 26 |
| Antiquarian | 52 — 31 |
| Extra Antiquarian | 56 — 40 |
Emperor, the largest size paper, 68 inches by 48 inches.
Rough, Extra-thick, Tinted, and Hot pressed Papers, Drawing Cartridge Papers, for Architects, &c., Crayon, Tinted, London and Bristol Boards, English and French Tracing Papers, to 60 in. by 40 in.