XIV
“In painting, and above all in portraiture,” says Madame Cavé in her charming essay, “it is soul which speaks to soul: and not knowledge which speaks to knowledge.”
This observation, more profound perhaps than she herself was aware, is an arraignment of pedantry in execution. A hundred times I have said to myself, “Painting, speaking materially, is nothing but a bridge between the soul of the artist and that of the spectator.”
Delacroix.