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Memoranda of Art and Artists

by Joseph Sandell

4 of 36 · Contents · Download EPUB

Beechey (Sir William), R.A.

WILLIAM BEECHEY was born at Burford, in Oxfordshire, in the year 1753. It is recorded of this painter that the circumstance of a portrait of a nobleman which he had painted being returned by the hanging committee of the Exhibition led to his rapid advancement in life. The picture found its way to Buckingham House, was much admired by the royal family; and so led to his receiving the patronage of His Majesty. In 1798 he was commissioned to paint George III. on horseback reviewing the troops. Beechey excelled in portrait-painting. Though neat and delicate in his colouring, his portraits want that dignity and grace so well shown in those of the great master, Reynolds. He died in the year 1839.

INTERVIEW WITH HOLCROFT.

In Holcroft’s diary occurs the following reference to this painter:—

“15 July, 1798.—Sir William Beechey, with his young son, called; he was lately knighted. Speaks best on painting, the subject on which we chiefly conversed. Said that a notion prevailed in Italy, that pictures having a brown tone had most the hue of Titian; and that the picture-dealers of Italy smeared them over with some substance which communicates this tone. Of this I doubt. Repeated a conversation at which he was present, when Burke endeavoured to persuade Sir Joshua Reynolds to alter his picture of ‘The Dying Cardinal,’ by taking away the devil, which Burke said was an absurd and ridiculous incident, and a disgrace to the artist. Sir Joshua replied, that if Mr. Burke thought proper, he could argue per contra; and Burke asked him if he supposed him so unprincipled as to speak from anything but conviction. ‘No,’ said Sir Joshua; ‘but had you happened to take the other side, you could have spoken with equal force.’... Beechey praised my portrait, painted by Opie, but said the colouring was too foxy; allowed Opie great merit, especially in his picture of ‘The Crowning of Henry VI. at Paris;’ agreed with me that he had a bold and determined mind, and that he nearest approached the fine colouring of Rembrandt.”

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