| ** | Portrait group of Holbein’s wife, Elsbeth, and his two eldest children. [Plate 25.] Oils, on paper. Basel Museum. (Outline hard from having been cut out and mounted.) |
| King Rehoboam replying to his people, and ** Samuel denouncing Saul. [Plate 26.] Two Washed Drawings. Basel Museum. (These are the designs for “the back wall” of the Basel Council Chamber.) |
| “Portrait of an English Lady” (unknown). Chalk Drawing. Basel Museum. |
| ** | Portrait of an unknown young man in a broad-brimmed hat. Chalk Drawing. Basel Museum. (This is one of the most beautiful of Holbein’s portrait studies. There is a soft, yet virile, witchery about it which haunts the memory.) |
| Round Portrait of Erasmus. (Bust, ¾ view.) Oils. Basel Museum. |
| Designs for dagger-sheaths and other goldsmith’s work. Washed Drawings. Basel Museum, British Museum, etc. (More especially the “Dance of Death”; a chef-d’œuvre.) |
| A ship making sail. Washed Drawing. Städel Institut. Frankfurt. |