Part One Technique
| I. | Equipment of the Painter | 21 |
| II. | Representation of Forms | 26 |
| III. | Division of Subjects | 33 |
| IV. | Inspiration | 38 |
Part Two The Evolution of Chinese Painting
| I. | Origins | 45 |
| II. | Before the Intervention of Buddhism | 46 |
| III. | The Intervention of Buddhism | 54 |
| IV. | The T’ang Period—7th to 10th Centuries | 58 |
| V. | The Sung Period—10th to 13th Centuries | 72 |
| VI. | The Yüan Period—13th and 14th Centuries | 92 |
| VII. | The Ming Period—14th to 17th Centuries | 114 |
| VIII. | The Ch’ing Period—17th to 20th Centuries | 131 |
| Conclusion | 140 |
| Bibliography | 149 |
| Index of Painters and Periods | 151 |
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