- 1Preface
- 2Introduction
- 3Part I — Sheet Work
- 4Part II — Forwarding
- 5Marbling
- 6No. 1 — Large Brown French or Shell, With Three Veins, viz.: Red, Y…
- 7No. 2 — Small Brown French
- 8No. 3 — Brown French, With Light Spot
- 9No. 4 — Small Yellow Shell — No. 5 — Brown and Purple Shell
- 10No. 6 — Blue Stormont
- 11No. 7 — Light Italian
- 12No. 8 — Small Green Italian
- 13No. 9 — West End, (Brown, With Light Spot.)
- 14No. 10 — West End, (Green, With Light Spot.)
- 15No. 11 — Curl
- 16No. 12 — Brown Curl
- 17No. 13 — Red Curl
- 18No. 14 — Olive, or Light Green, Spanish
- 19No. 15 — Blue or Slate Spanish
- 20No. 16 — Brown Spanish
- 21No. 17 — Double Brown Spanish
- 22No. 18 — Fancy Spanish
- 23No. 19 — Fancy Spanish
- 24No. 20 — Drag or Extra Spanish
- 25No. 21 — Nonpareil or Comb
- 26No. 22 — Raked Nonpareil
- 27No. 23 — Nonpareil, (Reversed.)
- 28No. 24 — Antique
- 29No. 25 — Antique, (Zebra.)
- 30No. 26 — Wave
- 31No. 27 — British
- 32No. 28 — Dutch
- 33No. 29 — Antique Dutch
- 34Half-Binding
- 35Stationery or Vellum Binding
- 36Boarding
- 37Part III — Ornamental Art
- 38Finishing
- 39Illuminated Binding
- 40Blind Tooling
- 41Polishing
- 42Chemical Preparations
- 43Preparations of the Colours
- 44Marbling
- 45Tree-Marbles
- 46Sprinkles
- 47Uniform Colours
- 48Gold Marbles, Landscapes, etc.
- 49Colours
- 50Varnish
- 51Stamping
- 52Translation of Dates
- 53Restoring the Bindings of Old Books
- 54Supplying Imperfections in Old Books
- 55Hints to Book-Collectors
- 56Technical Terms — Used in Bookbinding
A Manual of the Art of Bookbinding
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