Better Gutenberg
Free, beautifully formatted public-domain ebooks
‹Better GutenbergPrinciples of OrchestrationExamples of Doubling in Octaves · 40 of 104Contents›

Principles of Orchestration

by Nikolay Rimsky-Korsakov

40 of 104 · Contents · Download EPUB

Examples of Doubling in Octaves

* Snegourotchka 71—

Ob. + Cl.
Horn ] 8.

* Legend of Tsar Saltan, before 180—

Ob. + Cl.
Ob. + Cl.
]6]8.
Horn
Horn
]6

* Mention should also be made of mixed timbres (wood and brass) in progression in octaves.

Examples:

Mlada, Act III, beginning of Scene III—

Trombone + Bass cl.
Tuba + C-fag. ] 8.

No. 78. Mlada, Act III after 25—

2 Cl. + 2 Horns + Trombone
Bass cl. + 2 Horns + Trombone ] 8 (low register).

No. 79. Mlada, Act III, before 35—general unison.

When it is desired to distribute the melody over three or four octaves, it is difficult to achieve perfect balance of tone.

Examples:

* Shéhérazade, 4th movement, 15th bar after W—

Picc.
2 Fl. + 2 Ob.
2 Trumpets ] 8
] 8.

* Legend of Tsar Saltan 228—

Picc.
2 Fl. + 2 Ob.
Trumpet + Eng. horn ] 8
] 8.

← Back to Principles of Orchestration

Scroll to Top