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Contemporary Composers

by Daniel Gregory Mason

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Contents

Chapter

I. The Origins of Music.

II. The Egyptians, Assyrians and Babylonians,
Hebrews, Arabians, Indians, Chinese.

III. The Greeks.

IV. Rome and the Dark Ages.

V. Scales and Notes.

VI. The Less Dark Ages.

VII. Dunstable. Dufay. Des Près.

VIII. The Golden Age.

X. Song and Folk-Song.

XI. The Secular Century.

XII. The Eighteenth Century.

XIII. The Viennese Masters.

XIV. The Contemporaries of Beethoven and the Development of Opera in
Germany, Italy, and France.

XV. The Post-Beethoven Period.

XVI. Nationalism. Modern Schools.

The Chief Names of Musical History

“There have been many popular histories of music published in recent years, but none that proceeds from a point of view so original or that gives so completely results of the latest historical research... few are written in so vivacious a style.... Sir Charles Stanford’s account of the modern period, from 1600 to the present day, is an admirable summary, written with full knowledge, ripe judgment, and apt characterization.”—New York Times.

THE MACMILLAN COMPANY
Publishers 64-66 Fifth Avenue New York

Indispensable to Every Student of Music
Invaluable to Everyone Interested in Music

Now Complete, the New Edition of

Grove’s Dictionary of Music and Musicians

“Unquestionably the most valuable work of the kind in English, and at present superior to any other in any language, considering its encyclopædic character and the substantial quality of its most important articles.”—The New York Times.

Revised and greatly enlarged. Edited by J. A. FULLER MAITLAND, M.A., F.S.A. Just completed in five 8vo volumes, each illustrated with a photogravure and twenty-four full-page half-tone plates, besides many illustrations in the text, bound handsomely in stamped cloth and elegantly printed. Sold only on orders for the full set.

“A standard work without a rival.”—Review of Reviews.

“A necessity for every one at all interested in the art of music.”—Advertiser (Boston).

“Unquestionably the most valuable work of the kind in English.”—The Times (New York).

“A veritable storehouse of authentic information of musical subjects.”—Courier-Journal (Louisville).

“The finished work will be an invaluable aid and a constant delight to students, musicians, critics, writers, and all laymen genuinely interested in music or in music-makers.”—The Independent.

“We have tested the new edition on subject after subject, and always it has supplied the point sought. Best of all, it is informed with the spirit which Grove insisted upon at the start. It tells the reader what he wants to know, and on every page it arrests him with writing that is good to read. If the ‘Dictionary’ is instructive, it is also one of the most fascinating of books.”—The Tribune (New York).

“Assuming that the remaining volumes will represent the same standard of musical scholarship and will contain similar results of careful and accurate labor, it will not be premature to announce—and this, too, without any disrespect to the memory of Sir George Grove as a scholar—that at last we have an English musical dictionary not only worthy to be compared with the French and German dictionaries, but surpassing them all in the lateness of its information and in its comprehensive scope.”—The Dial (Chicago).

THE MACMILLAN COMPANY
Publishers 64-66 Fifth Avenue New York


A number of words in this book have both hyphenated and non-hyphenated variants. For the words with both variants present the one more used has been kept.

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