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‹Better GutenbergClothing and HealthLesson 7 — How Pattern Is Made in Cloth · 71 of 72Contents›

Clothing and Health

by Helen Kinne

71 of 72 · Contents · Download EPUB

Lesson 7 How Pattern Is Made in Cloth

Barbara said she never could quite see how pattern is made in cloth. There seem to be so many different kinds of patterns. Miss James explained about this. She said there are several ways of making patterns. Some are printed; others woven; some embroidered. Have you discovered this?

Patterns are often woven. Do you remember, when you studied about linen, you learned that the Jacquard loom has a series of cards above it which are able to control the pattern? Wonderful silks and beautiful velvets and brocades as well as damask table linen are made in this way by weaving. Patterns of stripes and plaids are also made by the loom in weaving. Sometimes the warp or the filling threads are colored; and this color forms patterns in stripes or squares. See if you have any pieces in your surprise box in which pattern is made by colored threads of warp or woof.

Try to find some woven patterns made by the Jacquard loom in silk or linen. Think of all the beautiful ribbons, silks, tablecloth damasks, towels, and napkins; all such patterns are woven by the loom. Plain patterns like basket weave, twill, diagonal, satin weave, are also made by weaving. See if you can work out some of these patterns on your school loom.

Some patterns are printed. On the plain woven material, patterns are printed by means of rollers on which the pattern has been stamped. The colors are put on by this roller. The picture shows the machine. Did you ever have a calico apron or dress of percale or cambric on which the pattern showed on one side only? Many ribbons are printed with a pattern, but sometimes patterns are put on both sides of the cloth. Again, printing is sometimes done on the warp threads before the filling thread is woven in. This makes a dull effect in pattern. Miss James had a piece of ribbon which was so printed. When it was ravelled out a little, the printed warp could be seen.

Did you ever see a foulard silk dress with white spots? Do you know how they are made? There are two. methods. One is called “resist,” and the other “discharge.” The first method, “resist,” is easy to understand. The material is printed before it is dyed. The spots are printed with a chemical which resists the dye when it is put in the dye bath. So the cloth comes out of the dye with white spots where the chemical was stamped. The “discharge” method is just the opposite. The cloth is dyed blue or black or whatever the color is to be, and then it is passed between rollers something like your wringing machine and the color is taken out in spots by chemicals. Sometimes, when the chemicals are too strong or cheap, they eat the cloth. Jane Alden’s cousin had a dress from which the white spots fell out, leaving holes.

Patterns are sometimes printed on cloth by means of wood blocks or stencils. Perhaps you can do some printing on plain cloth. You can make a stencil pattern. Cut out the design in it and paint through the holes, or cut a design from a piece of wood, dip it in color, and print the cloth. Lovely materials are made by hand in this way. Miss James has a beautiful English piece of Morris block printing which she values highly.

Many patterns are embroidered. Look in the piece box. Sometimes embroidered designs are worked on cloth by hand, but many are made by machine. Miss James has a scarf which came from India. It is embroidered in gold with little bits of glass sewed on the right side, and held by the embroidery. This is all hand work. Miss James has a waist with little spots of white embroidered in silk. This is done by machine on a loom. Find some piece of material embroidered by machine.

So Barbara Oakes now understands about the patterns. Miss James had some books to show the girls, too. They looked up in the encyclopedia about printing of materials and about the other things they wished to know about patterns. Barbara says to her the most wonderful thing is the way in which the warp threads of the loom can be controlled by the Jacquard pattern cards and other devices. The shed of the warp as it is raised for each filling thread is governed by the devices, and a different set of threads bobs up for each shuttle throw.

EXERCISES AND PROBLEMS

1. Mount on strips of cardboard, samples of material made:
a. By weaving, plain, stripes, diagonal, etc.
b. By printing, resist, discharge, machine, block, stencil;
c. By embroidery.
2. Look up in the encyclopedia or other books the subject of cotton printing.

3. Try to find pictures of modern looms and more primitive ones in which pattern is controlled by the harness which raises the warp threads and makes the so-called shed.

REVIEW PROBLEMS

I. Look over the fashion pages of your magazines at home and find:
1. A young woman suitably dressed for business.
2. A girl dressed for outdoor sports.
3. A girl in a party gown.
Tell why you think each is “well dressed.” If not, why?

II. What textile tests would you suggest when buying a silk dress. Mrs. Stark expects to have one next summer. How will she be able to judge if it will wear?

III. Can you make another middy at home. Perhaps you are so expert you can take an order for one.

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