2 The Lure of Babylon
One of the ultimate by-products of Prohibition and the allied Puritanical barbarities will probably be an appreciable slackening in the present movement of yokels toward the large cities. The thing that attracted the peasant youth to our gaudy Sodoms and Ninevehs, in the past, was not, as sociologists have always assumed, the prospect of less work and more money. The country boy, in point of fact—that is, the average country boy, the normal country boy—had to work quite as hard in the city as he ever worked in the country, and his wages were anything but princely. Unequipped with a city trade, unprotected by a union, and so forced into competition with the lowest types of foreign labor, he had to be content with monotonous, uninspiring and badly-paid jobs. He did not become a stock-broker, or even a plumber; until the war gave him a temporary chance at its gigantic swag, he became a car conductor, a porter or a wagon-driver. And it took him many years to escape from that sordid fate, for the city boy, with a better education and better connections, was always a lap or two ahead of him. The notion that yokels always succeed in the cities is a great delusion. The overwhelming majority of our rich men are city-born and city-bred. And the overwhelming majority of our elderly motormen, forlorn corner grocerymen, neighborhood carpenters and other such blank cartridges are country-bred.
No, it was not money that lured the adolescent husbandman to the cities, but the gay life. What he dreamed of was a more spacious and stimulating existence than the farm could offer—an existence crowded with intriguing and usually unlawful recreations. A few old farmers may have come in now and then to buy gold bricks or to hear the current Henry Ward Beechers, but these oldsters were mere trippers—they never thought of settling down—the very notion of it would have appalled them. The actual settlers were all young, and what brought them on was less an economic impulse than an æsthetic one. They wanted to live magnificently, to taste the sweets that drummers talked of, to sample the refined divertisements described in such works as “The Confessions of an Actress,” “Night Life in Chicago” and “What Every Young Husband Should Know.” Specifically, they yearned for a semester or two in the theaters, the saloons and the bordellos—particularly, the saloons and bordellos. It was this gorgeous bait that dragged them out of their barn-yards. It was this bait that landed a select few in Wall street and the United States Senate—and millions on the front seats of trolley-cars, delivery-wagons and ash-carts.
But now Puritanism eats the bait. In all our great cities the public stews are closed, and the lamentable irregularities they catered to are thrown upon an individual initiative that is quite beyond the talents and enterprise of a plow-hand. Now the saloons are closed too, and the blind-pigs begin to charge such prices that no peasant can hope to pay them. Only the theater remains—and already the theater loses its old lavish devilishness. True enough, it still deals in pornography, but that pornography becomes exclusive and even esoteric: a yokel could not understand the higher farce, nor could he afford to pay for a seat at a modern leg-show. The cheap burlesque house of other days is now incurably moral; I saw a burlesque show lately which was almost a dramatization of a wall-card by Dr. Frank Crane. There remains the movie, but the peasant needn’t come to the city to see movies—there is one in every village. What remains, then, of the old lure? What sane youth, comfortably housed on a farm, with Theda Bara performing at the nearest cross-roads, wheat at $2.25 a bushel and milkers getting $75 a month and board—what jejune rustic, not downright imbecile, itches for the city to-day?