Better Gutenberg
Free, beautifully formatted public-domain ebooks
‹Better GutenbergSilver QueenChapter Three · 5 of 9Contents›

Silver Queen

by Caroline Bancroft

5 of 9 · Contents · Download EPUB

Chapter Three

Leadville, the Saddle Rock Cafe, and the gay, boisterous mining and promoting crowd about me all swam dizzily away from my consciousness as I dropped down in a chair between the great silver king, Horace Tabor, and his manager, Bill Bush. I was in love! That was all I knew.

I was in love with a married man. I, a divorced woman, whose future with Jake was merely a nebulous suggestion. Yet here I was, beside the man I had dreamed of for so long—

“Surely, Bill, we should have champagne on this auspicious occasion?” Mr. Tabor went on.

The evening passed in one of those heavenly hazes in which afterward you want to remember every word, every glance, every happening, yet nothing remains but a roseate glow. We stayed there at the table, laughing and talking and drinking. Mostly we gossiped about people in Central City that Mr. Tabor and I knew of in common—Judge Belford, George Randolph and so on—or else about the operating conditions at the various mines there that I had heard talked about.

But there was one person whose name I never spoke—Jacob Sands. I wondered how much Bill Bush knew—or what he thought he knew. But nothing of this was hinted by either of us.

When the performance across Harrison Avenue at the Tabor Opera House was finished, Bill Bush excused himself, saying:

“I have some accounts to go over before I turn in—see you in the morning, Governor.”

Then the greatest man in Colorado leaned toward me and said:

“Now tell me about yourself.”

I gasped and began in little gurgles, but it was very easy talking to him. Little by little, I told him the whole story of my life as I have recounted it here—the high hopes of my marriage, my great reverence and love of the Colorado mountains, my excitement over the mining world, and finally, since his piercing eyes were not piercing when they looked at me, but soft and mellow and understanding, I told him, rather tearfully about Harvey and Jake, and why I was in Leadville.

“So you don’t want to marry Jake Sands—but think you ought to because of the money he’s spent helping you out?”

“Yes.”

“Well, I tell you what. I’ve got plenty of money, more’n I know what to do with. Let me give you enough to pay this fellow back and carry you along for a while, Something’s bound to turn up.”

This dazzling offer resounded in my ears like the explosion of dynamite.

“Why, Governor Tabor, I couldn’t let you do that!”

“Why not? Look on it as a grubstake. I’ve grubstaked hundreds of people in my day. Most of ’em came to nothing but some of ’em turned out lucky. I’m a great believer in the Tabor Luck—and this just might be another lucky grubstake for me. No telling.”

“But I never met you before this evening!”

“What’s that got to do with it? I never saw Hook or Rische before one morning they walked in the old Tabor store and asked me for a grubstake. And then they found the Little Pittsburgh. Meant millions for me!”

“But this grubstake can’t mean millions—I’ll never be able to repay it to you—”

“Not in money, perhaps. But I’m not looking for money anymore. I want other things out of life, too. You take this grubstake and forget it.”

He took a pencil from his pocket and wrote out a draft for five thousand dollars.

“You give this to Bill Bush in the morning and he’ll see that you’re all fixed up.”

As I stared at the sum on the slip of paper, I couldn’t believe my eyes. I gulped and glanced up, awe-struck.

“You’ll need some clothes and things, too,” he explained in a sort of an aside, and then turning to the waiter, called out “Another bottle of champagne, here!”

The merriest night of my life was on. Nobody in Leadville in those days went to bed until nearly dawn. I had been supposed to meet Jake at midnight in the lobby of the Clarendon for a late supper, but in the giddy exhilaration of the evening, I had forgotten all about it. It was way past midnight, now. There was nothing to do—Jake had been a marvelous friend, so marvelous that I never could think of him again without a little twinge of conscience—but I was in love! You can’t explain it—yet if you are in love, nothing else seems important. Everything else but your state of heart is out of focus. I would never have met Horace Tabor if it hadn’t been for Jake. Yet at that moment, I never wanted to see Jake Sands again.

And I seldom did. Although we often crossed on the streets of Leadville briefly, until he moved to Aspen in 1888, we were only casual friends. In Aspen, I was later told, he opened another store, married, and bought a house that still stands.

The next morning, after a conference with Bill Bush and Horace Tabor, they decided the best thing to do was to write him an explanatory letter.

“But, Governor Tabor,” I said, “Don’t you think I ought to see him? He’s been such a good friend—I think I ought to talk to him. It would be kinder.”

“No, I don’t think so. His feelings are bound to be hurt in any case. The quicker, the easier for him in the long run—you can tell him that in your letter. He’s a tenant of mine and a nice fellow. Later on, after you’ve written the letter, we will ask him to dinner some night.”

I pondered a long time over the writing of it, and stressed how deeply appreciative I was. I said I had decided not to marry him and I enclosed a thousand dollars which was more than enough to pay off my indebtedness. Even the enclosure of the money I tried to make especially kind.

“Now, Bill, you take this around personally and square Mrs. Doe off right with him,” Horace Tabor said. “We don’t want to have any hurt feelings around that last. We all want to be friends.”

He leaned over and patted my hand in reassurance of my act. But I needed no reassurance once the act was accomplished. My heart was dancing wildly!

History books will tell you the story of my love affair after that. Jake refused the money but did accept the gift of a diamond ring. Tabor moved me from the small room that I had into a suite at the Clarendon, and we became sweethearts.

For me, it was like suddenly walking into the door of heaven. This great man was the idol of whom I had dreamed and whom I had hoped Harvey Doe might copy. In those bleak months in Central City, I had avidly searched out reports of his accomplishments in the newspapers and memorized every word.

After the bonanza strike in the Little Pittsburgh, everything Tabor touched had turned to sparkling silver and untold riches. By the end of 1879, the total yield from the consolidated company was four million dollars and Tabor had sold his interest in this group of mines for a million dollars.

Late in the year before, in partnership with Marshall Field of Chicago, he bought the Chrysolite along with some auxiliary claims. Not long after, these mines had yielded three million dollars and Tabor eventually sold out his share for a million and a half. At the time, they told a story around Leadville about the Chrysolite that was written up in verse and printed on a broadside. They said that “Chicken Bill” Lovell, a clever swindler, had “high-graded” some ore from the Pittsburgh and “salted” the Chrysolite, then a barren hole, owned by Lovell. When Lovell showed his spurious mine to Tabor, the new silver king bought the holding for nine hundred dollars and shortly after put a crew to work. The miners discovered the deception and asked Tabor what to do.

“Keep on sinking,” was his command.

Ten feet more and they broke into a three million treasure chest of carbonate ore!

It was also in 1879 that he had bought the Matchless for over a hundred and seventeen thousand dollars and had purchased a half interest in the First National Bank in Denver. During the last year, he started expanding his investments far and wide—towards an iron mine on Breece Hill, gold mines in the San Juans, silver mines in Aspen, placer mines in Park county, smelters, irrigating canals, toll roads, railroads, copper land in Texas, grazing lands in Southern Colorado, a huge land concession in Honduras, and real estate in Leadville, Denver and Chicago.

THE PROPHETIC CURTAIN AND ITS FATAL WORDS

The Tabors lived opulently and showily right up to the moment of the Silver Panic in 1893 when their fortune came tumbling down. In the same year, 1895, that Augusta died a wealthy woman in California, they were bankrupt. Tabor became a day laborer and Baby Doe did the hardest sort of manual work. Finally Tabor was appointed postmaster of Denver. The Tabors and their two little girls moved into two rooms at the Windsor and here they lived until Tabor’s death in 1899. His dying words to Baby Doe were, “Hang on to the Matchless. It will make millions again.” But the people of Denver, attending performances in the Tabor Theatre, looked at the curtain and quoted Kingsley’s sad couplet:

“So fleet the works of men, back to the earth again,
Ancient and holy things fade like a dream.”

Now, in the shadow of the Continental Divide, this man, this Croesus, had become my lover. I just knew those gorgeous mountains would answer my prayer that first morning I saw them!

Meanwhile, Mrs. Tabor and Horace were entertaining society in their fine house in Denver and I only saw him on his visits to Leadville. But these visits were frequent, because that was the year of the fires in the Chrysolite mine and the strike that finally turned out all the miners of the district. Leadville was bedlam in June. Knots of men were loitering around everywhere, or preventing other miners from entering town, and the whole temper of the streets very ugly. Strikers and mine-owners both grew increasingly obstinate.

The strikers were most virulently angry against Tabor. Everyone went armed and the tenseness of the situation seemed about to destroy my new-found happiness. The miners said Tabor had been one of them just a short time ago, and it was their vote that had put him in political power. Now he had forgotten.

“Dirty B——, to turn on us,” I overheard many of the men in the street muttering.

Something had to be done. Tabor was one of the property owners to organize a Committee of Safety. They met with dramatic secrecy in Tabor’s private rooms in the Opera House, and after drawing up an agreement similar to that of the Vigilance Committee of early San Francisco, elected C. C. Davis, the editor of the Chronicle, their leader. Mr. Davis first sounded out Governor Pitkin on declaring martial law, but he said to call on him only as a last resort.

Feeling climbed to a higher pitch. Seven committees of local militia were organized and tempers were now reaching the boiling point. One day on Harrison Avenue for a distance of eight blocks, eight thousand striking miners menacingly swaggered back and forth and a like number of citizens of opposite sympathies paraded with determination as grim as theirs. The street was jammed. As I looked down, worried and fearful, from the window of my suite, it seemed as if at any moment, a local war would break out and the whole camp be destroyed by flames and bloodshed.

The leading men of the town took this moment to read a proclamation to the miners. Tabor, Davis and a number of others stepped out on the balcony of the Tabor Opera House. I hurried into the street to watch the proceedings, my heart beating wildly with fear. The seething mass of humanity below these men were all armed and they were mostly good shots. Tabor standing up so tall and dark and fierce on the balcony would make an excellent target.

“Oh, dear God,” I prayed. “Don’t let anything happen!”

I hardly realized I was praying at the time. But Davis demanded menacingly that the strike be called off. He told the miners to return to work, then said that if they would not accede, the citizens would protect the owners. He said they would bring in other workers to take their jobs. My fear was so great that I could actually hear my lips mumbling incoherent, beseeching words.

A shot rang out!

The sharp noise seemed to rend my heart in two. I hardly dared take my eyes from the balcony to glance around for fear of missing a falling figure among that intrepid group. But Tabor and his friends were straight and unconcerned. Their belief in law and order made them brave. The cut-throat mob must have sensed that. No figure fell from their midst. Whatever the shot was, it had not been fired at them. I sighed with relief.

Colonel Bohn of the Committee of Safety was trying to urge a horse he was mounted on through the mob, and was brandishing a drawn sword to emphasize his right. It was a very foolish thing to do at a time like that.

“Somebody must be trying to shoot the old fool,” the teamster next to me in the crowd remarked.

“Maybe a signal for the miners to start firing,” the man with him offered as a counter-suggestion.

I was terrified—not for myself—but because of Tabor’s exposed position. My hands flew to my throat.

“Oh, don’t say that!” I almost screamed.

The teamster turned around and stared at me.

“You’re all right—they won’t shoot you. It’s them damned slave-driving millionaires they’re after.”

And Tabor was the one they were after most! But nothing happened. A policeman pulled Colonel Bohn off his horse and rushed him to the jail “for disturbing the peace,” although it was more likely for safe-keeping. Finally, both sides of the fray began to split up in little groups, then to disperse and go home. The immediate danger was over. But I knew now what it was like to be in love with a prominent man in an important political office. It meant helpless fear of an assassin’s bullet. And fear was a new emotion to me—that’s where love had brought me. I shuddered and turned inward to the Clarendon.

Martial law was declared some hours later and slowly the miners went back to work, having lost their cause. There was covert grumbling in the saloons and on the streets for some time, but at last, life got back to normal, and the regular hum of the pumps at all the mines around filled the night again.

That July, ex-President Grant came to Leadville for a ten-day visit in and about the mining country. He came as Tabor’s guest and Tabor, as lieutenant-governor, headed a committee sent down to meet the general’s private car. It was coming on the D.&R.G. tracks from Manitou where the great man and his wife had been taking the waters. The committee accompanied the presidential party into camp over a road lighted the last miles with enormous bonfires. I was very thrilled at the idea of the President actually being in my hotel. After he had toured the mines and smelters and addressed discharged soldiers from the Civil War, a banquet was given him at the Clarendon on the last of his three days in the town proper.

The luxuriousness of the scene was impressive. The Leadville Chronicle was printed on white satin to give to the President at the banquet as a souvenir of his visit. The gift made such a tremendous impression on him that when he died, he willed it to the Smithsonian Institution in Washington where it may still be seen.

Tabor, rather bewildered and shame-faced, came to me afterward in our suite and said:

“Darling, I know the President wanted to meet you more than anyone else in Leadville. I saw him look at you several times—you are always the most beautiful woman in any gathering. But you know this mining camp and how it talks. We must be discreet.”

“Yes, I understand perfectly,”—and I leaned over and kissed his forehead. He had thrown himself down rather disconsolately in a big overstuffed chair, and now he gathered me into his lap. We were locked in each other’s embrace for some minutes. We were happy just to be together.

When our relationship first began, I’m sure I was the most in love. But all through the summer, Tabor had begun to talk to me more and more seriously. Though he talked mostly about mining matters and about his political ambitions, he spoke finally about Augusta and me. It was an enormous experience, touching me to the soul, to watch the unfolding of the love and trust of the man I adored.

At first, I had been hardly more than a pretty toy of which he was very fond. He would lavish all sorts of costly presents on me—jewelry, clothes, and that rarest and most extravagant tribute in a mining camp at 10,000 feet altitude, flowers.

I remember one day he sent up a woman who used to peddle hand-made underwear across the mountains from camp to camp. She carried her samples and some of her wares in a large bag she packed on her back. Tabor sent her up to my suite one day. Then when she had everything in the way of exquisite lace and embroidered chemises laid out over the chairs and bed, he joined us and bought me over $350 worth of her goods!

But now things were different, I didn’t hear so many stories about his other women. I could feel his love for me growing with the appreciation he had for my character.

“You’re always so gay and laughing, Baby,” he would say, “and yet you’re so brave. Augusta is a damned brave woman, too, but she’s powerful disagreeable about it.”

He would sit glum and discouraged for a while, and then add:

“And I can’t imagine a woman who doesn’t like pretty things! I’ve tried to buy her all sorts of clothes and jewelry since we’ve had the money. But she just throws them back in my face and asks me if I’ve lost my mind.”

You can hear it said and you can read it in books that I broke up Governor Tabor’s home, and that he broke up mine. But that is far from the truth. Both of our marriages had failed before we ever met.

Augusta Tabor had no capacity for anything but strenuous work and very plain living. When they moved into their palatial new home, she wouldn’t live upstairs in the master’s bedroom but moved down in the servants’ quarters off the kitchen. She said they were plenty good enough for her—and how could she cook all that way away from the stove? She also insisted on keeping a cow tethered on the front lawn and milking it, herself. Tabor was very humiliated by these actions. As lieutenant-governor of the state, he was very anxious to live in a style befitting his station. Also, he hoped to be senator.

But Augusta Tabor laughed at his ideas in a very mean way. Tabor had a really sweet disposition. He would come to me often to tell me of some upsetting incident, with a dreadfully hurt look in his eye. Another trait of Tabor’s that irritated Augusta tremendously was his generosity. Anybody could touch Tabor for sizable loans with no trouble at all. He was delighted to help people less fortunate than he.

He had always been like that, and he was to the day he died. When he was Leadville’s first postmaster, he made up out of his own pocket the salaries of some five employees just so that Leadville could have more efficient service. He gave money to every church in Leadville for their building fund regardless of the denomination. He gave money for the Tabor Grand Hotel in Leadville (now the Vendome) in 1884, even after he moved away. He was the same lovable donor when he moved to Denver.

He sold the land at the corner of Sixteenth and Arapahoe Streets to the city of Denver for a postoffice, at a bargain price, and he followed this gesture up with a hundred and one donations to private and public charities.

“Trying to buy your way to popularity,” Augusta would sniff disparagingly.

Tabor would wince under her barbs. He gave because he liked people. He was naturally friendly, and the only times he gave money, hoping for some definite return, were in political channels. All his other gifts were spontaneous. But Augusta did not understand this generosity and she didn’t like it. And what Augusta did not like, she could make exceedingly clear with her sharp tongue! He never was her husband after July, 1880.

Naturally, in these trying circumstances, Tabor turned more and more to me. Later, that fall, he suggested that he should re-furnish one of the suites at the Windsor and that I should move to Denver to be closer to him. Nothing could have thrilled or delighted me more.

“Oh, darling! I would adore to live at the Windsor,” I cried, throwing my arms around him.

The Windsor was the last word in elegance, with a sixty-foot mahogany bar, a ballroom with elaborate crystal chandeliers, and floor of parquetry, and a lobby furnished in thick red carpet and diamond-dust-backed mirrors. It was much more impressive than the old American House, which had thrilled my girlish heart when I had first come to Colorado. Here was my dream slowly unfolding before me, almost exactly as I had first visualized it—to be a queen in the cosmopolitan circles of Denver!

Later we departed for Denver separately. I took the Rio Grande and wore a heavy veil. He took the stagecoach over to South Park and then went on the rival narrow gauge in David Moffat’s private car. But our reunion at the Windsor was all the more delightful because of our enforced separation. After Augusta’s comments on the Leadville strike, Tabor never spent an evening up on Broadway, but came to me more and more often.

“You’re a vulgar boor—I’ve always known that,” she had said, “but at least I thought you had enough sense not to call a common lynching gang a Committee of Safety for Law and Order. And getting mixed up with that silly egotistic rooster, Davis, who used a six-shooter for a gavel! And forcing Governor Pitkin to declare martial law. Mark you my words, you’ve lost all the political popularity you’ve been so busy buying by your recent actions.”

Tabor was very hurt at this, the more so because there seemed to be an element of truth in her words. The attitude toward him in Leadville had changed and Tabor really loved that mining camp—it was always “home” to him, much more than Denver. And in later years, I felt the same way, although just then I was eager to conquer fresh fields.

“Never mind,” I said. “I’m sure she’s wrong—and besides what do you care about that ugly old mining camp? You’re a big man going to do the biggest things for the nation. And what if Governor Pitkin doesn’t like you? Probably next election, you’ll be governor, yourself!”

Meanwhile, Tabor busied himself with plans for building another opera house, The Tabor Grand, in Denver. He called in his architects, W. J. Edbrooke and F. P. Burnham (who had designed the Tabor Block) and stuffed their pockets with $1,000 notes.

“Go to Europe and study the theatres of London, Paris, Berlin and Vienna. Pick up any good ideas they’ve got laying around and improve on them. I want only the best!”

Besides the architects, Tabor sent other agents on various missions. He detailed one man to go to Brussels for carpets, another to France for brocades and tapestries, a third to Japan for the best cherry wood to make the interior woodwork, a fourth to Honduras for mahogany for other trimming. A dozen contracts were drawn up in New York and Chicago for furnishings and fripperies. The building would be the most expensive west of the Mississippi.

About this time, Tabor went back to Leadville on a spree that Bill Bush was careful to tell me about. Bill had begun to feel jealous of my influence with Tabor although we were still outwardly very good friends. He wanted to make me jealous, in turn.

Tabor borrowed Dave Moffat’s private car and went to Leadville for a ball that the fast women and sports of the town were giving in the Wigwam. He told me and, undoubtedly, Augusta, that he had to go up to Leadville on some mining business and would probably be gone several days.

The ball turned out to be an orgy. Everyone drank too much and Tabor was supposed to have stumbled about with a girl in a gaudy spangled gown which, a few days before the ball, had been on display in the window of the Daniels, Fisher and Smith Dry Goods Emporium on Harrison Avenue, Leadville, bearing a tag marked $500. Bill Bush tried to insinuate that Tabor had bought it as a gift to another one of his loves.

“And why shouldn’t he, Bill?” I asked. “I love the man as he is. You forget I’m not Augusta. If he wants to have a good time among his friends, I think that’s fine. He knew all of them a long time before he knew me.”

But Bill wouldn’t believe I was sincere. He replied:

“Well, you’re a good actress!”

Then he added some more juicy details. After the ball, those who could still walk trooped over to the Odeon Variety Theatre where a new show started at 3 a.m. Tabor had sat in a box smoking cigars and drinking champagne. Every time he thought a girl was especially attractive, he would throw a shower of gold and silver coins over her head. At the intermission he had invited the actresses into his box and put his arms about their neat waists.

After the show ended at five o’clock, he went to the Saddle Rock Cafe, our favorite restaurant, for breakfast. Then he went back to the Clarendon, finally, to sleep. He slept all the next day. In the evening he asked three or four successful mining men to accompany him back to Denver in the private car. Having slept all day, he sat up all night as the train climbed over Kenosha Pass, playing poker, using twenty-dollar gold pieces as chips.

“And why shouldn’t he? I like a gambling man—someone who isn’t afraid to take chances—that was one of the worst faults of Harvey Doe.”

Bill Bush shrugged his shoulders. Presently he laughed off the whole conversation with:

“You’re a clever girl, Baby—shrewd as they come! But talking about your late and not too much lamented husband, where is he and what’s the state of your divorce? The Governor wants me to find out.”

“I don’t know where Harvey is but my divorce is final—I got it a year ago and I am a completely free agent.”

The year was now 1881. All that spring and summer, Tabor and I were immersed in the planning and erection of the great building that was to be a monument to the Tabor name for all time. Tabor had left home unequivocally in January, but as he was on so many frequent trips to New York, Chicago or Leadville, where he stayed was really not noticed until that autumn.

At the festive opening night of the Tabor Grand Opera House, with Emma Abbott singing Lucia, Box A of the six fashion boxes was conspicuously empty. That was the box Tabor had reserved for himself and family. It was wreathed in flowers and a huge pendant of roses hung above it. He was on the stage or in the wings waiting for the ceremony of dedication. Augusta, alone of all elaborately gowned Denver society, did not put in an appearance. I could hear whispers all around.

“Look, Mrs. Tabor isn’t here! Probably she’s found out about that blonde! Wonder if the little hussy’s had the nerve to come....”

I was there, but veiled and sitting in an inconspicuous seat in the parquet. I was right where I could see Tabor’s son, Maxcy, in Box H with Luella Babcock of whom his father had told me he was very fond, and the sight made me both happy and worried. I was happy to be there on an occasion so memorable to the great man I loved. But I was worried and unstrung about what would be the outcome of our love.

Augusta did know about me, because Bill Bush had been sent to her to try to negotiate a divorce a short time after Bill had looked up the record of my proceedings. But Augusta was obdurate. She considered divorce a lasting disgrace and stigma. She had refused pointblank. And so without a bid from Tabor that tremendous night of September 5, 1881, she stayed home.

The newspapers of Denver devoted pages to the opening and dedication. Even Eugene Field who ordinarily poked a great deal of unkind fun at Tabor in his capacity as an editor of the Denver Tribune, printed a complimentary quatrain:

“The opera house—a union grand
Of capital and labor,
Long will the stately structure stand
A monument to Tabor.”

The brick and limestone building, five stories high with a corner tower, was described as modified Egyptian Moresque architecture. It housed stores and offices besides the theatre proper, and all the necessary property and dressing rooms. The auditorium had an immense cut-glass chandelier and a beautiful drop-curtain painted by Robert Hopkin of Detroit. It showed the ruins of an ancient temple with broken pillars around a pool, and bore the following inscription by Charles Kingsley:

“So fleet the works of men, back to the earth again,
Ancient and holy things fade like a dream.”

Many writers since that day have pointed out the weird prophecy of Tabor’s fortune hidden in those lines. But no one thought anything of the curtain that night except that it was dignified and very decorative. Of course, I had seen the curtain before as I (shrouded in a veil when there were associates or too many workmen about) had spent much time with Tabor going over every detail.

Originally he had planned to have a portrait of Shakespeare hung in the lobby, but I said:

“No. Have your own portrait. You are Denver’s benefactor.”

The next day he had the portrait altered. I also suggested the idea of a large silver plate with gold letters to be hung on Box A. When the jeweler delivered it, the block was two feet long and six inches thick, of solid silver from the Matchless Mine. The name Tabor was in relief letters of solid gold. I thought it was one of the handsomest things I ever saw. But I could spend pages on descriptions of the luxuries and elaborate furnishings of that building—as indeed many writers have already done before me.

But after that night, tongues wagged more venomously. Augusta continued mad and obstinate. It was a very trying situation for Tabor in a political way, as naturally all this defaming talk would have a bad effect on his reputation. Often he would come to me with his troubles. Finally, I suggested:

“Perhaps, if I moved over to the American House and gave you my suite, that would at least stop gossip around the Windsor. Nobody much hangs around the American House, the way they do this lobby.”

“Baby, you are wonderful. You are the cleverest little woman in the world! No one knows how much I want to make you my wife. And be able to show you off to the world as the proud man I really am! And not have to hide you behind that hideous veil—but what can I do with Augusta? She won’t talk to me and she won’t listen to Bill Bush. I haven’t given her any money for months now, just to try to force her to listen to reason.”

“There must be some way. First, I’ll move. You stay here at the Windsor and then we’ll see.”

“It isn’t as if she loved me. She couldn’t, and talk to me the way she always has. It’s just that she’s a dog in the manger—she doesn’t want me herself, but, by gad, she’ll see to it that you don’t get me!”

“Love will find a way,” I said encouragingly. My own heart leaped with excitement. Tabor had proposed to me before and told me that he loved me. But I had been afraid to let myself believe entirely in the last complete fulfillment of my dream. I loved the greatest man in Colorado, and he loved me. That was almost enough. Now he wanted me to become his wife! I lifted my mouth to his with new depth and resolution in my soul.

Sometimes when I would be writing home to Mama trying to describe to her all the strange glamour and drama and riches of my new life, I would think of the other side of my existence. That side was not so pretty, for the daughter who had set out as a bride. Harvey Doe was almost as if he’d never been—my whole life was Tabor. Naturally, my letters reflected the truly great love that absorbed me, even if it had to be hidden from the world.

But I knew Mama would understand and love me just the same, and Papa would forgive me when finally Tabor and I were actually married.

Augusta, however, made the first drastic move. She brought suit for a property settlement, and publicly dragged the situation into the limelight. She wanted the courts to compel Tabor to settle $50,000 a year on her and also to give her the home on Broadway as well as some adjoining land.

Her bill of complaint gave a list of his holdings totaling over nine million dollars and said she believed his income to be around $100,000 a year. Meanwhile, she said he had contributed nothing to her support since January, 1881, and she had been compelled to take roomers and boarders into her home to support herself. This was not true. Bill Bush had been told to offer her a very substantial settlement if she would give Tabor a divorce and she already had some money of her own.

“Now I’m mad!” Tabor said to me that night. “Nobody ever called me a stingy man till this minute. And by God, that old termagant will find out I can be stingy!”

He had that suit quashed with no difficulty as being without the jurisdiction of the court. But the divorce question was different. The lawyers were deadlocked for months. Augusta wouldn’t grant the divorce. In turn, Tabor wouldn’t grant her a penny with or without the divorce. I rather encouraged him in this last stand, probably foolishly, but I had seen her hurt him so frequently that when he did turn on her for such an unjust attack, I told him he should fight back. But this battle only delayed my own chance for happiness, and, meanwhile, wasn’t doing Tabor’s political reputation any good.

“Tabor,” I said to him one evening when he came to call at the American House, “I have an idea where we might be a little foxier than Augusta and, if nothing else, frighten her into a different position.”

“How’s that?” he said glumly—we hardly ever had any fun any more, feeling we had to hide away from people. Besides, most of the time, Tabor was stirred up about Augusta’s meanness and obstinacy.

“Well, with all your influence, couldn’t you get a divorce in some other county than Arapahoe where you also own property? Maybe it wouldn’t be entirely valid. But we could act like it was, and get married. If Augusta knew she was married to a bigamist, maybe she would consider that a worse disgrace than being a divorcee!”

Tabor leaped up out of his chair and charmingly whirled me off my feet and around and around in the room with boyish enthusiasm.

“Baby, I always told you you were wonderful! I know just the place—Durango! I own a mine down there, and the judge is a great friend of mine. I’m sure I can fix it up in no time at all. If we can just keep it secret from everyone but Augusta—and then just flash the decree under her nose—and then our marriage certificate—we’ll have her where we want her!”

Meantime, all during the year of 1882, subversive political factions were at work to bring pressure on the legislature of one kind and another. When President Garfield had been shot in July of the year before, Chester Arthur succeeded to his position. President Arthur appointed Senator Henry M. Teller to his cabinet. This left a vacancy in one of Colorado’s electoral seats. Governor Pitkin appointed a mediocre politician by the name of George Chilcott to Teller’s place only until the legislature should convene.

“Just did that because he wants the office himself and to spite me,” Tabor explained.

And I heard this opinion verified frequently by other men. The legislature was not to meet until January of the next year, 1883, when they were to elect two senators, one to fill a six-year term, and the other to the thirty days remaining of Teller’s term. Everyone said that Tabor would get the six-year term, even though Governor Pitkin wanted it and had the support of the regular Republican machine. Tabor was so popular.

But Augusta ruined all that. The Durango divorce came through without any hitch in the summer of 1882, and on September 30, Tabor and I met secretly in St. Louis, having gone by different trains. We met in the office of Colonel Dyer, a leading attorney, who summoned John M. Young, a justice of the peace. When we went to the court house to get a license, Tabor took the recorder, C. W. Irwin, aside and fixed it up with him that under no circumstances should our license be included on the list given to the daily press.

“Secretly divorced and secretly remarried,” Tabor said that night, elated as a school boy. “That’ll be something for Augusta to swallow about the man she thinks she can keep tied down! It’s also a good precaution for those scandal mongers at the senate. If they get too nosey, we’ll show them we’re really married.”

I tried to pretend I was as happy as he. But to me, a marriage was only binding when it had been sanctioned by the church and performed by a priest. And I knew Papa would only forgive my transgressions on that basis. I had drifted very far away from much of Father Bonduel’s teachings but the kernel still remained. I had offended against many of the Church’s mandates and of God’s. But I still wanted to be safely back in the fold, living the life of a respectable married woman, devoted to her husband, her children, and her home. With that picture in my mind, I could not join as heartily as I should have wished in the champagne toast Tabor made at a tete-a-tete supper at the old Southern Hotel.

“Here’s to our wedding day!” he exclaimed with sincere joviality.

“Yes,” I agreed, and added with the fervor of the wish that was gnawing at my heart, “here’s to our marriage!”

The New Year of 1883 dawned with both our heads whirling with hopes and fears. Hope ran very high that Tabor would soon be going to Washington for six years and I, with him. Fear besieged us with the thought that Augusta would prevent all this. But two enormous events happened that January.

Augusta sued for divorce and accepted a settlement of their house, the La Veta Place apartment house, and a quarter of a million dollars worth of mining stock, including one half interest in the Tam O’Shanter mine above Aspen. Augusta created a hysterical scene in court, which did Tabor a lot of damage. When the trial was over and she was asked to sign the papers, she turned toward the judge and shrilled in a fearful voice,

“What is my name?”

“Your name is Tabor, ma’am. Keep the name. It is yours by right.”

“I will. It is mine till I die. It was good enough for me to take. It is good enough for me to keep. Judge, I ought to thank you for what you have done, but I cannot. I am not thankful. But it was the only thing left for me to do. Judge, I wish you would put in the record, ‘Not willingly asked for.’”

Augusta rose and began to sniffle in a horrible manner, making a spectacle of herself. Before she reached the door, she broke down in tears and sobbed, “Oh, God, not willingly, not willingly!”

I was not there but many people ran to tell me about it, particularly Bill Bush, who dramatized his sympathy very heavily.

“Well,” I said, not feeling in the least sorry for Augusta, “If she really did feel that way, why did she go home to Maine and stay so long that autumn before I met Tabor? That was when she lost him. He had a chance then to find out there were plenty of other women in the world, and what’s more important, with better dispositions and nicer looks. Either she should never have left him or else she should have been twice as sweet when she got back.”

Reluctantly, Bill agreed with me—he had to admit the truth.

But the newspapers were different. They printed scathing editorials about the whole affair, and intimated that Tabor would be forever damned politically.

They weren’t entirely right, but they nearly were. The contest in the legislature was long and bitter. The balloting went on and on and no one could break the deadlock between Pitkin and Tabor. All of a sudden the Pitkin men switched to Bowen, a third candidate, a wealthy mining man from the southern part of the state whom no one had taken seriously up to that time. Out of a clear sky he got the six-year term.

As a sop to Tabor, he was unanimously offered the thirty days remaining of Teller’s term. Tabor was always a good sport. He accepted the offer with extraordinary grace under the circumstances, congratulated his rival, and prepared to leave immediately. That was January 27, 1883, and by February 3, he was being sworn in at Washington. I have never seen anyone so delighted and happy as Tabor was, leaving Denver. He was fifty-two years old but you would have thought he was twelve and had been given his first pony. I, too, was joyful and expectant.

“And what a wedding we’ll have, Baby!” he said in parting. “I’ll fix all the details and send for you to be married just before my term is up. If all goes well, you’ll have both a priest and a president at your ceremony! A lover couldn’t do more.

“But don’t tell anyone anything about my plans, or they may go wrong. Get your clothes ready. Write to your family very secretly in Oshkosh to join you in Chicago. I’ll have a private car put on there for you just about a week before March 4.

“And you’ll be the most beautiful and talked-of bride in the world. Just you wait and see.”

← Back to Silver Queen

Scroll to Top