These Songs Will Perish
These songs will perish like the shapes of air—
The singer and the songs die out forever;
But star-eyed Truth (greater than song or singer)
Sweeps hurrying on: far off she sees a gleam
Upon a peak. She cried to man of old
To build the enduring, glad Fraternal State—
Cries yet through all the ruins of the world—
Through Karnack, through the stones of Babylon—
Cries for a moment through these fading songs.
On wingèd feet, a form of fadeless youth,
She goes to meet the coming centuries,
And, hurrying, snatches up some human reed,
Blows through it once her terror-bearing note,
And breaks and throws away. It is enough
If we can be a bugle at her lips,
To scatter her contagion on mankind.
Footnote
A This song should be read in the light of the deep and comforting truth that the Divine Feminine as well as the Divine Masculine Principle is in God—that he is Father-Mother, Two-in-One. It follows from this truth that the dignity of womanhood is grounded in the Divine Nature itself. The fact that the Deity is Man-Woman was known to the ancient poets and sages, and was grafted into the nobler religions of mankind. The idea is implied in the doctrine of the Divine Father, taught by our Lord in the Gospels; and it is declared in the first chapter of Genesis in the words: “God said, ‘Let Us make men in Our image, after Our likeness.’... So God created man in His own image, in the image of God created He him; male and female created He them.”