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The Turn of the Balance

by Brand Whitlock

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Book III

I

Four miles from town, where a white pike crosses a mud road, is Lulu Corners. There is little at this cross-roads to inspire a name less frivolous, nothing indeed but a weather-beaten store, where the people of the neighborhood wait for the big yellow trolley-cars that sweep across the country hourly, sounding their musical air-whistles over the fields. Half a mile from the Corners two unmarried sisters, Bridget and Margaret Flanagan, for twenty years had lived alone in a hovel that was invaded by pigs and chickens and geese. Together, these aged women, tall, bony and masculine, lived their graceless, squalid lives, untouched by romance or tragedy, working their few acres and selling their pork, and eggs and feathers in the city. The nearest dwelling was a quarter of a mile away, and the neighbors were still farther removed by prejudices, religious and social. Thus the old women were left to themselves. The report was that they were misers, and the miserable manner of their lives supported rather than belied this theory; there was a romantic impression in a country-side that knew so little romance, that a large amount of money was hidden somewhere about the ugly premises.

On an evening in late October, Bridget Flanagan was getting supper. The meal was meager, and when she had made it ready she placed a lamp on the table and waited for Margaret, who had gone out to fasten the shanty in which the barn-yard animals slept. Margaret came in presently, locked the door, and the sisters sat down to their supper. They had just crossed themselves and heaped their plates with potatoes, when they heard a knock at the door.

“Who can that be, sister?” said Bridget, looking up.

“I wonder now!” said Margaret in a surprise that was almost an alarm.

The knocking was repeated.

“Mary help us!” said Bridget, again making the sign of the cross. “No one ever came at this hour before.”

The knocking sounded again, louder, more insistent.

“You go on to the door, sister,” said Bridget, “and let them in,—whoever they may be, I dunno.”

Margaret went to the door, shot back the bolt, and pulled on the knob. And then she turned and cast a look of terror at her sister. Some one was holding the door on the other side. The strange resistance of this late and unknown visitor, who but a moment before had wanted to come in, appalled her. She pressed her knee against the door, and tried to lock it again. But now the door held against her; she strained and pushed, then turned and beckoned her sister with frightened eyes. Bridget came, and the two women, throwing their weight against the door, tried to close it; but the unknown, silent and determined one was holding it on the other side. This strange conflict continued. Presently the two old women glanced up; in the crack, between the door and the jamb, they saw a club. Slowly, slowly, it made way against them, twisting, turning, pushing, forcing its way into the room. They looked in awful fascination. The club grew, presently a foot of it was in the room; then a hand appeared, a man’s hand, gripping the club. They watched; presently a wrist with a leather strap around it; then slowly and by degrees, a forearm, bare, enormous, hard as the club, corded with heavy muscles and covered with a thick fell of black hair, came after it. Then there was a final push, an oath, the door flew open, and two masked men burst into the room.


Three hours later, Perkins, a farmer who lived a quarter of a mile away, hearing an unusual sound in his front yard, took a lantern and went out. In the grass heavy with dew, just inside his gate, he saw a woman’s body, and going to it, he shed the rays of his lantern into the face of Bridget Flanagan. Her gray hair was matted, and her face was stained with blood; her clothes were torn and covered with the mud through which she had dragged herself along the roadside from her home. Perkins called and his wife came to the door, holding a lamp above her head, shading her eyes with her hand, afraid to go out. When he had borne Bridget indoors, Perkins took his two sons, his lantern and his shot-gun, and went across the fields to the Flanagans’. In the kitchen, bound and gagged, Margaret lay quite dead, her head beaten in by a club. The two old women must have fought desperately for their lives. The robbers, for all their work, as Perkins learned when Bridget almost miraculously recovered, had secured twenty-three silver dollars, which the sisters had kept hidden in a tin can—the fatal fortune which rumor had swelled to such a size.

Perkins roused the neighborhood, and all night long men were riding to and fro between Lulu Corners and the city. A calm Sunday morning followed, and then came the coroner, the reporters and the crowds. While the bell of the little Methodist church a mile away on the Gilboa Pike was ringing, Mark Bentley, the sheriff, dashed up behind a team of lean horses, sweating and splashed with mud from their mad gallop. Behind him came his deputies and the special deputies he had sworn in, and, sitting in his buggy, holding his whip in a gloved hand, waving and flourishing it like a baton, Bentley divided into posses the farmers who had gathered with shot-guns, rifles, pitchforks, axes, clubs, anything, placed a deputy at the head of each posse and sent them forth. Detectives and policemen came, and all that Sunday mobs of angry men were beating up the whole country for miles. Some were mounted, and these flew down the roads, spreading the alarm, leaving women standing horror-stricken in doorways with children whimpering in their skirts; others went in buggies, others plodded on foot. And all day long crowds of women and children pressed about the little house, peering into the kitchen with morbid curiosity. The crowd swelled, then shrank, then swelled again. The newspapers made the most of the tragedy, and under head-lines of bold type, in black ink and in red, they told the story of the crime with all the details the boyish imaginations of their reporters could invent; they printed pictures of the shanty, and diagrams of the kitchen, with crosses to indicate where Margaret had fallen, where Bridget had been left for dead, where the table and the stove had stood, where the door was; and by the time the world had begun a new week, the whole city was in the same state of horror and fear, and breathed the same rage and lust of vengeance that had fallen on Lulu Corners.

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