- 1Note — Preface — By Bernard Shaw
- 2How the XIX Century Found Itself Out
- 3Jack the Ripper
- 4Rise of the Scientific Spirit
- 5Zolaism as a Superstition
- 6The Passing of the Tragic Catastrophe and the Happy Ending
- 7The Difference Between Brieux and Molière or Shakespear
- 8Brieux and the Boulevard
- 9The Pedantry of Paris
- 10How to Write a Popular Play
- 11Why the Critics Are Always Wrong
- 12The Interpreter of Life
- 13How the Great Dramatists Torture the Public
- 14Brieux’s Conquest of London
- 15Parisian Stupidity
- 16Brieux and the English Theatre
- 17The Censorship in France and England
- 18Brieux and the English Censorship
- 19Taboo
- 20The Attitude of the People to the Literary Arts
- 21The Dread of the Original Thinker
- 22The Justification of Conventionality
- 23Why les Hannetons Was Censored
- 24Misadventure of a Frenchman in Westminster Abbey
- 25Marriage and Malthus
- 26Brieux and the Respectable Married Man
- 27Brieux Shews the Other Side
- 28The Most Unmentionable of All Subjects
- 29Why the Unmentionable Must Be Mentioned on the Stage
- 30Brieux and Voltaire
- 31As Good Fish in the Sea
- 32Maternity
- 33Act I
- 34Act II
- 35Act III
- 36The Three Daughters of M. Dupont
- 37Act I
- 38Act II
- 39Act III
- 40Act IV
- 41Damaged Goods
- 42Act I
- 43Act II
- 44Act III
- 45Maternity
- 46Act I
- 47Act II
- 48Act III
Three Plays by Brieux, with a Preface by Shaw
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