- 1Prefatory Note
- 2Book I — Prologue — Chapter I — Introductory
- 3Chapter II — The Choice of a Theme
- 4Chapter III — Dramatic and Undramatic
- 5Chapter IV — The Routine of Composition
- 6Chapter V
- 7Book II — The Beginning — Chapter VI — The Point of Attack: Shakesp…
- 8Chapter VII — Exposition: Its End and Its Means
- 9Chapter VIII — The First Act
- 10Chapter IX — “Curiosity” and “Interest”
- 11Chapter X — Foreshadowing, Not Forestalling
- 12Book III — The Middle — Chapter XI — Tension and Its Suspension
- 13Chapter XII — Preparation: The Finger-Post
- 14Chapter XIII — The Obligatory Scene
- 15Chapter XIV — The Peripety
- 16Chapter XV — Probability, Chance, and Coincidence
- 17Chapter XVI — Logic
- 18Chapter XVII — >
- 19Book IV — The End — Chapter XVIII — Climax and Anticlimax
- 20Chapter XIX — Conversion
- 21Chapter XX — Blind-Alley Themes — And Others
- 22Chapter XXI — The Full Close
- 23Book V — Epilogue — Chapter XXII — Character and Psychology
- 24Chapter XXIII — Dialogue and Details
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