- 1Dedication — Note
- 2Chapter I — A Foreword
- 3Chapter II — Antiquity
- 4Chapter III — Modern Awakening
- 5Chapter IV — Fifteenth Century in France and Flanders
- 6Chapter V — High Gothic
- 7Chapter VI — Renaissance Influence
- 8Chapter VII — Renaissance to Rubens
- 9Chapter VIII — Italy
- 10Chapter IX — France
- 11Chapter X — The Gobelins Factory, 1662
- 12Chapter XI — The Gobelins Factory (Continued)
- 13Chapter XII — The Gobelins Factory (Continued)
- 14Chapter XIII — The Gobelins Factory (Continued)
- 15Chapter XIV — Beauvais
- 16Chapter XV — Aubusson
- 17Chapter XVI — Savonnerie
- 18Chapter XVII — Mortlake
- 19Chapter XVIII — Identifications
- 20Chapter XIX — Identifications (Continued)
- 21Chapter XX — Borders
- 22Chapter XXI — Tapestry Marks
- 23Chapter XXII — How It Is Made
- 24Chapter XXIII — The Bayeux Tapestry
- 25Chapter XXIV — To-Day
- 26Best Periods and Their Dates
The Tapestry Book
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