- 1I — In Which the Destiny That Plays With Men Moves the Pieces on th…
- 2II — Tells the Story of a Loss, and How It Affected the Rev. Franci…
- 3III — Indicates a Standpoint Commonly Supposed to Represent the Pri…
- 4IV — Introduces the Reader to Mrs. Wilder in a Secretive Mood
- 5V — Craven Joicey, the Banker, Finds That His Memory Is Not to Be T…
- 6VI — Tells How Atkins Explains Facts by People and Not People by Fa…
- 7VII — Finds the Rev. Francis Heath Reading George Herbert’s Poems,…
- 8VIII — Shows How the Cloak of Darkness of One Night Hides Many Emot…
- 9IX — Mrs. Wilder Is Presented in a Melting Mood, and Draycott Wilde…
- 10X — In Which Craven Joicey Is Overcome by a Sudden Indisposition, a…
- 11XI — Shows How the “Whisper From the Dawn of Life” Enables Coryndon…
- 12XII — Shows How a Man May Climb a Hundred Steps Into a Passionless…
- 13XIII — Puts Forward the Fact That a Sudden Friendship Need Not Be B…
- 14XIV — Tells How Shiraz, the Punjabi, Admitted the Frailties of Ordi…
- 15XV — In Which the Furthering of a Strange Comradeship Is Continued,…
- 16XVI — In Which Leh Shin Is Breathed Upon by a Joss, and Experiences…
- 17XVII — Tells How Coryndon Learns From the Rev. Francis Heath What t…
- 18XVIII — The Rev. Francis Heath Unlocks His Door and Shows What Lies…
- 19XIX — In Which Leh Shin Whispers a Story Into the Ear of Shiraz, th…
- 20XX — Craven Joicey, the Banker, Is Faced by a Man With a Whip in Hi…
- 21XXI — Demonstrates the Persuasive Power of a Knife Edge, and Tells…
- 22XXII — In Which Coryndon Holds the Last Thread and Draws It Tight
- 23XXIII — Demonstrates the Truth of the Axiom That “The Unexpected Al…
- 24XXIV — In Which a Wooden Image Points for the Last Time
The Pointing Man
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