- 1Editor’s Preface
- 2Author’s Preface
- 3Chapter I — Preamble
- 4Chapter II — Tools
- 5Chapter III — Sharpening-Stones — Mallet and Bench
- 6Chapter IV — Woods Used for Carving
- 7Chapter V — Sharpening the Tools
- 8Chapter VI — Chip Carving
- 9Chapter VII — The Grain of the Wood
- 10Chapter VIII — Imitation of Natural Forms
- 11Chapter IX — Rounded Forms
- 12Chapter X — The Patterned Background
- 13Chapter XI — Contours of Surface
- 14Chapter XII — Originality
- 15Chapter XIII — Pierced Patterns
- 16Chapter XIV — Hardwood Carving
- 17Chapter XV — The Sketch-Book
- 18Chapter XVI — Museums
- 19Chapter XVII — Studies From Nature — Foliage
- 20Chapter XVIII — Carving on Furniture
- 21Chapter XIX — The Grotesque in Carving
- 22Chapter XX — Studies From Nature — Birds and Beasts
- 23Chapter XXI — Foreshortening as Applied to Work in Relief
- 24Chapter XXII — Undercutting and “Built-Up” Work
- 25Chapter XXIII — Picture Subjects and Perspective
- 26Chapter XXIV — Architectural Carving
- 27Chapter XXV — Surface Finish — Texture
- 28Chapter XXVI — Craft Schools, Past and Present
- 29Chapter XXVII — On the Importance of Cooperation Between Builder an…
- 30Notes on the Collotype Plates
Wood-Carving: Design and Workmanship
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