- 1Epigraph — Preface
- 2Advertisement
- 3Errata
- 4Chapter I — Of Fitness
- 5Chapter II — Of Variety
- 6Chapter III — Of Uniformity, Regularity, or Symmetry
- 7Chapter IV — Of Simplicity, or Distinctness
- 8Chapter V — Of Intricacy
- 9Chapter VI — Of Quantity
- 10Chapter VII — Of Lines
- 11Chapter VIII — Of What Sort of Parts, and How Pleasing Forms Are Co…
- 12Chapter IX — Of Composition With the Waving-Line
- 13Chapter X — Of Compositions With the Serpentine-Line
- 14Chapter XI — Of Proportion
- 15Chapter XII — Of Light and Shade, and the Manner in Which Objects A…
- 16Chapter XIII — Of Composition With Regard to Light, Shade and Colours
- 17Chapter XIV — Of Colouring
- 18Chapter XV — Of the Face
- 19Chapter XVI — Of Attitude
- 20Chapter XVII — Of Action
The Analysis of Beauty
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