- 1Preface
- 2Preface to Second Edition
- 3Preface to Tenth Edition
- 4Part I — Chapter I — Introductory
- 5Chapter II — The Scientific Sense in Pictures
- 6Chapter III — Balance
- 7Chapter IV — Evolving the Picture
- 8Chapter V — Entrance and Exit
- 9Chapter VI — The Circular Observation of Pictures
- 10Chapter VII — Angular Composition, the Line of Beauty and the Recta…
- 11Chapter VIII — The Composition of One, Two, Three and More Units
- 12Chapter IX — Groups
- 13Chapter X — Light and Shade
- 14Chapter XI — The Place of Photography in Fine Art
- 15Part II | The Æsthetics of Composition
- 16Part III — The Critical Judgement of Pictures
- 17Chapter XIII — The Man in Art
- 18Chapter XIV — Specific Qualities and Faults
- 19Chapter XV — The Picture Sense
- 20Chapter XVI — Color, Harmony, Tone
- 21Chapter XVII — Envelopment and Color Perspective
- 22Chapter XVIII — The Bias of Judgment
- 23Chapter XIX — The Living Principle
- 24Appendix — The Concept
- 25The Procedure
- 26Design
- 27Line
- 28The Vertical
- 29The Horizontal
- 30The Diagonal
- 31Principality and Sacrifice
- 32The Dominant Idea
- 33Harmony — The Must Be’s and May Be’s of Composition
- 34Perspective
- 35Balance
- 36Color
- 37Tone
- 38Quality
- 39Don’ts
Pictorial Composition
39 sections · Download EPUB