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The Voice in Singing

by Emma Seiler

38 sections · Download EPUB

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  1. 1Translator’s Preface
  2. 2Introduction
  3. 3I | Vocal Music Its Rise, Development and Decline
  4. 4II | Physiological View Formation of Sound by the Organ of the Huma…
  5. 5Observations with the Laryngoscope by Manuel Garcia
  6. 6Emission of the Chest Voice
  7. 7Production of the Falsetto
  8. 8Manner in Which the Sounds Are Formed
  9. 9My Own Observations with the Laryngoscope
  10. 10The Chest Register
  11. 11The Falsetto Register
  12. 12The Head Register
  13. 13Abnormal Movements of the Glottis
  14. 14Results of the Foregoing Observations
  15. 15Practical Application of These Observations to the Cultivation of t…
  16. 16III | Physical View Formation of Sounds by the Vocal Organ
  17. 17Tone, and Its Laws of Vibration
  18. 18The Properties of Tone ( Klang )
  19. 19The Timbre ( Klangfarbe ) of Tones
  20. 20Over-Tones ( Obertöne )
  21. 21The Vowels
  22. 22Partial Tones
  23. 23Beats ( die Schwebungen )
  24. 24Application of the Natural Laws Lying at the Foundation of Musical…
  25. 25The Control of the Breath
  26. 26The Correct Touch of the Voice ( Tonansatz ) 14
  27. 27Formation of Vowels and Consonants
  28. 28Flexibility of Voice
  29. 29Speech
  30. 30IV | The Æsthetic View of the Art of Singing
  31. 31Rhythm
  32. 32Correct Understanding of the Tempo
  33. 33Composition
  34. 34External Aids to a Fine Execution
  35. 35Time of Instruction
  36. 36Conclusion
  37. 37Structure of the Vocal Organs
  38. 38Textual representation of the diagram on page 68

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