- 1Dedication — Preface
- 2Chapter I — Tone-Production and Voice Culture
- 3Chapter II — Breathing and Breath-Control
- 4Chapter III — Registers and Laryngeal Action
- 5Chapter IV — Resonance
- 6Chapter V — Empirical Materials of Modern Methods
- 7Chapter VI — A General View of Modern Voice Culture
- 8Part II — A Critical Analysis of Modern Methods
- 9Chapter II — The Fallacy of the Doctrine of Breath-Control
- 10Chapter III — The Fallacies of Forward Emission, Chest Resonance, a…
- 11Chapter IV — The Futility of the Materials of Modern Methods
- 12Chapter V — The Error of the Theory of Mechanical Vocal Management
- 13Part III — The Basis of a Real Science of Voice
- 14Chapter II — Sympathetic Sensations of Vocal Tone
- 15Chapter III — Empirical Knowledge of the Voice
- 16Chapter IV — The Traditional Precepts of the Old Italian School
- 17Chapter V — Empirical Knowledge in Modern Voice Culture
- 18Chapter VI — Scientific Knowledge of the Voice
- 19Part IV — Vocal Science and Practical Voice Culture
- 20Chapter II — The Causes of Throat Stiffness and of Incorrect Vocal…
- 21Chapter III — Throat Stiffness and Incorrect Singing
- 22Chapter IV — The True Meaning of Vocal Training
- 23Chapter V — Imitation the Rational Basis of Voice Culture
- 24Chapter VI — The Old Italian Method
- 25Chapter VII — The Disappearance of the Old Italian Method and the D…
- 26Chapter VIII — The Materials of Rational Instruction in Singing
- 27Chapter IX — Outlines of a Practical Method of Voice Culture
- 28Bibliography
The Psychology of Singing
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