- 1Dedication — Preface
- 2§ 1 — Introductory
- 3§ 2 — Statement of the Question
- 4§ 3 — The Authorities
- 5§ 4 — The Early Poets
- 6§ 5 — Plato
- 7§ 6 — Heraclides Ponticus
- 8§ 7 — Aristotle — The Politics
- 9§ 8 — The Aristotelian Problems
- 10§ 9 — The Rhetoric
- 11§ 10 — Aristoxenus
- 12§ 11 — Names of Keys (Hypo-)
- 13§ 12 — Plutarch’s Dialogue on Music
- 14§ 13 — Modes Employed on Different Instruments
- 15§ 14 — Recapitulation — Harmonia and Tonos
- 16§ 15 — The Systems of Greek Music
- 17§ 16 — The Standard Octachord System
- 18§ 17 — Earlier Heptachord Scales
- 19§ 18 — The Perfect System
- 20§ 19 — Relation of System and Key
- 21§ 20 — Tonality of the Greek Musical Scale
- 22§ 21 — The Species of a Scale
- 23§ 22 — The Scales as Treated by Aristoxenus
- 24§ 23 — The Seven Species
- 25§ 24 — Relation of the Species to the Keys
- 26§ 25 — The Ethos of Music
- 27§ 26 — The Ethos of the Genera and Species
- 28§ 27 — The Musical Notation
- 29§ 28 — Traces of the Species in the Notation
- 30§ 29 — Ptolemy’s Scheme of Modes
- 31§ 30 — Nomenclature by Position
- 32§ 31 — Scales of the Lyre and Cithara
- 33§ 32 — Remains of Greek Music
- 34§ 33 — Modes of Aristides Quintilianus
- 35§ 34 — Credibility of Aristides Quintilianus
- 36§ 35 — Evidence for Scales of Different Species
- 37§ 36 — Conclusion
- 38§ 37 — Epilogue — Speech and Song
- 39Appendix
- 40The End
- 41E f♯ g a b c♯ d e
The Modes of Ancient Greek Music
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