- 1Dedication — Preface
- 2Introduction
- 3Plays and Acting
- 4Sarah Bernhardt
- 5Coquelin and Molière: Some Aspects
- 6Réjane
- 7Yvette Guilbert
- 8Sir Henry Irving
- 9Duse in Some of Her Parts
- 10Annotations by the Way
- 11M — Capus in England
- 12A Double Enigma
- 13Drama
- 14Tolstoi and Others
- 15Some Problem Plays
- 16“Monna, Vanna”
- 17The Question of Censorship
- 18A Play and the Public
- 19The Test of the Actor
- 20The Price of Realism
- 21On Crossing Stage to Right
- 22The Speaking of Verse
- 23Great Acting in English
- 24A Theory of the Stage
- 25The Sicilian Actors
- 26Music
- 27Technique and the Artist
- 28Pachmann and the Piano
- 29Paderewski
- 30A Reflection at a Dolmetsch Concert
- 31The Dramatisation of Song
- 32The Meiningen Orchestra
- 33Mozart in the Mirabell-Garten
- 34Notes on Wagner at Bayreuth
- 35Conclusion — A Paradox on Art
Plays, Acting and Music
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