- 1My Purpose
- 2Section I — Preliminary Practice
- 3Section II — Of the Breath
- 4Section III — Of the Breath and Whirling Currents
- 5Section IV — The Singer’s Physiological Studies
- 6Section V — Equalizing the Voice; Breath; Form
- 7Section VI — The Attack
- 8Section VII — Nasal. Nasal Singing
- 9Section VIII — Singing Toward the Nose. Head Voice
- 10Section IX — The Head Voice
- 11Section X — Sensation and Position of the Tongue
- 12Section XI — The Sensations of the Palate
- 13Section XII — The Sensation of the Resonance of the Head Cavities
- 14Section XIII — Singing Covered
- 15Section XIV — On Vocal Registers
- 16Section XV — Development and Equalization
- 17Section XVI — White Voices
- 18Section XVII — Theodor Wachtel
- 19Section XVIII — The Highest Head Tones
- 20Section XIX — Extension of the Compass and Equalization of Registers
- 21Section XX — The Tremolo
- 22Section XXI — The Cure
- 23Section XXII — The Tongue
- 24Section XXIII — Preparation for Singing
- 25Section XXIV — The Position of the Mouth (Contraction of the Muscle…
- 26Section XXV — Connection of Vowels
- 27Section XXVI — The Lips
- 28Section XXVII — The Vowel-Sound Ah
- 29Section XXVIII — Italian and German
- 30Section XXIX — Auxiliary Vowels
- 31Section XXX — Resonant Consonants
- 32Section XXXI — Practical Exercises
- 33Section XXXII — The Great Scale
- 34Section XXXIII — Velocity
- 35Section XXXIV — Trill
- 36Section XXXV — How to Hold One’s Self When Practising
- 37Section XXXVI — Concerning Expression
- 38Section XXXVII — Before the Public
- 39Section XXXVIII — Interpretation
- 40Section XXXIX — In Conclusion
How to Sing [Meine Gesangskunst]
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