- 1Dedication — Preface
- 2List of Works Consulted
- 3First Period — Preparation (1805-1830)
- 4Chapter II — Childhood in Spain. (1805-1814.)
- 5Chapter III — Naples. (1814-1816.)
- 6Chapter IV — Paris and London. (1816-1825.)
- 7Chapter V — Opera in America. (1825-1826.)
- 8Chapter VI — New York and Mexico. (1826-1827.)
- 9Chapter VII — Operatic Career Abandoned. (1828-1830.)
- 10Second Period — Paris (1830-1848)
- 11Chapter IX — Pauline Viardot-Garcia. (1837-1841.)
- 12Chapter X — Jenny Lind. (1841-1842.)
- 13Chapter XI — Some Famous Pupils. (1842-1848.)
- 14Chapter XII — Close of Paris Career. (1848.)
- 15Third Period — London (1848-1895)
- 16Chapter XIV — The Laryngoscope. (1854-1857.)
- 17Chapter XV — Charles Santley and Antoinette Sterling. (1857-1873.)
- 18Chapter XVI — Twenty Years of Music. (1853-1873.)
- 19Chapter XVII — Three-Score Years and Ten. (1874-1890.)
- 20Chapter XVIII — An Octogenarian Author. (1890-1895.)
- 21Fourth Period — Retirement (1895-1906)
- 22Chapter XX — The Centenary Honours. (1905.)
- 23Chapter XXI — Last Days. (1905-1906.)
Garcia the Centenarian and His Times
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