- 1Epigraph — Introduction
- 2I — Definition
- 3II — The Origin of Folk-Song
- 4III — The Cante-Fable
- 5IV — The Construction of Folk-Music
- 6V — Changes That Occur in Folk-Music
- 7VI — The Quality of Folk-Song, and Its Diffusion
- 8VII — The Movement for Collecting English Folk-Song
- 9VIII — The Noting of Folk-Music
- 10IX — The Different Classes of Folk-Song
- 11X — The Narrative Ballad
- 12XI — Love Songs and Mystic Songs
- 13XII — The Pastoral
- 14XIII — Drinking Songs and Humorous Songs
- 15XIV — Highwayman and Poacher Songs
- 16XV — Soldier Songs
- 17XVI — Sea Songs
- 18XVII — Pressgang Songs
- 19XVIII — Hunting and Sporting Songs
- 20XIX — Songs of Labour
- 21XX — Traditional Carols
- 22XXI — Children’s Singing-Games
- 23XXII — The Ballad Sheet and Song Garland
- 24Bibliography
- 25English Folk-Dance — Acknowledgments
- 26Introduction
- 27I — The Morris Dance To-Day
- 28II — Tunes
- 29III — Musical Instruments
- 30IV — The Dress
- 31V — Extra Characters
- 32VI — The Sword Dance
- 33VII — The Furry Dance
- 34VIII — The Country Dance
- 35IX — The Present-Day Revival of the Folk-Dance
- 36X — Conclusions
- 37Bibliography
English Folk-Song and Dance
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