- 1Dedication — Foreword
- 2Chapter I — The Way It All Happened
- 3Chapter II — A Struggle and a Solution
- 4Chapter III — Paris at Last
- 5Chapter IV — Pension Personalities
- 6Chapter V — Operatic France Versus Operatic Germany
- 7Chapter VI — Preparing Rôles in Berlin
- 8Chapter VII — My First Operatic Contract Signed
- 9Chapter VIII — My One Lone Improposition
- 10Chapter IX — The Makings of a Small Municipal Opera House
- 11Chapter X — My Début and Breaking Into Harness
- 12Chapter XI — Some Stage Delights
- 13Chapter XII — Misplaced Moisture and the Story of a Court-Lady
- 14Chapter XIII — Human Passions and Smallpox
- 15Chapter XIV — Discouragements That Lead to a Court Theatre
- 16Chapter XV — Salaries and a Tenor’s Genius
- 17Chapter XVI — The Art of Marie Muelle
- 18Chapter XVII — The Non-Military Side of a German Officer’s Life
- 19Chapter XVIII — Geese and Guests
- 20Chapter XIX — Russians, Common and Preferred
- 21Chapter XX — The Grandmothers’ Ballet
- 22Chapter XXI — Stage Fashions and the Glory of Colour
- 23Chapter XXII — Royal Humour
- 24Chapter XXIII — Covent Garden And — America
- 25Repertoire
Confessions of an Opera Singer
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