- 1Preface
- 2Chapter I — The Chaos of Critical Theories
- 3Chapter II — The Phantom Æsthetic State
- 4Chapter III — The Language of Criticism
- 5Chapter IV — Communication and the Artist
- 6Chapter V — The Critics’ Concern With Value
- 7Chapter VI — Value as an Ultimate Idea
- 8Chapter VII — A Psychological Theory of Value
- 9Chapter VIII — Art and Morals
- 10Chapter IX — Actual and Possible Misapprehensions
- 11Chapter X — Poetry for Poetry’s Sake
- 12Chapter XI — A Sketch for a Psychology
- 13Chapter XII — Pleasure
- 14Chapter XIII — Emotion and the Cœnesthesia
- 15Chapter XIV — Memory
- 16Chapter XV — Attitudes
- 17Chapter XVI — The Analysis of a Poem
- 18Chapter XVII — Rhythm and Metre
- 19Chapter XVIII — On Looking at a Picture
- 20Chapter XIX — Sculpture and the Construction of Form
- 21Chapter XX — The Impasse of Musical Theory
- 22Chapter XXI — A Theory of Communication
- 23Chapter XXII — The Availability of the Poet’s Experience
- 24Chapter XXIII — Tolstoy’s Infection Theory
- 25Chapter XXIV — The Normality of the Artist
- 26Chapter XXV — Badness in Poetry
- 27Chapter XXVI — Judgment and Divergent Readings
- 28Chapter XXVII — Levels of Response and the Width of Appeal
- 29Chapter XXVIII — The Allusiveness of Modern Poetry
- 30Chapter XXIX — Permanence as a Criterion
- 31Chapter XXX — The Definition of a Poem
- 32Chapter XXXI — Art, Play, and Civilisation
- 33Chapter XXXII — The Imagination
- 34Chapter XXXIII — Truth and Revelation Theories
- 35Chapter XXXIV — The Two Uses of Language
- 36Chapter XXXV — Poetry and Beliefs
- 37Appendix A. on Value
- 38Appendix B — The Poetry of T. S. Eliot
Principles of literary criticism
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