- 1Foreword
- 2Introduction
- 3Chapter I — The Why of the Vaudeville Act
- 4Chapter II — Should You Try to Write for Vaudeville?
- 5Chapter III — The Vaudeville Stage and Its Dimensions
- 6Chapter IV — The Scenery Commonly Found in Vaudeville Theatres
- 7Chapter V — The Nature of the Monologue
- 8Chapter VI — Writing the Monologue
- 9Chapter VII — The Vaudeville Two-Act
- 10Chapter VIII — The Structural Elements of Two-Act Material
- 11Chapter IX — Putting the Two-Act on Paper
- 12Chapter X — The Playlet as a Unique Dramatic Form
- 13Chapter XI — Kinds of Playlet
- 14Chapter XII — How Playlets Are Germinated
- 15Chapter XIII — The Dramatic — The Vital Element of Plot
- 16Chapter XIV — The Structural Elements of Plot
- 17Chapter XV — The Characters in the Playlet
- 18Chapter XVI — Dialogue in the Playlet
- 19Chapter XVII — “Business” in the Playlet
- 20Chapter XVIII — Writing the Playlet
- 21Chapter XIX — The Elements of a Successful One-Act Musical Comedy
- 22Chapter XX — Putting Together the One-Act Musical Comedy With Hints…
- 23Chapter XXI — The Musical Elements of the Popular Song
- 24Chapter XXII — The Elements of a Successful Lyric
- 25Chapter XXIII — Writing the Popular Song
- 26Chapter XXIV — Manuscripts and Markets
- 27Chapter XXV — How a Vaudeville Act Is Booked
- 28Appendix
- 29After the Shower
- 30After the Shower
- 31The Villain Still Pursued Her
- 32The Lollard a Satirical Comedy
- 33Blackmail a One-Act Play by Richard Harding Davis
- 34The System a One-Act Melodrama
- 35A Persian Garden
- 36My Old Kentucky Home
- 37Glossary
Writing for Vaudeville
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