- 1Preface
- 2I — Principle in Art
- 3II — Real Apprehension
- 4III — Seers, Thinkers, and Talkers
- 5IV — Possibilities and Performances
- 6V — Cheerfulness in Life and Art
- 7VI — The Point of Rest in Art
- 8VII — Imagination
- 9VIII — Pathos
- 10IX — Poetical Integrity
- 11X — The Poetry of Negation
- 12XI — The Limitations of Genius
- 13XII — Love and Poetry
- 14XIII — Keats
- 15XIV — What Shelley was
- 16XV — Blake
- 17XVI — Rossetti as a Poet
- 18XVII — Mr. Swinburne’s Selections
- 19XVIII — Arthur Hugh Clough
- 20XIX — Emerson
- 21XX — Crabbe and Shelley
- 22XXI — Shall Smith have a Statue?
- 23XXII — Ideal and Material Greatness in Architecture
- 24XXIII — “Old English” Architecture, Ancient and Modern
- 25XXIV — Architectural Styles
- 26XXV — Thoughts on Knowledge, Opinion, and Inequality
Principle in Art
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