- 1Dedication
- 2Epigraph — I — Definitions
- 3II — The Nine Muses
- 4III — Poetry and Primitive Magic
- 5IV — Conflict of Emotions
- 6V — The Pattern Underneath
- 7VI — “Inspiration”
- 8VII — The Parable of Mr. Poeta and Mr. Lector
- 9VIII — The Carpenter’s Son
- 10IX — The Gadding Vine
- 11X — The Dead End and the Man of One Poem
- 12XI — Spenser’s Cuffs
- 13XII — Connection of Poetry and Humour
- 14XIII — Diction
- 15XIV — The Daffodils
- 16XV — Vers Libre
- 17XVI — Moving Mountains
- 18XVII — La Belle Dame Sans Merci
- 19XVIII — The General Elliott
- 20XIX — The God Called Poetry
- 21XX — Logicalization
- 22XXI — Limitations
- 23XXII — The Naughty Boy
- 24XXIII — The Classic and Romantic Ideas
- 25XXIV — Colour
- 26XXV — Putty
- 27XXVI — Reading Aloud
- 28XXVII — L’Arte della Pittura
- 29XXVIII — On Writing Musically
- 30XXIX — The Use of Poetry
- 31XXX — Histories of Poetry
- 32XXXI — The Bowl Marked Dog
- 33XXXII — The Analytic Spirit
- 34XXXIII — Rhymes and Alliteration
- 35XXXIV — An Awkward Fellow Called Ariphrades
- 36XXXV — Improvising New Conventions
- 37XXXVI — When in Doubt
- 38XXXVII — The Editor With the Muckrake
- 39XXXVIII — The Moral Question
- 40XXXIX — The Poet as Outsider
- 41XL — A Polite Acknowledgment
- 42XLI — Fake Poetry, Bad Poetry and Mere Verse
- 43XLII — A Dialogue on Fake-Poetry
- 44XLIII — Asking Advice
- 45XLIV — Surface Faults, an Illustration
- 46XLV — Linked Sweetness Long Drawn Out
- 47XLVI — The Fable of the Ideal Gadget
- 48XLVII — Sequels Are Barred
- 49XLVIII — Tom Fool
- 50XLIX — Cross Rhythm and Resolution
- 51L — My Name Is Legion, for We Are Many
- 52Li — The Pig Baby
- 53LII — Apology for Definitions
- 54LIII — Times and Seasons
- 55LIV — Two Heresies
- 56LV — The Art of Expression
- 57LVI — Ghosts in the Sheldonian
- 58LVII — The Laying on of Hands
- 59LVIII — Ways and Means
- 60LIX — Poetry as Labour
- 61LX — The Necessity of Arrogance
- 62LXI — In Procession
- 63Appendix — The Dangers of Definition
On English Poetry
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